Don't Call Roland Emmerich the Master of Disaster
The director talks sneaking his epic sci fi past the studio
241-270 of 23,663 entries
Richard Whittaker, Feb. 4, 2022
Now Streaming in Austin: 'An Uncomfortable Woman
New short film makes perpetual unease the villain
Richard Whittaker, Feb. 3, 2022
Introduction
Korean master of the understated finds romance in beginnings
Movie Review, Feb. 4, 2022
GameStop: Rise of the Players
How a collapsed stock leveled up
Movie Review, Feb. 4, 2022
Who We Are: A Chronicle of Racism in America
An unmissable lesson in this county's tortured history
Movie Review, Feb. 4, 2022
Sundown
Existential mystery gets less interesting with every answer
Movie Review, Feb. 4, 2022
The Long Night
Evil rules in the occult South
Movie Review, Feb. 4, 2022
The Wolf and the Lion
Sweet-natured animal adventure brings back an old story
Movie Review, Feb. 4, 2022
More Choices for Dinner and a Movie at Blue Starlite
Austin’s drive-in chain announces a pair of new locations
Richard Whittaker, Feb. 3, 2022
jackass forever
Because dick punches are never not funny
Movie Review, Feb. 4, 2022
SXSW Film Goes Right to the Moon
Apollo 10 1/2, Sandra Bullock, and more join movie list
Richard Whittaker, Feb. 2, 2022
From Stage to Page to Screen: Inside the Script of West Side Story
Tony Kushner explains the process of adapting a classic
Richard Whittaker, Jan. 31, 2022
Sundance Review: Cha Cha Real Smooth
Cooper Raiff's bittersweet romance in the post-college drift
Richard Whittaker, Jan. 29, 2022
Sundance Review: Meet Me in the Bathroom
NYC music doc is as rambling as the city
Richard Whittaker, Jan. 28, 2022
Sundance Review: Something in the Dirt
Benson and Moorhead get cosmic and claustrophobic
Richard Whittaker, Jan. 27, 2022
Scrubs Cast Back on Shift at ATX TV Festival
Reunion delayed from 2020 festival scheduled for this summer
Richard Whittaker, Jan. 27, 2022
Flee
Animated documentary gives a new look to the refugee experience
Movie Review, Jan. 28, 2022
Charli XCX: Alone Together
Pop icon's "making of" doc is a sugar rush of positive fandom
Movie Review, Jan. 28, 2022
Clean
Adrien Brody gets dirty in this suitably scummy revenge drama
Movie Review, Jan. 28, 2022
Last and First Men
Overlooked SF novel becomes a mournful but hopeful meditation
Movie Review, Jan. 28, 2022
Poly Styrene: I Am a Cliché
A daughter recalls growing up with a punk icon mum
Movie Review, Jan. 28, 2022
Sundance Review: Lucy and Desi
Inside the relationship that defined an era of TV
Richard Whittaker, Jan. 26, 2022
Rooster Teeth's RTX Fan Convention Returns in July
Celebration of the local streamers back after two years online
Richard Whittaker, Jan. 26, 2022
Austin Makes the MovieMaker Magazine List of Best Cities for Filmmakers
Even in the pandemic, the city stays a home for filmmakers
Richard Whittaker, Jan. 25, 2022
Sundance Review: Downfall: The Case Against Boeing
Inside the corporate culture that lead to two deadly crashes
Richard Whittaker, Jan. 24, 2022
Hello to New Friends Again, Down in Fraggle Rock
Behind the scenes on the revival of the beloved puppet show
Richard Whittaker, Jan. 21, 2022
Riley Stearns Helps Karen Gillan Look Herself in the Eye in Dual
Riley Stearns' new sci-fi drama makes its world premiere at Sundance
Richard Whittaker, Jan. 20, 2022
Parallel Mothers
Almodóvar and Cruz's latest pairing unearths Spain's history
Movie Review, Jan. 21, 2022
Nightmare Alley: Vision In Darkness And Light
Del Toro's sideshow noir gets a monochrome transfer
Movie Review, Jan. 21, 2022
Decay, Preserve, Observe: The Experimental Memories of Bill Morrison
The cinematic pioneer discusses his career and filmography before his Austin retrospective
