Eagle Claw, Tia Carrera, Megafauna, Flesh Lights, Smoke & Feathers, My Education

Highlights from first half of Free Week

Smoke & Feathers
Smoke & Feathers (Photo by John Anderson)

Eagle Claw, Tia Carrera, Megafauna, Flesh Lights, Smoke & Feathers, My Education

Red 7, Jan. 5

The microphone was mostly ornamental, but when Matt Rade of "instru-metal" locals Eagle Claw stepped up to it in between songs to praise a bill he described as "eclectic," he wasn't blowing smoke. Saturday night, Red 7's inside and outside stages came buttressed by power trios, flavors of punk, hard rock, and metal, all with an ensuring devotion to volume. The line outside the club snaked long and the weather blew cold, making it all that much easier to cozy up to other patrons for Tia Carrera's unspooling jams, more psych when Jason Morales took lead guitar, and cleaner when Jamey Simms switched off. The project remains anchored by Erik Conn, a drummer of preternatural skill. Another trio with a classically hard footprint is Megafauna, which reaches into a grab bag of progressive song skeletons over which guitarist Dani Neff shreds magnificently. Outside, the Flesh Lights pounded out a set of power punk so manic that steam rose off bassist Jeremy Steen. High, reedy vocals from Smoke & Feathers singer Josh Terry took their melted Southern rock into darker, less familiar territory, though it was Hunter Cahalan's turn at the mic and theremin that maximized eyeballs to the front of the room. At this point the crush of people hadn't subsided, and, outside, the aforementioned Eagle Claw pushed hard into 1am with a pounding set of new and old material, including the first track they wrote as a band, "Milk." Last up, My Education's woozy improvisation was a good come-down featuring Skye Ashbrook on a bounce-spitting drum machine, equal parts Hot Boys and Mogwai – eclectic all right.


Check out our Free Week Photo Galleries.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Eagle Claw
Texas Platters
Metallurgy
Apocryphon, Timing of the Void (Record Review)

Michael Toland, Nov. 16, 2012

Playback
Playback
The Eastern Sea catch the 'Plague,' Eagle Claw goes samurai, John Wesley Coleman III wants to direct, and you can't pee on the Midgetmen

Kevin Curtin, June 22, 2012

More Tia Carrera
Texas Platters
Tia Carrera
Visitors / Early Purple (Record Review)

Michael Toland, April 19, 2019

Free Week Live Shots
Amplified Heat, Duel, Greenbeard, Tia Carrera
Swan Dive, Jan. 4

Christina Garcia, Jan. 12, 2018

More Music Reviews
Texas Platters
Sabbath Crow
Carrion Highway Weird Sun (Record Review)

Michael Toland, Aug. 16, 2019

Texas Platters
USA/Mexico
Matamoros (Record Review)

Rick Weaver, Aug. 16, 2019

More by Adam Schragin
Sad Music for Somber People
Sad Music for Somber People
Toasting My Education and its dearly departed

Jan. 11, 2013

FFFF Live Review: Giant Giant Sand
Giant Giant Sand
Auditorium Shores, Nov. 4

Nov. 2, 2012

KEYWORDS FOR THIS STORY

Eagle Claw, Tia Carrera, Megafauna, Flesh Lights, Smoke & Feathers

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle