What happened to spring? Here it is muggy as
Randall "Tex" Cobb's armpit already and it's not even mid-May. Global warming or just the massive influx of freshly transplanted Austinites in my downtown neck of the woods? All I know is that the sky over our fair city yesterday around 5pm was as murky as one of
Sidney Greenstreet's backroom schemes -- "the stuff that breaths are made of," as Bogie would say. Take a deep pull off that respirator, then, and get those aching lungs inside where a plethora of events worthy of your attention is taking place across town. Beginning in June, the
Austin Museum of Art's
Art School at Laguna Gloria is offering a series of three cinema-studies classes that should make your post-film, opening conversational gambits that much more incisive. "Cinema Eye: Film Appreciation," featuring
Statesman (and former
Chronicle) film critic and writer
Alison Macor, begins a four-week run on June 4. Registration is $61 and the class "introduces the basic elements of film by screening a variety of works by filmmakers worldwide and examining how their stories are told through visual and narrative techniques." Macor will also be helming the five-week "Film Theory Goes to the Movies," starting July 10, $88 (plus $28 for film tickets), which will discuss narrative structure, themes, and style in current films. Finally,
Jay Needham's 12-hour "Video Art" course, beginning June 10 for $144, "is for people who want to produce more artistic, 'watchable' short videos. It covers filters and creative lighting techniques" as well as other aspects of videography. Registration continues "right up to the last minute," says Art School director
Judith Sims, and more information is available at
www.amoa.org or by calling 323-6380... Austin's film-femme collective
Reel Women has scheduled its next meeting for Wed., June 17, 7:30pm, at GSD&M. The featured speaker will be
Barbara Sonnen-Hernandez, director and executive producer of
Kid's Ideas, a children's educational program airing every Saturday morning on KXAN. Admission is free and open to the public... Screenings abound as the movie-going season approaches, beginning with
Amy Heckerling's brilliant
Fast Times at Ridgemont High at the Alamo Drafthouse Cinema, May 11-13, midnight, May 13-14, 4:30pm. If you missed the
Saturday Morning Film Club's showing of
Forbidden Planet last Saturday, this is the
other studio-produced film you have to see at least once a summer, by law, no exceptions. Vans,
Van Halen, and
Mr. Hand -- what more could you ask for? Tix and prices available at
www.drafthouse.com... Finally, the
Austin Film Society and the
Paramount Theatre begin their series,"The Subversive and the Soap Opera:
Douglas Sirk in the Fifties" beginning with 1954's
Rock Hudson/
Jane Wyman weeper
Magnificent Obsession, Tue., May 16, 9:30pm, at the Paramount. Fans of
John Waters may recall that director's loving tribute to the sublime melodrama of Sirk during last year's
aGLIFF stopover, and following Tuesdays include a chance to see some of Sirk's greatest, oddest films, including
The Tarnished Angels (May 23),
There's Always Tomorrow (May 30), and the explosively bizarre
Imitation of Life (June 27), as well as others. Sirk, who died in 1987, remains one of Hollywood's most original artists -- his fan club ranges from
Fassbinder to
Godard, although after 1959 he pretty much vanished off everyone's radar. Recent critical attention has stirred a new interest in his work, and this is your chance to see what all the hubbub is about, bub.