Evan Charles, Between Two Worlds
Altamesa bandleader searches inward on sharply written solo debut
61-90 of 9,752 entries
Doug Freemam, Aug. 3, 2023
Pearl Earl, It's Dread
It's Dread (Record Review)
Leo Vernor, Aug. 3, 2023
The Bright Light Social Hour, Emergency Leisure
Emergency Leisure (Record Review)
Raoul Hernandez, Aug. 3, 2023
Ariadne Mila, elemental
elemental (Record Review)
Adam Cherian, Aug. 3, 2023
Free Hamze & Peace, FREETAPE2: Peace by Piece
FREETAPE2: Peace by Piece (Record Review)
Derek Udensi, Aug. 3, 2023
We Asked Writers to Review Bands They'd Never Seen Before at Hot Summer Nights
Fresh looks at Grace Sorensen, Witches Exist, Vermin the Villain, Ariel & the Culture
Nayeli Portillo, July 27, 2023
The Austin Chronicle Party Sizzled at the 13th Floor During Hot Summer Nights
Fiery set snapshots of JaRon Marshall, Felt Out, and Jane Leo
Rachel Rascoe, July 24, 2023
Shinyribs, Transit Damage
Transit Damage (Record Review)
Raoul Hernandez, July 20, 2023
Being Dead
When Horses Would Run (Record Review)
Carys Anderson, July 20, 2023
Lukas Nelson & Promise of the Real
Sticks and Stones (Record Review)
Doug Freeman, July 20, 2023
Batty Jr., Do A U E!
Indie folk group pairs happy-go-lucky sound with bittersweet lyrics
Adam Cherian, July 19, 2023
Wiardon, ROAD MUSIC
Subdued beats match a young man evidently battling grief
Derek Udensi, July 18, 2023
Modern Sophia, Muddy Demos 4 Boo
Beloved kitty send-off achieves lo-fi spiritual bedroom pop sound
Adam Cherian, July 12, 2023
The Enduring Emo of Paramore Connects Past and Future at Moody Center
Hayley Williams' “dream we didn’t even know we were allowed to dream”
Wayne Lim, July 10, 2023
Snotty and Sincere, Blink-182 Creates a Nearly Pristine Pop-Punk Time Capsule
“I told you it wasn’t a fucking phase”
Abby Johnston, July 8, 2023
Only Austin Earned a Warmhearted Lucinda Williams In-Store at Waterloo Records
Celebrating her new memoir and LP, as well as shop owner John Kunz
Rachel Rascoe, July 6, 2023
promqueen, szn one
szn one (Record Review)
Wayne Lim, June 29, 2023
Johanna Heilman, When We Were Electric
When We Were Electric (Record Review)
Doug Freeman, June 29, 2023
Ladyfang, Ladyfang
Ladyfang (Record Review)
Christina Garcia, June 29, 2023
The Smile Adapts, Reworks, and Evolves the Radiohead Formula
Free-flowing trio kept diehards guessing on second night at ACL Live
David Brendan Hall, June 27, 2023
With a Punk Attitude Towards Hyperpop, Alice Longyu Gao Celebrates Pride at the Ballroom
Singer’s LED sign declared Let’s Hope Heteros Fail, Learn and Retire
Adam Cherian, June 25, 2023
The Best Things We Saw at Oblivion Access 2023: Earth, BEAK>, GEL, and More
Highlights from year two of the underground Austin music festival
Wayne Lim, June 19, 2023
It Takes a Village: Memories of Kerrville Folk Festival 2023
Dispatches from the 51st campout, from Ray Prim to Flamy Grant
Hank Erwin, June 19, 2023
BLK ODYSSY, DIAMONDS & FREAKS
DIAMONDS & FREAKS (Record Review)
Kevin Curtin, June 15, 2023
Shaver Catalog Begins Afterlife With New West Reissues
Victory, Electric Shaver, The Earth Rolls On arrive on colored vinyl
Raoul Hernandez, June 15, 2023
Alex Coke & Carl Michel Sextet, EMERGENCE
EMERGENCE (Record Review)
Michael Toland, May 11, 2023
Large Brush Collection & Creekbed Carter Hogan, Split
Tape of tender lullabies envisions a warm refuge for queer people
Wayne Lim, May 11, 2023
Tearjerk, Face to Face
Face to Face (Record Review)
Kriss Conklin, May 11, 2023
Rancho Alegre Conjunto Festival Hangs On to Unmistakably Tejano Traditions
From buzzworthy family band Baraja de Oro to local mainstay Los Pinkys
Nayeli Portillo, May 2, 2023
Willie Nelson’s 90th Birthday Tribute Convenes Keith Richards, Snoop Dogg, Norah Jones, and More at the Hollywood Bowl
Two-night song extravaganza pulled stars from across generations
