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Robert Faires’ Top 10 Dance and Classical Joys of 2018
In this year’s dance and classical offerings, extraordinary depictions of loss and suffering continue to haunt
"...honor, and agony, thanks to a commanding turn by Issachah Savage in the title role, gripping work by Marina..."

Dec. 28, 2018 Arts Feature by Robert Faires

Top 10 Dance/Classical Music Treasures of 2015
Leaving deep impressions from 2015's dance and classical music works were the unexpected elements, like screen doors, trees, and car horns
"...from the personal moments with Karen Slack's despairing Aida, Issachah Savage's conflicted Radamès, and Tuija Knihtilä's haughty Amneris. 8)..."

Jan. 1, 2016 Arts Feature by Robert Faires

Aida
In Verdi's Egyptian tragedy, Austin Opera excavates from the pomp and pageantry the personal
"...claim Radamès, every note she sings invested with privilege; Issachah Savage's conflicted Radamès, guilt-ridden over choosing between love and..."

Nov. 13, 2015 Arts Review by Robert Faires

Review: Otello
Austin Opera staged a victory worthy of the Lion of Venice
"...low, a great timber felled with a thunderous crash. Issachah Savage gave us the title character of Otello in..."

Nov. 20, 2018 Arts Post by Robert Faires

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