Crucial Concerts for the Coming Week
Mike & the Moonpies lead a stacked Sagebrush bill, plus Joey DeFrancesco, Destroyer of Light, the War on Drugs, Thor & Friends, and Clem Snide
By Doug Freeman, Michael Toland, Rachel Rascoe, Christina Garcia, and Raoul Hernandez, Fri., Jan. 14, 2022
Mike & the Moonpies
Back when Mike & the Moonpies were just a head-turning local neo-traditional country bar band over a decade ago, Denis O'Donnell gave them a home base at the Hole in the Wall to hone their hard-driving honky-tonk style. Now the Moonpies finally make their debut at O'Donnell's latest concern, Sagebrush, which has become South Austin's premier joint for indie country sounds.
Known for their tireless road-dogging and tight live energy, the shutdown hit the Moonpies particularly hard, especially coming off the stellar achievement of 2019's Austin Music Award-winning Cheap Silver & Solid Country Gold. Yet the quintet remained hot with 2020 Gary Stewart tribute, Touch of You, and last year's eighth LP One to Grow On, which showcased some of Mike Harmeier's sharpest writing yet.
The lead-up delivers its own impressive lineup. Summer Dean's no-bullshit country kicking finally grabbed attention with last year's debut LP, Bad Romantic, torquing Telecaster blasts with dancehall turns. Likewise, Kathryn Legendre steps out with a fresh AMA nomination for Best Country Artist after last year's soulful "One Long Sad Song."
Brody Price slings contemplative songwriting with experimental touches and meditative lulls that linger like a twang-infused Buck Meek. James Steinle and Juliet McConkey open with a happy-hour special, the song-swapping couple leading like a young Robert Earl Keen and Nanci Griffith. – Doug Freeman
Joey DeFrancescoParker Jazz Club, Friday 14 (8pm) & Saturday 15 (8pm, 10pm)
Back in May, multi-instrumentalist Joey DeFrancesco rocked capacity crowds at Parker for two nights. For anyone who witnessed a performance, it was a highlight of a bad year. The Philadelphian's no noodler – he keeps his head up and the crowd engaged, whether he's on organ, piano, saxophone or trumpet, making him an ideal choice for that skeptical friend you've always wanted to introduce to jazz. Bringing his new trio and album More Music, DeFrancesco returns to the Warehouse District club for three shows over two nights that'll surely sell out. – Michael Toland
Destroyer of Light's Decade of DoomLost Well, Friday 14
Branding Austin fourpiece Destroyer of Light as simply a doom hammer negates the inherent ascension in the locals' lofty guitar spires (Keegan Kjeldsen) and vocal incantations (the ever awe-inspiring Steve Colca). 2020 EP Generational Warfare bookended the former's smoldering atmospherics with the latter's Robert Smith on a perfectly timed cover of the Cure's "Lullaby." 2019 LP Mors Aeterna anticipated our current "Afterlife" with (okay, fine) pungent doom. "Ten-year challenge," they began the week on FB. "Come celebrate our anniversary ... [we'll] be playing songs we haven't played in years!" This followed last week's news of an alliance with bookers Atomic Music Group. Duel, Ungrieved, and Sabbath Crow thunder first. – Raoul Hernandez
Clem SnideSaxon Pub, Monday 17, 8pm
Eef Barzelay largely retreated from the public eye over the past decade. The indie songwriter charmed in the 2000s with his band Clem Snide's sweet, melancholy melodies swooning behind his distinctly warm nasal vocals, yet bankruptcy, divorce, and depression weighed through recent years. Which makes Clem Snide's 2020s return with Forever Just Beyond even more extraordinarily powerful, a lush slow burn reclamation of self and hope as Barzelay winds through desperation toward an elusive light that recalls Vic Chesnutt and Phosphorescent. Produced by Scott Avettt, the album offers a beautiful and brutal testimony to the love and pain of the human condition. – Doug Freeman
The War on DrugsACL Live, Wednesday 19 & Thursday 20
Visions of Mom and Dad slow dancing to the powerful Eighties rock ballads from I Don't Live Here Anymore invite themselves. The fifth studio album from Philadelphia-born rock band The War on Drugs is all Eighties synth, owing debts to Phil Collins, Bob Dylan, and Def Leppard. Luscious and melancholy, the Grammy winners offer their most grounded lyrical reflections, losing none of their sparkling layers of texture and melody. These songs were made with legacy in mind, inspired by new baby Bruce (like Springsteen), said leader Adam Granduciel, who requests that concertgoers mask up. – Christina Garcia
[UPDATE Jan. 14: This post has been updated since its publication to remove the Thor & Friends show that was cancelled.]