Bob Dylan

Shadows in the Night (Columbia)

Phases & Stages

Bob Dylan

Shadows in the Night (Columbia)

Despite his late entry in the standards album game, Bob Dylan actually proposed such an endeavor 35 years ago in the wake of Willie Nelson's Stardust. Then-CBS Records president Walter Yetnikoff refused to pay for it. A questionable business decision, but one that probably saved Dylan's take on the so-called "saloon songs" of Frank Sinatra from the horrors of Eighties production. AARP tie-in aside, Shadows neatly sidesteps forced pastiche. Eschewing obvious orchestral or piano accompaniments, Dylan recorded these 10 songs live in the echoing environs of Capitol Studios with members of his touring band, including local guitar hero Charlie Sexton. Sparse but thoughtful arrangements alternately dominated by steel guitar and plaintive horns complement Dylan's characteristic vocal delivery in twilight. Between its wistful pulse and Donnie Herron's gorgeous pedal steel lead, "Full Moon and Empty Arms" nods to the confluence of country and Hawaiian music. Aside from Rodgers & Hammerstein's "Some Enchanted Evening," which can't help being undone by the ubiquity of both singer and song, there's not a dud in the bunch. The real treat in hearing Dylan rework tunes like "Autumn Leaves" is a slow-motion, humanistic view of how he finds the song's critical path. (Bob Dylan blesses Bass Concert Hall May 6)

***

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Bob Dylan
Sound & Color: Four Visual Depictions of Austin's Musical Identity
Sound & Color: Four Visual Depictions of Austin's Musical Identity
A whole palette of music-related art happenings of late, from a new Daniel Johnston mural to Bob Dylan's depiction of the Hole in the Wall

Rachel Rascoe, Jan. 28, 2022

Books, Box Sets & Reviews
Bob Dylan
Travelin' Thru, 1967-1969: The Bootleg Series, Vol. 15 (Record Review)

Scott Jordan, Dec. 6, 2019

More Music Reviews
Review: Johanna Heilman, <i>When We Were Electric</i>
Review: Johanna Heilman, When We Were Electric
When We Were Electric (Record Review)

Doug Freeman, June 30, 2023

Review: Large Brush Collection & Creekbed Carter Hogan, <i>Split</i>
Review: Large Brush Collection & Creekbed Carter Hogan, Split
Tape of tender lullabies envisions a warm refuge for queer people

Wayne Lim, May 12, 2023

More by Greg Beets
Our Music Critics Pick Their Top 10 Austin Albums of 2018
Our Music Critics Pick Their Top 10 Austin Albums of 2018
80 local picks from Molly Burch to Brownout

Dec. 28, 2018

Our Music Critics Pick Their Top 10 Austin Albums of 2018
Our Music Critics Pick Their Top 10 Austin Albums of 2018
80 local picks from Molly Burch to Brownout

Dec. 28, 2018

KEYWORDS FOR THIS STORY

Bob Dylan

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle