Book Review: Video Reviews

Ethan Cohen

Video Reviews

The Drunken Driver Has the Right of Way: Poems

by Ethan Coen

Crown, 137 pp., $18

Don't think that just because it offers 18 straight pages of limericks Ethan Coen's second book is a filthy, inconsequential trinket, but don't think it's much more than that, either. The 44-year-old screenwriter/producer has a witty, textured (though often tenuous) command of poetic fixed forms -- unlike, say, Jewel -- but he's not reinventing himself as a poet here, just as he wasn't reinventing himself as a short-story author with 1998's critically embraced Gates of Eden. What he's doing is having fun, squeezing out a little stress, and while that might piss off some of our more serious poets, in the end it's just a quick, capricious read, albeit one with an old soul and deep, earthy wisdom. "However much you plan and pray,/Alas, alack, tant pis, oy we,/Now -- heretofore -- 'til Judgment Day,/The drunken driver has the right of way," Coen winks in the title poem, and that sense of blind chance, of destiny ruling the day, is one we recognize from more than a few of the Coen Brothers' films. Another trait of those films is their diversity and their nods to cinematic history; in The Drunken Driver Has the Right of Way, Coen bounces from Edward Lear nonsense and rollicking sea chanteys to Byronic outcast verse and bombastic balladry, all the while staging a mock battle with some kind of anxiety of influence that borders on the self-indulgent. "If we broke their fingers,/We could stop the poets," he writes in "Solution." "We would also lose the good poems,/Uh-huh,/Like this one,/But consider;/Good poems, bad --/How many of each?" Here, it's about 50-50: Coen succeeds with the simple and bawdy -- the funny -- and falters a bit in his straddling of the sincere and insincere. But, hey, if a guy can make Blood Simple and Raising Arizona and Miller's Crossing in less than a decade, why can't he rhyme about "ripsawlike" farts and Nazi penises and the "public world which I deplore" in less than a hundred pages?

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Screens Reviews
What If the Marx Brothers Got Around to Making That Movie With Salvador Dalí?
What If the Marx Brothers Got Around to Making That Movie With Salvador Dalí?
Josh Frank brings the legendary unproduced movie to printed life

Wayne Alan Brenner, March 22, 2019

What If <i>The Texas Chain Saw Massacre</i> Was Really About the Horrors of Modern American Society?
What If The Texas Chain Saw Massacre Was Really About the Horrors of Modern American Society?
Putting the Austin-made seminal slasher back into context

Marc Savlov, March 22, 2019

More by Shawn Badgley
Somebody Up There Likes Bob Byington
Somebody Up There Likes Bob Byington
The writer-director talks about his fifth feature

April 5, 2013

Take Two Aspirin and Ping Me in the Morning
Take Two Aspirin and Ping Me in the Morning
Health care: an oral future

March 8, 2013

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

New recipes and food news delivered Mondays

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle