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The Dixie Chicks' struggle with the conflicting demands of art and commerce as portrayed in this documentary shows that they're still not ready to make nice.

WWE wrestling champion John Cena makes his film debut in this action film.

A hard-boiled detective investigates a murder at a Buddhist monastery.

Thai martial arts star Tony Jaa, who made a strong stateside impression in the recent Ong-Bak: Muay Thai Warrior, stars in this follow-up action picture, that plays like an invigorating Free Willy with elephants.

The story of the friendship and contrasting paths to success of two natural ballplayers, both of whom appear to be too old to be playing teens, Crossover tries hard but never makes the leap.

Like any indie comedy worth its weight in quirkiness, Little Miss Sunshine is packed with offbeat characters, all struggling to find meaning in life – in this case on a road trip to a children's beauty pageant. And the film is so much fun, it's almost impossible not to enjoy the journey.

This snooty-dancer-meets-street-dancer musical romance is so painfully intent on teaching its characters life lessons every few minutes that it forgets to be trashy.

Larry Clark, the director of Kids, is back 10 years later with this look at a group of teenage male Latinos in Los Angeles who have more than the usual difficulties finding somewhere to fit in.

If you leave the theatre with that awkward too-much-information feeling after peering into the director's self-exposed psyche, you will also remember his high-wire act that combines fact and fiction, drama and self-deprecating humor, honesty and self-delusion.

Racing junkies would be better off browsing the many online drifting videos in which the camera doesn't cut and the people don't speak.

With an award-winning performance by Maggie Cheung, Clean is one of the most emotionally honest movies about drug addiction ever made.

Despite being a movie about youthful inertia among some Mexico City adolescents stuck at home by themselves, Duck Season is squirmy, restless and avidly visual.

This Italian film presents a modern parable about a Palestinian family, whose home in the West Bank is abruptly taken over by Israeli soldiers.

This new version of the timeless love story is a dopey, mopey, all-around bore.

The film's wonderfully over-the-top performances often feel constrained by first-time film director Susan Stroman, whose inexperience behind the camera is all too apparent.

This documentary follows a group of spiritual voyagers through a series of pilgrimages and trips to Indian ashrams and holy festivals in order to create a portrait of the yogi life.

This lush and horrific anthology film from three of the finest craftsmen working today – Fruit Chan, Chan-wook Park, and Takashi Miike – is an instantly memorable and squirm-inducing assemblage.

An amusing road trip through Ukraine leads to epiphanies of history and memory in actor Liev Schreiber's only partially illuminating adaptation of Jonathan Safran Foer's novel.

This adaptation of Haruki Murakami’s eponymous short story is a delicate little curio, lighter than air and gravely philosophical at once.

Burton's best work in ages is eye candy of the highest order and as eminently watchable as a hilltop Halloween pyre or a Día de los Muertos parade run amok.

Shot in jittery black-and-white 16mm, this French film's on-the-fly aesthetic captures the shiftlessness of bourgeois youth and some of the spirit of the French New Wave.

If you like Maxim, you'll love this latest from adrenaline fiend Michael Bay.

Celebrity photographer David LaChapelle casts his lens toward the newest L.A. dance craze.

In this comedy set in Seventies Spain, a married couple makes porn movies for Scandinavian consumption.

Sprawling documentary about the globalization of the wine industry is ambitious but frequently directionless – for true connoisseurs only.

A box-office smash in its native France, this kindly and spirited film doesn’t exactly break the mold of the heartwarming, humanistic boarding-school dramedy.

An occasionally creepy but mostly rote remake of the 1953 horror classic, with some putatively clever jibes at a certain high-profile hotel heiress.

This Jane Austen adaptation takes the Bollywood out of India and leaves us something too familiar.

Don't go into the closet.

DiG! transcends the typical "rock movie" format and aspires to something greater: an examination of why we create and what we receive from art.