Shaver Catalog Begins Afterlife With New West Reissues
Victory, Electric Shaver, The Earth Rolls On arrive on colored vinyl
31-60 of 9,698 entries
Raoul Hernandez, June 15, 2023
Alex Coke & Carl Michel Sextet, EMERGENCE
EMERGENCE (Record Review)
Michael Toland, May 11, 2023
Large Brush Collection & Creekbed Carter Hogan, Split
Tape of tender lullabies envisions a warm refuge for queer people
Wayne Lim, May 11, 2023
Tearjerk, Face to Face
Face to Face (Record Review)
Kriss Conklin, May 11, 2023
Rancho Alegre Conjunto Festival Hangs On to Unmistakably Tejano Traditions
From buzzworthy family band Baraja de Oro to local mainstay Los Pinkys
Nayeli Portillo, May 2, 2023
Willie Nelson’s 90th Birthday Tribute Convenes Keith Richards, Snoop Dogg, Norah Jones, and More at the Hollywood Bowl
Two-night song extravaganza pulled stars from across generations
Doug Freeman, May 1, 2023
The Best Things We Saw at Austin Psych Fest 2023
Toro y Moi, Automatic, and more highlight homegrown festival’s return
Rachel Rascoe, May 1, 2023
Blues, Funk, and La Bamba: Antone’s Austin Blues Festival Returns to Waterloo Park
Home of the Blues revives its genre mosh nearly a quarter-century later
Raoul Hernandez, April 30, 2023
Portrayal of Guilt
Devil Music (Run for Cover)
Julian Towers, April 27, 2023
Murs x Wiardon
speak n spell (Mid90s)
Derek Udensi, April 27, 2023
Trouble in the Streets
Satisfy Saturn (Spaceflight)
Kriss Conklin, April 27, 2023
Grimes Explained to UT Students Why Artists Should Make Songs With Her AI-Generated Vocals
Austin's new resident on the Drake deepfake track, TikTok, and MGMT
Rachel Rascoe, April 25, 2023
At Two Step Inn, a New Brand of Country Finds Its Central Texas Audience
Sold-out Georgetown fest matched Nineties legends and rising stars
Doug Freeman, April 17, 2023
CMT Music Awards Sticks the Landing of Austin’s First Major Televised Awards Ceremony
Moody Center prime-time production made the city part of the show
Doug Freeman, April 3, 2023
On Eras Tour, Taylor Swift Can Take Us Anywhere She Wants
Over those bridges and through the woods to Arlington stop
Rachel Rascoe, April 2, 2023
Hearing the Imperceptible as Laraaji Collaborates With Plants in a Church
Welcome to the most curious performance of SXSW Music 2023
Kevin Curtin, March 19, 2023
Bringing Comeback SOS to Austin, SZA Remains a Relatable Queen
Singer saves herself in sold-out Moody Center voyage
Katie Karp, March 10, 2023
Glue Kicks Up a Long-Awaited Punk Rock Rodeo
The reclusive quartet played This Is Austin, Not That Great
Robert Penson, March 6, 2023
Album Review: Jaimee Harris
Boomerang Town (Record Review)
Doug Freeman, Feb. 16, 2023
Album Review: The Stacks
Lay Me Down to Rest (Record Review)
Mars Salazar, Feb. 16, 2023
Blushing
Tether/Weak (Kanine)
Michael Toland, Feb. 3, 2023
LP Giobbi
Garcia (Remixed)
Christina Garcia, Feb. 3, 2023
Album Review: Rattlesnake Milk
Chicken Fried Snake (Record Review)
Kevin Curtin, Jan. 19, 2023
Album Review: je'Texas
je'Texas (Record Review)
Hank Erwin, Jan. 19, 2023
Seismic Dance Event Shows More Than a Market for House and Techno in Texas
Macrodosing the Concourse Project’s multi-gen fest
Christina Garcia, Nov. 15, 2022
The Most Memorable Moments of Levitation’s Saturday and Sunday
Die Spitz, L7, and the Pinky Rings as Fembots
Kriss Conklin, Oct. 31, 2022
Tanya Tucker Christens Lucktoberfest with Intimate Country Revue
Providing goose bumps for the new fest’s idyllic bubble
Raoul Hernandez, Oct. 30, 2022
The Most Memorable Moments of Levitation’s Thursday and Friday
King Gizzard, Godspeed You!, and more lengthy band names
Christina Garcia, Oct. 29, 2022
Memorable Moments From ACL Fest Weekend One
Some of our favorite performances that you can revisit this weekend
Abby Johnston, Oct. 13, 2022
Adrian Quesada Talks Collaborative 20-Person Austin City Limits Taping and Fest Performance
“A pretty massive undertaking in a span of a few days”
