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Escalating property values may cause the Eastside's classiest warehouse theatre to close its doors for good

Naughty Austin Artistic Director Blake Yelavich spills all about the creation of his theatre, Arts on Real, in his cover-story interview in the trade publication DramaBiz

With the Arts on Real, Blake Yelavich has managed to do what many other theatre groups in the city have been attempting to do, some for years upon years: create from scratch the premier alternative theatre facility in Austin.

Inspired by Craig's call for democracy and Michael Ferris Gibson's documentation of it, I set out one morning to see what the good people of Austin were serving to their neighbors

The most prosperous period in Austin's cultural history came to a painful close in 2003.

Screen Door Film welcomes short-film makers

It's a happy first birthday for Arts on Real

In his 'Confessions of a Mormon Boy,' Steven Fales reveals intimate details about his life as a Mormon and a male escort and proves himself as brave and courageous as a performer can be

Naughty Austin's production of the musical The Full Monty gets off to a clunky start, but once it hits its stride, it generously delivers a fun night for its audience

There's something inherently entertaining about men in women's clothing, and you'll rarely see so many men in so much women's clothing as you will in Naughty Austin's quite entertaining revival of Pageant

Not everything in Arts on Real's production of The 24th Day comes together as well as it might, but Tony Piccirillo's script works quite effectively on the level of human drama

There's a sincerity and sweetness to Different Stages' production of Pericles, Prince of Tyre' that makes the show tender and touching

If there's a surprise to the Arts on Real production of Howard Crabtree's extravagant and campy revue, 'When Pigs Fly,' it's that it's so, well, modest

Bring cans of food to the ballet for a prize in return, holdovers for 'Stadium Devildare' and 'Noises Off,' and it's time for the O. Henry Pun-Off and the Capital City Men's Chorus midnight cabaret

Naughty Austin's comedy doesn't provide deep insights into Damon or Affleck, but it's funny, with some darn fine acting

The humor in Psycho Beach Party might seem as mindless as the targets, but with Naughty Austin's production the fun of guys in wigs, dancing hunks, and screaming chicks yanks you in

It would be so sad to lose the theatre on tha Real.

Naughty Austin looks to be "coming out" for a more serious production with the gay "straight" play Mambo Italiano

As a play, 'Bitten! A Zombie Rock Odyssey' is impressively bad, but it's got one hell of a soundtrack

Allison Orr's choreographic tribute to Elvis Presley, The King and I, is perceptive, inventive, and surprisingly engaging

As long as it has its mind squarely on fanged freaks, horror cliches, and musicals it can shamelessly riff off, 'Batboy: The Musical' is one bloody good time

With this Naughty Austin revue, it ain't about the story; it's about the songs – and the costumes

St. Idiot Collective's 'Vaudeville Vanya' ambitiously seeks to explode a great old play with a great old medium, but it ends up a sheen of vaudeville brushed over a hellbent staging of Uncle Vanya

'The Grind,' a new workplace satire by local playwright Timothy Thomas, reveals what happens when a company Everyguy gets caught in interoffice intrigues

Things are gonna get cheeky, queer, and local

Cultural Arts Division's Art Space Assistance Program will award $200,000 in grants to creatives in need this summer

Arts Commission's FY 19 funding adjustments head to Council

From the arts harvest, our critics pluck choice treats

In 'Sabina's Letters,' Cuban artist Eduardo Mu& #241;oz Ordoqui offers images in which video correspondence is projected onto everyday objects from his U.S. environment

Margarita Cabrera's show at Women & Their Work is filled with soft, stuffed sculptures of everyday household objects rendered in bright, cheerful colors