Spotlight: Robyn Hitchcock
Thursday, March 14, 9pm, Continental Club
By Doug Freeman, Fri., March 15, 2013
Robyn Hitchcock's latest album, Love From London (Yep Roc), arrives as the songwriter turns 60, an event marked last month with a career retrospective concert in his London hometown that delved back to his earliest work with the influential Seventies psych-pop band Soft Boys. Hitchcock hasn't let the occasion steep in undue nostalgia, however.
"Some of the songs sound silly now, just phases that I went through, kind of manic songs with a touch too much Syd Barrett," admits Hitchcock with a laugh. "And they maybe didn't do me that many favors, may have given people the impression that I was more of a goofball than I am. I don't aim to be taken too seriously, but some of them may sound a bit silly now, or the mania may seem a bit forced, as if I was particularly wearing my personality disorders on my sleeve."
Hitchcock's oeuvre remains one of the most fascinating in music, a universe that opens unto itself in moments both playful and poignant. Love From London proves a beautiful ode amid tenuous times via songs like "Death and Love" and "End of Time."
"It's not a record that's sending out blasts of doom. The emphasis is definitely on celebrating," insists Hitchcock. "There are the facts as they are, but I do my best to try to avoid facts; I'm an artist. But there are things that even I can't tune out, and maybe we're all just making moonshine on the Titanic.
"I hope it's a warm record. I want people to feel comforted by it in the same way that the Beatles' records always had a terrific humanity to them, or records by the Band. Things you could kind of warm your hands over."