Thousand Foot Whale Claw, Trans Upper Egypt, John Wesley Coleman III, and Sands Hollow

Dope Moons Volume One, North African Berserk, Nightmare on Silly Street, and Half the Night is Candlelight (Monofonus Press)

Vinyl Bin: Monofonus Press

Thousand Foot Whale Claw

Dope Moons Volume One (Monofonus Press)

The black-hole noise opening Dope Moons seems infinite, humming for minutes before a loop rezones the spacious ambience into a three-note bassline and a single repeated tone that rides out the astonishingly uneventful 20-minute time warp of side A. The flipside comes alive, by comparison, dwelling on the local quartet's kick drum and layers of analog chirps until a long, accelerated "woooooosh" ends it. This is an album without songs where nothing really happens, but somehow it doesn't suck.

**.5

Trans Upper Egypt

North African Berserk (Monofonus Press)

This Italian quartet's dub basslines and wailing vox at times recall Public Image Ltd., only more exciting. Psychedelic weirdness, punk rock, and hypnotic repetition, Trans Upper Egypt drops nitroglycerin into the dance party punch bowl on its second release, a five-song EP. Atop an ace rhythm section that locks into unholy grooves lies radioactive guitar distortion and wildman vocals delivered in non-native English, which seem secondary until closer "TLW Are Deaf" hits like a deranged version of the Kinks' "You Really Got Me."

****

John Wesley Coleman III

Nightmare on Silly Street (Monofonus Press)

Recorded with label boss Morgan Coy in the singer's kitchen (see album art), JWC's fifth solo album rivals Jackson Pollock with an acoustic guitar, splattering guitar pop with musical imprecision and lyrical immaturity that results in a weird beauty you can't imitate. With ludicrous acid adventure "Wild Zoo," internally focused "Cancer Inside," and sensitive "Psychiatrist," Nightmare on Silly Street loosens more of the local's renegade pop gems, side B spinning demo versions of the songs plus "Mud Chop Pork Chop," approximating a disturbing 4am CB radio confession.

***

Sands Hollow

Half the Night Is Candlelight (Monofonus Press)

In between the short, lively instrumentals scattering this LP are stylistically diverse pop songs that take ice-cream-chord oldies, New Wave, and alt-folk foundations and psych them out with raw guitar leads and messy keyboards. That results in a concise, fast-moving album, with standout tracks "Watch Out" and "Education" demonstrating local collaborators Winston Chapman and Zachary Biggs' respect for melody, simplicity, and their best asset: good taste.

***

READ MORE
More Music Reviews
Texas Platters
ST 37
Fuck You, You Rule: ST 37's Greatest "Hits" (Record Review)

Tim Stegall, Oct. 20, 2017

Texas Platters
USA/Mexico
Laredo (Record Review)

Kevin Curtin, Sept. 1, 2017

More by Kevin Curtin
Days Numbered for Threadgill’s WHQ
Days Numbered for Threadgill’s WHQ
Eddie Wilson’s iconic business will close after SXSW unless ...

Oct. 20, 2017

Playback: The New Face of Austin Music Festivals
Playback: The New Face of Austin Music Festivals
Taking stock of Austin’s festival landscape a week after the conclusion of ACL Fest

Oct. 20, 2017

KEYWORDS FOR THIS STORY

Thousand Foot Whale Claw, Trans Upper Egypt, John Wesley Coleman III, Sands Hollow

MORE IN THE ARCHIVES
NEWSLETTERS
AC Daily, Events and Promotions, Luvdoc Answers

Breaking news, recommended events, and more

Official Chronicle events, promotions, and giveaways

Updates for SXSW 2017

All questions answered (satisfaction not guaranteed)