Faster Than Sound: Happy Birthday, Daniel Johnston

Hi, How Are You Day commemorates the late, great Daniel Johnston, and SaulPaul’s Alien Adventure beams down at Scottish Rite Theater

Jason Falkner (r) backed by Spoon (Photo by David Brendan Hall)

Last Wednesday inside ACL Live at the Moody Theater, following some nonlinear ramblings on the scientific method, Cage the Elephant frontman Matt Shultz decided, "Perhaps, there is a universal standard, and that standard is love."

Cue the sing-along finale "All You Need Is Love," now an annual tradition at Hi, How Are You Day. In its third year, the event weathered its initial gathering following the September passing of birthday honoree Daniel Johnston. The fundraiser for the Hi, How Are You Project, a nonprofit established by Johnston's manager/Austin City Limits general manager Tom Gimbel to promote mental health conversation, proved a celebratory rather than somber occasion.

Shultz offered the perfect emotionally intense, acrobatic conduit for such elation, littering the stage with discarded clothing layers and luggage bags. On a breezy pop rendition of "Story of an Artist," the singer replaced Johnston's lyric "this problem's made you ill" with "this problem's made you right!" Embracing the song's creative abyss, he went on to shout, "Is anybody out there? Can anybody hear me?"

Cage the Elephant performs at Hi How Are You Day. (Photo by David Brendan Hall)

The Kentucky rock group named their 2011 LP after something Johnston told them after a festival performance: Thank You, Happy Birthday. Having long noted the late Austin great as an inspiration, Cage the Elephant won Best Rock Album for Social Cues at the Grammys days later. The spiritual connection seemed foggier for the first two acts, revealing some one-stop booking: Shultz's little brother Daniel Shultz led opener Dan Luke & the Raid, and follow-up Katie Schecter dates Cage the Elephant lead guitarist Nick Bockrath.

TV on the Radio vocalist Tunde Adebimpe could have used that center-stage time. Instead, he challenged the upper balcony view with a 15-minute interlude at far stage right. Adebimpe debuted a beautifully minimal take on "Walking the Cow," employing just his laptop percussion and vocals.

"Daniel really encouraged me to make four-track songs, and I made [this song] on four-track before it became a band song," he shared before a looped, a cappella take on 2003 anthem "Staring at the Sun."

Locals White Denim made the absolute most of their 30-minute set, launching a jaunty rock rocket with "Backseat Driver" that didn't stop for breaks or commentary. Later, bandleader James Petralli head-butted the mic during a hyperspeed cover of "I Had Lost My Mind." Before Cage the Elephant's finale, Jason Falkner brought out Spoon to assist with songs off the notably upbeat album he produced with Johnston, Is and Always Was.

He called the 2009 album Daniel's last, perhaps forgetting 2010 studio LP Beam Me Up! or 2012 compilation Space Ducks. Host Andy Langer continued the conversation of album merits, reiterating a side-stage message from Gimbel that the Falkner-produced collection was Johnston's favorite and the closest to how he envisioned his music. Upcoming on Wilco's dBpm Records, a vinyl-only live recording called Chicago 2017 is described in press materials as Johnston's final album.

The legendary Texan also received national TV honors during the Grammys In Memoriam segment, alongside Austinites Roky Erickson and Theresa Jenkins.

SaulPaul’s Alien Adventure

On Sunday, local artist SaulPaul celebrated his first-ever Grammy nomination for appearing on Best Children's Album contender The Love, by Oakland hip-hop group Alphabet Rockers. The multihyphenate rapper, born Adam Neal, explored kid-friendly compositions after attending the ceremony in 2016 with the Texas Recording Academy Chapter. Already an inspirational speaker with a TED Talk, he had no idea children's music stood among the nontelevised categories.

"I found my people," he says of the children's music community. "We all have the same mission to make dope music, but our content's different. Kids have all these 'aha' moments, so it's a great relationship."

Expanding his youth advocacy, which Neal says reaches over 100,000 kids annually across events, the artist debuts his first-ever musical theatre production. SaulPaul's Alien Adventure runs Feb. 8 through March 1 at the Scottish Rite Theater, scored by Neal and directed by Delanté Keys. Neal previously provided original music for the theatre's hip-hop musical Rap Unzel.

He penned Alien Adventure with creative partner Bianca Neal after dreaming up an outer space tale of self-discovery one night. Building in humor for older onlookers, the play begins when kiddos find a Walkman and are baffled by the old-timey tech. Naturally, it summons an alien with time traveling abilities.

