18 International Frontwomen at SXSW Music

Her Skin

Wed. 13, Velveeta Room, 9pm; Thu. 14, Stephen F’s Bar, 10pm
Cue up Sara Ammendolia's debut LP, Find a Place to Sleep, and you might picture her deftly fingerpicking in an Appalachian cabin. She speaks fluent banjo and sings in postcard-perfect English, but was born and raised in Modena, Italy, where she developed a haunting sound that parallels the style of understated gothic folk that's become the soundtrack for many a burning stick of palo santo.


Wed. 13, Iron Bear, 9pm
If Phoenix's Wolfgang Amadeus Phoenix album was ever in your heavy rotation, boy does Vaarwell have a song for you. The Portuguese indie-pop trio's 2018 single "Stay" strums similar electronic ennui, an earworm that sounds happy and sad at the same time. They're not all electro-pop fun and games, though. Their debut LP Homebound 456 veers more into James Blake territory, with minimal obtuse arrangements anchored by Margarida Falcão's effervescent vox.

Laura Misch

Wed. 13, Lucille, 12mid; Thu. 14, Swan Dive, 11pm; Sat. 16, Townsend, 1am
Not many electronic artists consider the saxophone their primary instrument. UK songwriter Laura Misch puts on a one-woman show, shifting between synths, sax, and vocals to construct pristine tunes that defy genre. One moment she's in Portishead mode, building underwater synth textures before bursting through with a helter-skelter melody that could only come out of a trained jazz musician.

Haiku Hands

Wed. 13, Swan Dive Patio, 12mid; Fri. 15, Hotel Vegas Patio, 9:15pm
Fans of M.I.A's raw style of confrontational dance music should take note: Haiku Hands trios up cross-disciplinary artists with roots in DJ'ing, fine art, and freestyle rapping. Mix that up with a healthy dose of punk attitude and you've got tunes both hip-shaking and game-changing, banging anthems that skitter with handclaps, distorted 808 kicks, and big basslines. Expect them to leave chaos in their wake.


Wed. 13, CU29, 1am
Aughts emo kids may have flashbacks listening to Monterrey's Maria Fernanda Fuentes. Were her music released 15 years earlier, 2017 EP Fragments could've stood in for the Postal Service during a poignant moment in Garden State. The buoyant beats, sweet and sour lyrics, and reverb-spun guitars paint cinematic atmospheres that sound like a teenage crush. Given a million Spotify plays for "Awake," don't be surprised to hear one of her tunes soon in a rom-com near you.

Sofie Winterson

Thu. 14, Edwin’s, 8pm
Like most artists, Amsterdam's Sofie Winterson contains multitudes. Her reinterpretation of composer Raymond Scott's "Portofino" sounds like a Jon Brion soundtrack standout. Off Sophia Electric (2018), "Remember" captures dream-pop magic in a four-minute bottle, and her collaboration with Fatima Yamaha ("Citizens") is a jittering hi-hat away from being a minimal techno track.


Thu. 14, Valhalla, 9:20pm
New Delhi singer/producer Tarana Marwah's moniker translates to "sunlight filtering through tree leaves" ... in Japanese. You can hear the cultural crosstalk in her music, a playful rabbit hole of chiptune, anime, and radio influences blended with an auteur's ear. The result is earnest pop songs that twist and turn in unexpected ways, revealing sudden orchestral arrangements or tense slashes of silence.


Sat. 16, Townsend, 8pm
Relocated to L.A. from Tel Aviv, the duo of Sivan Levy and Yael Enosh crafts bedroom ballads with a modular synthesizer backbone, but dodges the squelchy pitfalls that weigh down most modular artists. "Swimming Backwards" mixes pastoral guitars, dusty drum machines, and textural swashes alongside crooning vocals that invoke nostalgic memories of Air's "Playground Love."

Collectif Medz Bazar

Sat. 16, Russian House, 9:05pm
This year's melting pot award goes to Collectif Medz Bazar, whose Armenian, Turkish, French, and American band members pivot between Iranian folk music, bluegrass, hip-hop, and swing. It sounds weirdly ... Austin – like you might find them soundtracking a South Austin brewpub patio or holding down a residency at Butterfly Bar. A sense of theatre underlies the musical left turns, with Middle Eastern percussion punctuating vocals that you'll want to sing along with even if you can't speak the language.


Lucia Tacchetti

Wed. 13, 720 Club Patio, 8:30pm; Fri. 15, CU29, 10pm
Playful electro-pop from Buenos Aires.

My Life as Ali Thomas

Wed. 13, Central Presbyterian Church, 10:20pm; Fri. 15, Flatstock Stage @ Austin Convention Center, 1:30pm
Nuanced Nineties Britpop via Thailand.

Sarah Tandy

Wed. 13, the Main II, 11pm; Fri. 15, Elephant Room, 12mid
Hotshot UK jazz pianist.

Ximena Sariñana

Wed. 13, Speakeasy, 11pm
Grammy-nominated Mexico City indie pop.


Thu. 14, the Main, 8pm
Conceptual Swedish fantasy dream pop.


Thu. 14, Townsend, 10pm
Post-punk guitars meet Italian electronic atmospheres.

Helena Deland

Thu. 14, Seven Grand, 12:45am
Heartbreaking Montreal indie pop with electronic backbeats.


Fri. 15, Half Step, 8:45pm
Off-the-wall threepiece plies Barcelona flamenco rap.

Lucy Spraggan

Fri. 15, Valhalla, 1am
UK LGBT balladeer with 30 million Spotify streams.

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