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7 results, sorted by date | sort by relevance
'Hear Me/See Me'
Giving young immigrants and refugees a chance to tell their own stories
"...company to perform scenes, while choreographers Melissa Villareal and Ananda Mayi Moss of Ballet East translated elements of the..."

July 6, 2012 Arts Feature by Robert Faires

For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf
The classic choreopoem becomes a tight ensemble piece in seven-part harmony
"...Add hauntingly beautiful modern choreography by Sadé Jones and Ananda Mayi Moss and the cast's unpretentious a cappella vocal..."

Sept. 9, 2011 Arts Review by Jillian Owens

Pushing Boundaries
Eight new dances that spoke engagingly to the place individuals have in groups
"...Sometimes the group was only a couple, as in Ananda Mayi Moss' "Restless," where two dancers in front of..."

Dec. 12, 2008 Arts Review by Robert Faires

Radio Silence: a word opera
Zell Miller III's hip-hop opera is fascinating when it isn't flying by so quickly
"...at the expense of meaning. Exacerbating the tempo was Ananda Mayi Moss' omnipresent choreography, which didn't assist my understanding...."

Aug. 29, 2008 Arts Review by Barry Pineo

Talkin' the Walk
Hip-hop theatre artist Zell Miller III speaks truth about radio, race, and fatherhood
"...bringing in not just additional actors but also choreographer Ananda Mayi Moss. What nudged him toward this stage in..."

Aug. 22, 2008 Arts Feature by Katherine Catmull

Paths
The many paths we walk can shape the people we become in life. Ballet East united old and new troupe dancers and choreographers to present multiple works in Paths.
"...head or lying face down in cobra pose. When Ananda Mayi Moss' Eye for an I opened, the stage..."

Dec. 12, 2003 Arts Review by Heather Barfield Cole

On the Road Again
Ballet East's Paths traces some of the many passages through life.
"...For other choreographers, the journey is political. Company member Ananda Mayi Moss comments on "this time of economic uncertainty..."

Dec. 5, 2003 Arts Feature by Robert Faires

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