Reviews Music

61-90 of 9,698 entries
Pavement’s Cross-Generational Arrival to <i>Austin City Limits</i> Taping
Pavement’s Cross-Generational Arrival to Austin City Limits Taping
What a career, career, career, career, career it’s been

Carys Anderson, Oct. 11, 2022

The Most Memorable Moments of Sunday’s ACL Fest
The Most Memorable Moments of Sunday’s ACL Fest
Spoon, Buffalo Nichols, and Paramore’s devotional nostalgia

Christina Garcia, Oct. 10, 2022

Moody Center Becomes <i>Harry’s House</i> for Styles’ First of Six Nights
Moody Center Becomes Harry’s House for Styles’ First of Six Nights
A riot of colors and near-constant screaming on historic run

Abby Johnston, Sept. 26, 2022

Roxy Music Airs Out Its Deep Cuts At Ragged-Edged Austin Show
Roxy Music Airs Out Its Deep Cuts At Ragged-Edged Austin Show
Even with weakened chops, the HoFers enjoy each other's company

Mike Clark-Madison, Sept. 22, 2022

Review: The Bearer's <i>Chained to a Tree</i> (Silent Pendulum)
The Bearer's Chained to a Tree (Silent Pendulum)
Chained to a Tree (Record Review)

Raoul Hernandez, Sept. 22, 2022

Review: <i>No One at the Circus – The Story of Ghostwriter Through Place and Song</i>
No One at the Circus – The Story of Ghostwriter Through Place and Song by Steve Schecter
In one-man band's situationally annotated lyric book, the path is the goal

Kevin Curtin, Sept. 22, 2022

Hot Summer Nights Reviews: Choux Choux, Norman Ba$e, El Combo Oscuro, Billy Glitter
Hot Summer Nights Reviews
Free music fest cools out record hot summer

Kevin Curtin, Aug. 11, 2022

Jack White Swings for the Fences at Austin Sandlot
Jack White Swings for the Fences at Austin Sandlot
Singer/guitarist/first baseman hits home run in post-arena show baseball game

Kevin Curtin, June 2, 2022

Faster Than Sound: Patti Smith and Bikini Kill in One Weekend
Patti Smith and Bikini Kill in One Weekend
Lighting strikes twice in Austin, and Pleasure Venom opens

Rachel Rascoe, May 12, 2022

Dispatches From a New Decade of SXSW
Dispatches From a New Decade of SXSW
Our favorite musical moments from the fest

Kevin Curtin, March 24, 2022

The Best Music We Saw at SXSW on Saturday
The Best Music We Saw at SXSW on Saturday
Ukraine's KAZKA, Fuck Money, Shawn Mendes, Beck, and more

Rachel Rascoe, March 20, 2022

Dog Days: The Chronicle’s Hair of the Three-Legged Dog Day Party Reminds Us That Music is Mankind’s Best Friend
Dog Days: The Chronicle’s Hair of the Three-Legged Dog Day Party Reminds Us That Music is Mankind’s Best Friend
Yard Act, Surfbort, and hometown vibes at Hotel Vegas

Gary Lindsey, March 19, 2022

The Best Music We Saw at SXSW on Friday
The Best Music We Saw at SXSW on Friday
Seventies funk GOATs, queer nu metal, and so much more

Thomas Fawcett, March 19, 2022

The Best Music We Saw at SXSW on Thursday
The Best Music We Saw at SXSW on Thursday
Young Thug in the park, icy French experimentalism, and more

Derek Udensi, March 18, 2022

I’m Sorry, Ms. Jackson (But at Least You Are For Real?)
I’m Sorry, Ms. Jackson (But at Least You Are For Real?)
Paris Jackson comes off as a work-in-progress at SXSW

Clara Wang, March 18, 2022

Family Gathering: With an Altar to “Sister Bobbie,” Willie Nelson’s Luck Reunion Returns
Family Gathering: With an Altar to “Sister Bobbie,” Willie Nelson’s Luck Reunion Returns
Jason Isbell, Adia Victoria, Nelson & sons commune

Doug Freeman, March 18, 2022

SXSW Review: Jazz re:freshed Outernational Showcase Builds a Tradition of Innovation
SXSW Review: Jazz re:freshed Outernational Showcase Builds a Tradition of Innovation
Excitingly diverse UK scene returns to SXSW

Michael Toland, March 18, 2022

The Best Music We Saw at SXSW on Wednesday
The Best Music We Saw at SXSW on Wednesday
The buzzy, the brave, the thrash-able twee-pop

Michael Toland, March 17, 2022

The Best Music We Saw at SXSW on Monday
The Best Music We Saw at SXSW on Monday
Cifika in a tube, Haru Nemuri thrives live, and other highlights

Rachel Rascoe, March 15, 2022

Residential Address: The Mellows Bring Sixties Pop to Sagebrush
Residential Address: The Mellows Bring Sixties Pop to Sagebrush
With a focus on good hooks, the band makes falling in love danceable again

Gary Lindsey, March 3, 2022

Faster Than Sound: Musical Top 10s of 2021
Musical Top 10s of 2021
One writer's favorite Austin-sourced albums, songs, and such from the last 12 months

Rachel Rascoe, Dec. 16, 2021

Review: Heartless Bastards <i>A Beautiful Life</i>
Heartless Bastards A Beautiful Life
A Beautiful Life (Record Review)

Doug Freeman, Sept. 16, 2021

We Asked Writers to Review Bands They’d Never Seen Before at Hot Summer Nights
We Asked Writers to Review Bands They’d Never Seen Before at Hot Summer Nights
Going into the unknown with TV's Daniel, xBValentine, Holy Death Trio, Frederico7, and Los Kurados

Kevin Curtin, Sept. 2, 2021

Gary Clark Jr. Spotlights Familial Austin Talent in Blues On the Green’s Return
Gary Clark Jr. Spotlights Familial Austin Talent in Blues On the Green’s Return
“Everybody is listening to the guitar man”… and his friends

Kevin Curtin, July 28, 2021

Faster Than Sound: SXSW Online Offered Lots to Look Forward To
SXSW Online Offered Lots to Look Forward To
Virtual festival forecasts incoming local debuts and tentative fall touring.

Rachel Rascoe, March 25, 2021

Faster Than Sound: Virtual ACL Music Fest Keeps Flags Flying
Virtual ACL Music Fest Keeps Flags Flying
Nostalgic livestream and rising Austin talent fundraise for the Austin Parks Foundation.

Rachel Rascoe, Oct. 15, 2020

Austin Music Awards Went Off Without a Hitch in a Show of Communal Strength and Support
Austin Music Awards Went Off Without a Hitch in a Show of Communal Strength and Support
The night everything cancelled in the capitol

Doug Freeman, March 19, 2020

Texas Platters
... And You Will Know Us by the Trail of Dead
X: The Godless Void and Other Stories (Record Review)

Alejandra Ramirez, Feb. 20, 2020

<i>Me & Mr. Cigar</i>
Me & Mr. Cigar
Butthole Surfers singer Gibby Haynes debuts a deeply weird and wonderful young adult novel.

Alyssa Quiles, Feb. 20, 2020

Texas Platters
Ben Buck
Kilroy (Record Review)

Derek Udensi, Feb. 20, 2020

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