Sections Screens

151-180 of 23,663 entries
SXSW Film Review: <i>Bitch Ass</i>
Film Review: Bitch Ass
A smart and sinister entry into the pantheon of Black nightmare cinema

Marc Savlov, March 15, 2022

Lizzo at SXSW: “It’s Bad Bitch O’Clock”
Lizzo at SXSW: “It’s Bad Bitch O’Clock”
With an upcoming series and album underway, Lizzo is living her dream

Vivie Behrens, March 14, 2022

SXSW Short and Sweet:
Short and Sweet: "Birds"
Katherine Propper looks at teen life in her new hybrid short

Richard Whittaker, March 14, 2022

Cast and Crew of <i>The Boys</i> Tackle Toxic Masculinity at SXSW
Cast and Crew of The Boys Tackle Toxic Masculinity at SXSW
Preview of new season features dicks, dancing, and superhero dildos

Tom Cheredar, March 14, 2022

SXSW Film Review: <i>The Cow</i>
Film Review: The Cow
Romance/thriller with Winona Ryder keeps you guessing ... & guessing

James Scott, March 14, 2022

SXSW Film Review: <i>Pretty Problems</i>
Film Review: Pretty Problems
Wealth can't fill an empty soul in this class clash comedy

Rod Machen, March 14, 2022

SXSW Film Review: <i>In the Court of the Crimson King</i>
Film Review: In the Court of the Crimson King
An accessible, and funny look at one of the most precise bands in history

Joe Gross, March 14, 2022

SXSW Film Review: <i>Cesária Évora</i>
Film Review: Cesária Évora
A loving portrait of the late-blooming singer

Kimberley Jones, March 14, 2022

SXSW Film Review: <i>The Unknown Country</i>
Film Review: The Unknown Country
Reality proves more compelling in this mixt of journalism and fiction

Dina Barrish, March 14, 2022

SXSW Film Review: <i>X</i>
Film Review: X
Ti West's triumphant, gory return to the movies

Jenny Nulf, March 14, 2022

SXSW Film Review: <i>Diamond Hands: The Legend of WallStreetBets</i>
Film Review: Diamond Hands: The Legend of WallStreetBets
Reflective doc revisits Gamestop (again)

Josh Kupecki, March 14, 2022

SXSW Film Review: <i>32 Sounds</i>
Film Review: 32 Sounds
Probing the line between sound and memory

Joe Gross, March 14, 2022

SXSW Film Review: <i>Apollo 10 1/2: A Space Age Childhood</i>
Film Review: Apollo 10 1/2: A Space Age Childhood
Linklater's loving reminiscence of space race Houston

Trace Sauveur, March 14, 2022

SXSW Film Review: <i>The Pez Outlaw</i>
Film Review: The Pez Outlaw
How one man's candy obsession sparked international intrigue

Rod Machen, March 14, 2022

SXSW Film Review: <i>The Thief Collector</i>
Film Review: The Thief Collector
Crime curiosity leaves its questions unanswered

Josh Kupecki, March 14, 2022

SXSW XR: Baroque VR in “The Light in the Shadow”
XR: Baroque VR in “The Light in the Shadow”
Artist Artemisia Gentileschi comes to life through tech

Vivie Behrens, March 14, 2022

SXSW Film Review: <i>Descendant</i>
Film Review: Descendant
Doc connects a community to the slave ship that brought them to America

Dina Barrish, March 13, 2022

SXSW Film Review: <i>Gabby Giffords Won't Back Down</i>
Film Review: Gabby Giffords Won't Back Down
How the politician went from presumed dead to an inspiration

Dina Barrish, March 13, 2022

SXSW Film Review: <i>Tony Hawk: Until the Wheels Fall Off</i>
Film Review: Tony Hawk: Until the Wheels Fall Off
Reconciling the legend with the man in this life-spanning story

Trace Sauveur, March 13, 2022

SXSW Film Review: <i>Shouting Down Midnight</i>
Film Review: Shouting Down Midnight
Years after Wendy Davis’ filibuster, doc follows those still fighting

Vivie Behrens, March 13, 2022

SXSW Film Review: <i>Marcel The Shell With Shoes On</i>
Film Review: Marcel The Shell With Shoes On
Jenny Slate brings this talking seashell to life

Trace Sauveur, March 13, 2022

SXSW Film Review: <i>The Lost City</i>
Film Review: The Lost City
Bullock and Tatum bring back slapstick

Sarah Jane, March 13, 2022

SXSW Film Review: <i>The Return of Tanya Tucker</i>
Film Review: The Return of Tanya Tucker
The tabloid-plagued country legend finally gets her due

Doug Freeman, March 13, 2022

SXSW Film Review: <i>Deadstream</i>
Film Review: Deadstream
Horror-comedy that gets the laugh/scream ratio right

Matthew Monagle, March 12, 2022

SXSW Film Review: <i>Pirates</i>
Film Review: Pirates
Teens navigate the UK garage scene in this turn-of-the-century tale

Joe Gross, March 12, 2022

SXSW Film Review: <i>Crows Are White</i>
Film Review: Crows Are White
Buddhist monks doc morphs into journey of self-discovery

Kimberley Jones, March 12, 2022

SXSW Film Review: <i>I Get Knocked Down</i>
Film Review: I Get Knocked Down
Doc explores life after Chumbawamba's 90s megahit

Joe Gross, March 12, 2022

SXSW Film Review: <i>Everything Everywhere All At Once</i>
Film Review: Everything Everywhere All At Once
Daniels, Michelle Yeoh and Ke Huy Quan live up to the title

Richard Whittaker, March 12, 2022

SXSW Film Review: <i>Your Friend, Memphis</i>
Film Review: Your Friend, Memphis
One man inspires a better view of differently abled people

Jessi Cape, March 12, 2022

SXSW Film Review: <i>What We Leave Behind</i>
Film Review: What We Leave Behind
Love and dedication transcend all in granddaughter’s portrait

Jessi Cape, March 12, 2022

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