A Tall Drink of Water

Stars we love at the Paramount Summer Classic Film series

<i>Mildred Pierce</i>
Mildred Pierce

Scrappy Joan Crawford

Joan Crawford made clawing out of the gutter an art form. By the time the San Antonio-born actress with the angular body and streetlamp eyes starred in Mildred Pierce, she'd been doing it onscreen for 20 years. But Mildred Pierce, a single mother who builds a successful chain of restaurants in the 1945 adaptation of James Cain's novel, was different. Other actresses her age, including Bette Davis, had turned down the role, but Crawford won an Oscar for her Mildred, draped in dignity and tasteful furs, her scrapping days over at last.

But there's a nasty little reflux of a daughter in the film who will never be content. It's hard not to see in Ann Blyth's venomous Veda a shadow of the old, hungry Crawford of the Twenties and Thirties, the gold-digging man-trap who looked ready to dismantle the world and everyone in it, piece by piece, to get her share. That Crawford, all spidery legs and big eyes, is at her best in the fantastically bitchy comedy, The Women. Adapted from Clare Boothe Luce's acrid stage play and directed by George Cukor with an all-female cast – not a single man appears on screen – The Women follows wealthy women from the beauty salon to the perfume counter to the ladies' room with anthropological spite.

Offstage, men are making the money and cheating on their wives with Crawford's brittle, lanky shopgirl, Crystal Allen. After all, someone has to work the perfume counter. "Look, what have you got to kick about?" she asks cheated-on Mary Haines, played by MGM's resident saint Norma Shearer. "You've got everything that matters – the name, the position, the money." When Shearer talks of love, Crawford snorts, "You noble wives and mothers bore the brains out of me," and the offscreen rivalry between them gives it a realistic zing. Crawford's a tall glass of something all right, but it ain't water.

The Women: Sat., May 24, 6:05pm; Sun., May 25, 2pm (P)

What Ever Happened to Baby Jane?: Sat., July 5, 4:15pm; Sun., July 6, 4pm (S)

Mildred Pierce: Mon., July 21, 7pm; Tue., July 22, 8:35pm (P)

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More by Amy Gentry
The Good Eye: The Pulse
The Good Eye: The Pulse
The Good Eye says goodbye

April 3, 2015

The Good Eye: Allies in the Industry
The Good Eye: Allies in the Industry
Giving Austin actresses a seat at the table

March 27, 2015

KEYWORDS FOR THIS STORY

Summer Fun 2014

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

New recipes and food news delivered Mondays

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle