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One of this Italian horror master’s very best works, Deep Red features Blow-Up‘s Hemmings as a jazz pianist in Rome, who is suspected of having committed a murder before becoming a target himself. Argento’s florid camerawork and spooky Gremlin music are in ample evidence here.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
