Film Review: Mama Bears
Documentary proves the power of love
121-150 of 23,663 entries
Jasmine Lane, March 17, 2022
Film Review: Jazz Fest: A New Orleans Story
Celebrating 50 years of Big Easy music and culture
Michael King, March 17, 2022
Film Review: The Locust
Filmmaking metadrama about the perils of being your own subject
Jenny Nulf, March 17, 2022
Episodic Review: DMZ
New Ava DuVernay series departs from her usual visual style
Marjorie Baumgarten, March 17, 2022
Film Review: Kids in the Hall: Comedy Punks
Canada's transgressive comedy kings reunite
Sheryl Lawrence, March 17, 2022
Sarah Silverman, Neil Brennan Will Bask in the Glow of Moontower Just For Laughs Austin
Plus Showtime says I Love That For You
Richard Whittaker, March 17, 2022
The 13 Hours That Changed Texas in Shouting Down Midnight
SXSW documentary stands by Wendy Davis during her filibuster
Mike Clark-Madison, March 17, 2022
The Outfit
Gangster flick is well-tailored but somehow still a little saggy
Movie Review, March 18, 2022
X
Ti West returns with a brilliant period horror-porno (horno?)
Movie Review, March 18, 2022
All My Friends Hate Me
College reunion comedy takes a dark turn
Movie Review, March 18, 2022
Alice
Southern slavery drama with a twist
Movie Review, March 18, 2022
SXSW Doc Proves That Being an Evangelical Christian Doesn't Have to Mean Transphobia
Love above all others in Mama Bears
James Scott, March 17, 2022
Compartment No. 6
Strangers on a train form a tense bond in this Finnish drama
Movie Review, March 18, 2022
The Last Border Crossing
Iliana Sosa's trips with her grandfather become touching documentary What We Leave Behind
Richard Whittaker, March 17, 2022
Master
Academic horror puts Black women in the crosshairs of multiple perils
Movie Review, March 18, 2022
Film Review: A Lot of Nothing
The Black bourgeoisie contends with police shootings
Rod Machen, March 16, 2022
Film Review: It's Quieter in the Twilight
The mortality of machines and their creators gently explored
Richard Whittaker, March 16, 2022
Film Review: The Mojo Manifesto: The Life and Times of Mojo Nixon
Raucous doc celebrates the legend without seeing much of the man
Doug Freeman, March 16, 2022
Film Review: Master
Academic horror makes racism its thesis
Marc Savlov, March 16, 2022
Film Review: I Love My Dad
SXSW Grand Jury award winner finds humor in an icky setup
Marjorie Baumgarten, March 16, 2022
SXSW Announces Grand Jury Award Winners
Austinite Iliana Sosa wins twice for What We Leave Behind
Richard Whittaker, March 16, 2022
Film Review: Lover, Beloved
Suzanne Vega hunts for Carson McCullers in this filmed stageplay
Josh Kupecki, March 16, 2022
Film Review: Linoleum
Jim Gaffigan plays two roles in this tale of a life unrealized
Trace Sauveur, March 16, 2022
Film Review: Facing Nolan
A baseball doc that hits even if you don't like baseball
Jasmine Lane, March 16, 2022
Film Review: More Than Robots
Sweet family doc profiles STEM dynamos
Kimberley Jones, March 15, 2022
Episodic Review: The Man Who Fell To Earth
First look at the Showtime sequel to the Bowie space oddity
Sarah Jane, March 15, 2022
Film Interview: The Cellar
How Brendan Muldowney brought fun and family into his horror
Richard Whittaker, March 15, 2022
Film Review: Bodies Bodies Bodies
Whipsmart horror is more than its Gen-Z Clue setup
Jenny Nulf, March 15, 2022
Film Review: Slash/Back
Indigenous alien invasion horror-comedy is an icy blast
Matthew Monagle, March 15, 2022
Short and Sweet: "Act of God"
Austin-made short busts the disability drama tropes
