The Austin Chronicle

https://www.austinchronicle.com/music/2018-08-10/garrett-t-capps-in-the-shadows-again/

Texas Platters

Reviewed by Doug Freeman, August 10, 2018, Music

San Antonio produced an unlikely musical champion in Garrett T. Capps. 2016's Y Los Lonely Hipsters slanted a wry, irreverent grin, flashes of Hayes Carll or Todd Snider in Capps' ballads of bitching and bad decisions. In the Shadows (Again) maintains the underlying absurdity, but bakes a new, weird, hipster honky-tonk that hearkens alt.country and cowpunk while then turning both sounds on their head. The hard-twinging twang of opener "Born Into a Ballroom" and "Go Home" disorient with subtle effects, a lo-fi wandering through the dancehall in an opiate haze. Similarly, "The Interstate 35 Waltz" approximates Wayne Hancock on downers. Winding seven-minute side A closer "Here Right Now" rolls out like a West Texas road mirage in Capps' low drawl. The backside's "Baby Please" delivers the LP's most straightforward offering, sandwiched between the warm warp of "Dancin' Hands" and epic 11-minute closer "Trouble's Callin'." The effect is Texas surreal.

***.5

Copyright © 2019 Austin Chronicle Corporation. All rights reserved.

The Austin Chronicle

https://www.austinchronicle.com/music/2018-08-10/garrett-t-capps-in-the-shadows-again/

Texas Platters

Reviewed by Doug Freeman, August 10, 2018, Music

San Antonio produced an unlikely musical champion in Garrett T. Capps. 2016's Y Los Lonely Hipsters slanted a wry, irreverent grin, flashes of Hayes Carll or Todd Snider in Capps' ballads of bitching and bad decisions. In the Shadows (Again) maintains the underlying absurdity, but bakes a new, weird, hipster honky-tonk that hearkens alt.country and cowpunk while then turning both sounds on their head. The hard-twinging twang of opener "Born Into a Ballroom" and "Go Home" disorient with subtle effects, a lo-fi wandering through the dancehall in an opiate haze. Similarly, "The Interstate 35 Waltz" approximates Wayne Hancock on downers. Winding seven-minute side A closer "Here Right Now" rolls out like a West Texas road mirage in Capps' low drawl. The backside's "Baby Please" delivers the LP's most straightforward offering, sandwiched between the warm warp of "Dancin' Hands" and epic 11-minute closer "Trouble's Callin'." The effect is Texas surreal.

***.5

Copyright © 2019 Austin Chronicle Corporation. All rights reserved.

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