Alongside new compositions, the production revisits SaulPaul's discography, distinguished by blending acoustic guitar, rapping, and singing on a loop pedal. The lively "Home," a bilingual duet with 123 Andrés, matches a dance number in Mexico. "Motivation," a Zulu-language collab with South African duo Bongi & Collin, soundtracks a scene in the country.

"As a touring artist, I've been exposed to so many different cultures," adds Neal. "You realize there are other ways to do things, and these nuances and distinctions need to be celebrated."

The larger business of being SaulPaul is perhaps best explained by his past few months. In November, new memoir Be the Change detailed his transformation "from prison incarceration to college graduation." The next month, he brought a program under the same name to Asheville, N.C., where the artist trained Buncombe County police on restorative justice practices.

Before Grammy weekend, he attended the Folk Alliance International Conference. During a presentation on looping, he built up a rendition of Lead Belly's early recordings of "Amazing Grace." Layers of beatboxing and guitar eventually invited the folk-oriented audience to sing the chorus.

"Then I rapped, like gritty rapped, 'Two years in the pen plus three on parole/ Now that's five years of my life, and where did they go?'" he explains. "I created this space where I could be authentically me, spit how I spit, and yet have these people sharing the hook. That's my secret – finding the memorable moment."

Austin takes LA: SaulPaul and Gary Clark Jr. keyboardist Jon Deas hanging out at the Grammys.


Gary Clark Jr.'s Grammy weekend proved huge for the Austin native, who took home Best Rock Performance, Best Rock Song, and Best Contemporary Blues Album honors. Backed by the Roots and Austin keyboardist Jon Deas, the blues guitarist offered the winning "This Land" onstage. Telling of a hostile neighbor who couldn't believe Clark owned his home outside Austin, lines like, "Fifty acres and a Model A/ right in the middle of Trump country" landed amidst a roaring bonfire. Find all local winners on our Daily Music blog.

The Tavern, North Lamar's German pub, revives its music bookings of the Eighties. The owners of Esther's Follies ran the bar at the time and bought it back last February. Free series Upstairs at Emily's Attic hits Fridays and Saturdays, so named for the ghost of the haunted building. Hope Irish plays Saturday and the Hens follow Feb. 7.

Black Fret, the local musician-supporting nonprofit, launched a second chapter in Seattle. The offshoot will continue use of membership fees and corporate support to create grants, a model that's provided some $1.75 million to hundreds of applying Austin musicians over the past six years. The Seattle launch video bemoans many of the same affordability concerns cited locally.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More Daniel Johnston
Texas Platters
Daniel Johnston
Chicago 2017 (Record Review)

Raoul Hernandez, Feb. 21, 2020

Faster Than Sound: Unearthing Daniel Johnston’s <i>If</i>
Faster Than Sound: Unearthing Daniel Johnston’s If
Producer Brian Beattie has an unreleased Daniel Johnston album ready, but can’t make amends with the late cult singer’s management

Rachel Rascoe, Oct. 25, 2019

More SaulPaul
Faster Than Sound: Sun June’s Emotional Landscapes
Faster Than Sound: Sun June’s Emotional Landscapes
Songwriter Laura Colwell discusses atmospheric sophomore effort Somewhere

Rachel Rascoe, Feb. 12, 2021

Arts Review
FronteraFest Short Fringe, Week Two
A high-speed train of spoken word, crackling improv, and raw poetry

Clayton Maxwell, Jan. 30, 2009

More Faster Than Sound
Faster Than Sound: Free Lunch Creatives Feed Austin’s Unhoused
Faster Than Sound: Free Lunch Creatives Feed Austin’s Unhoused
Musicians rally for emergency storm relief, and Spicewood's Katy Kirby debuts on Keeled Scales.

Rachel Rascoe, Feb. 26, 2021

Faster Than Sound: Mobley vs. the Occident Supreme
Faster Than Sound: Mobley vs. the Occident Supreme
Virtual tour of new EP caps Mobley’s movie-sized year

Rachel Rascoe, Feb. 19, 2021


Daniel Johnston, SaulPaul, Cage the Elephant, TV on the Radio, Tunde Adebimpe, White Denim, Jason Falkner, Adam Neal, Gary Clark Jr., The Tavern, Black Fret

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

New recipes and food news delivered Mondays

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle