The Austin Chronicle

https://www.austinchronicle.com/screens/2009-03-20/756486/

SXSW Film

Daily Reviews and Interviews

By Thomas Fawcett, March 20, 2009, Screens

Soul Power

Documentary Feature, 24 Beats per Second
D: Jeffrey Levy-Hinte

The "Rumble in the Jungle" was the main event, but this concert in the Congo was a hell of an undercard. The three-day festival in Zaire paired James Brown, B.B. King, and Bill Withers with top African talent before the epic 1974 Ali-Foreman title bout. Soul Power serves as a companion piece to 1996 documentary When We Were Kings, mining the same 16mm archival footage that sat in rusty cans in a Jersey warehouse for three decades. The film uncorks magical moments like Celia Cruz belting out "Cuando Llegaré" accompanied by King's strumming on the 13-hour flight and Ray Barretto inciting a jamming drum circle at an open-air Kinshasa market. The concert commences with Withers' devastating ballad "Hope She'll Be Happier," but Brown – who, like Ali, transcended entertainment – is the star of the show. Artfully stitched together sans narration, Soul Power stands alongside Wattstax as a critical concert film of the Black Power era.


Thursday, March 19, 2:30pm, Paramount

Copyright © 2019 Austin Chronicle Corporation. All rights reserved.

The Austin Chronicle

https://www.austinchronicle.com/screens/2009-03-20/756486/

SXSW Film

Daily Reviews and Interviews

By Thomas Fawcett, March 20, 2009, Screens

Soul Power

Documentary Feature, 24 Beats per Second
D: Jeffrey Levy-Hinte

The "Rumble in the Jungle" was the main event, but this concert in the Congo was a hell of an undercard. The three-day festival in Zaire paired James Brown, B.B. King, and Bill Withers with top African talent before the epic 1974 Ali-Foreman title bout. Soul Power serves as a companion piece to 1996 documentary When We Were Kings, mining the same 16mm archival footage that sat in rusty cans in a Jersey warehouse for three decades. The film uncorks magical moments like Celia Cruz belting out "Cuando Llegaré" accompanied by King's strumming on the 13-hour flight and Ray Barretto inciting a jamming drum circle at an open-air Kinshasa market. The concert commences with Withers' devastating ballad "Hope She'll Be Happier," but Brown – who, like Ali, transcended entertainment – is the star of the show. Artfully stitched together sans narration, Soul Power stands alongside Wattstax as a critical concert film of the Black Power era.


Thursday, March 19, 2:30pm, Paramount

Copyright © 2019 Austin Chronicle Corporation. All rights reserved.

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