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Iranian master filmmaker plays with the almost-moving image.

Just Once with the Frames' Glen Hansard.

Peter Jackson's extraordinary World War I documentary finds humanity in a hellish war

Kit Lambert and Chris Stamp were two would-be filmmakers who wound up managing the Who

Wes Anderson's film is a marvelous spectacle: spry, sly, and rich with microdetailed production design and tickling tributes to cinematic forebearers.

The greedy lying bastards are those responsible for destroying our planet's climate, and this documentary is naming names.

Aliens mess with a suburban family's peace of mind in this unsettling, slow-burn thriller.

Diane Keaton leads a wonderful cast in this so-so story about a lost dog and its unmoored people.

Madonna helms this movie about the scandalous marriage of King Edward VIII and Wallis Simpson.

Be ready for your office Oscar pool when it rolls around later this month.

Paul Giamatti stars in this dark comedy from the director of The Station Agent and The Visitor.

This animated Irish stunner is visually complex and colorful and was a contender this year for the best animated film Oscar.

We're still wild about Harry, even though this new adventure prefers to flush pink with its lovesick teens than forward-thrust toward the mammoth battle of good vs. evil.

There's nothing righteous about this tired and tiresome good cop/bad cop NYPD procedural.

Taiwanese master Hou Hsiao-hsien directs this contemporary homage to the classic international short, "The Red Balloon."

The great documentary filmmaker Errol Morris delves into the notorious photographs taken at Abu Ghraib to discover the "truths" they contain and whatever culpabilities they might reveal.

Every generation gets the George A. Romero socio-political zombie opus they deserve. We must be living right, because this new film cuts right to the heart.

Set in Thatcherite England, this semi-autobiographical story tells of a descent from mischievous schoolboy to junior skinhead.

This delicate Irish import, which stars the frontman of the Frames, is an insightful and endearing reimagining of a familiar genre: the musical.

November, starring Courteney Cox, is a dense, dark head-trip of a movie that seems like the bastard offspring of Memento and Mullholland Dr.

Cross-pollinate the arthouse film with B-movie backwoods gothic, and you get something like Undertow’s peculiar fusion of high and low culture.

Why not get happy? Why not celebrate love, and little twists of fate, and a sepia-in-Technicolor portrait of Paris? Amélie's heart is in the right place – squarely on its sleeve. And what better place for it?

Jarmusch's film is a tone poem about a contemporary hitman nicknamed Ghost Dog (Whitaker), who is steeped in the code of the ancient Japanese samurai.