Austin Film Festival Review: What Remains
Anne Heche's final film shows the complexity of forgiveness
211-240 of 12,579 entries
Rod Machen, Nov. 3, 2022
Aftersun
Poignant final holiday sums up a beautifully captured father-daughter relationship
Richard Whittaker, Nov. 4, 2022
Armageddon Time
James Gray's note-perfect depiction of moral failings in Eighties NYC
Marjorie Baumgarten, Nov. 4, 2022
Something in the Dirt
Benson and Moorhead's pandemic whimsy takes on the perils of conspiracy theory
Richard Whittaker, Nov. 4, 2022
Run Sweetheart Run
Supernatural #MeToo thriller never hits a reliable pace
Annie Flores, Nov. 4, 2022
The Return of Tanya Tucker – Featuring Brandi Carlile
Intimate portrait of Country's unfairly scorned queen
Doug Freeman, Nov. 4, 2022
Soft & Quiet
Insidious racism becomes a rabid nightmare
Rod Machen, Nov. 4, 2022
Good Night Oppy
Mars rover documentary concentrates too much on the inner life of machines
Jenny Nulf, Nov. 4, 2022
Causeway
Jennifer Lawrence returns in a moving portrait of a damaged woman
Jenny Nulf, Nov. 4, 2022
Austin Film Festival Review: Sam & Kate
Hoffman and Spacek in a bittersweet tale of love and family
Richard Whittaker, Oct. 29, 2022
The Banshees of Inisherin
The In Bruges team reunites for a genius tale of friendship gone awry
Trace Sauveur, Oct. 28, 2022
Last Flight Home
The decision to embrace death becomes a touching affirmation of life
Josh Kupecki, Oct. 28, 2022
Call Jane
Timely but lightweight abortion drama isn't up to the topic's pressing needs
Sarah Jane, Oct. 28, 2022
Black Adam
The Rock joins the DC Universe as the shadowy version of Superman
Trace Sauveur, Oct. 28, 2022
Please Baby Please
Andrea Riseborough remains unmissable in this wild, weird, and divisive Fifties fantasy
Sarah Jane, Oct. 28, 2022
Eternal Spring
China's religious oppression explored through the art of Daxiong
Richard Whittaker, Oct. 21, 2022
Decision to Leave
Park Chan-wook strips away his signature violence for a tender, tragic love story
Josh Kupecki, Oct. 21, 2022
My Policeman
Harry Styles' celebrity overshadows this bloodless period drama
Kimberley Jones, Oct. 21, 2022
Ticket to Paradise
Clooney and Roberts join the year of the rom-com with a by-the-numbers effort
Sarah Jane, Oct. 21, 2022
Halloween Ends
Jamie Lee Curtis stars in her umpteenth face-off with a retirement-age Michael Myers
Trace Sauveur, Oct. 21, 2022
Slash/Back
Smart Canadian horror sets Indigenous teens against alien invaders
Matthew Monagle, Oct. 21, 2022
TÁR
Cate Blanchett proves herself a maestro in this furious and brilliant musical drama
Marjorie Baumgarten, Oct. 21, 2022
Stars at Noon
Minor Claire Denis juggles an ill-fated love affair and a murky espionage plot
Josh Kupecki, Oct. 14, 2022
Old Man
Uninspired cabin-in-the-words horror elevated by engaging acting
Josh Kupecki, Oct. 14, 2022
Traveling Light
Exploratory film revisits the not-so-long-forgotten events that defined the early pandemic
Annie Flores, Oct. 14, 2022
Triangle of Sadness
Ruben Östlund's newest Cannes' award-winning social satire falls flat
Marjorie Baumgarten, Oct. 14, 2022
Accident Man: Hitman’s Holiday
Fights galore, over-the-top kills, and a major Scott Adkins showcase
Sarah Jane, Oct. 14, 2022
Loving Highsmith
Documentary about the acclaimed American novelist explores her past loves
Steve Davis, Oct. 14, 2022
Riotsville, USA
Standout doc about the Sixties explores still relevant lessons in police oppression
Sarah Jane, Oct. 14, 2022
Piggy
Spanish teen slasher subverts the tropes with a new kind of protagonist
Jasmine Lane, Oct. 7, 2022
ICOSA
