Gallows

SXSW showcase reviews

Live Shots
Photo by Sandy Carson

Gallows

Emo's Main, Wednesday, March 18

NME named Gallows' sinewy, ink-stained frontman, Frank Carter, "the Coolest Man in Rock" back in 2007, following the release of the Hertfordshire, UK, quintet's lacerating Epitaph debut, Orchestra of Wolves. That's akin to People christening Iggy Pop "Most Hunky Ex-Junkie" and proves once and for all our theory that NME is DOA. That said, Gallows' Emo's gig was, all hyperbole aside, the aural and experiential equivalent of biting down hard on a six-string shotgun shell and loving the consequences. Gallows, with a new album (Grey Britain) due out any day, combine the ripping guitars of classic hardcore with Carter's unhinged, unloved songs and South London shriek. That would've been impressive enough, but Carter – along with guitarist Lags Barnard – spent much of the set off the stage, on the floor, trying desperately to incite a mosh pit. Alas, Gallow's prime audience, "the kids," were badgeless and outside, but that didn't stop a crush of Nikon-wielding journos from joining in, cameras be damned. Passing off the mic to the crowd on blistering singles "In the Belly of a Shark" and "Abandon Ship," Carter, shirtless and drenched in everyone else's sweat, incited his own offstage cyclone: wild, feral, dangerous, and the most gutter-heroic thing to happen to UK punk since the Pistols. It was all squall, zero filler, the stuff South by Southwest showcase legends are made of. Gallows: well fucking hung, indeed.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
Saturday Interview
Saturday Interview

Kevin Curtin, March 20, 2015

Friday Interviews
Friday Interviews
The Church, Leon Bridges, Best Coast – vintage, meteoric, and sincere.

March 20, 2015

More Music Reviews
Review: Grandmaster, <i>Grandmaster</i>
Review: Grandmaster, Grandmaster
Funk prog rock supergroup lures listeners through each stage of cosmic cult indoctrination

Miranda Garza, May 24, 2024

Review: Nova, <i>NovApocalypse</i>
Review: Nova, NovApocalypse
Experimental folk-pop player Nova’s sophomore release gets twisted

Laiken Neumann, May 24, 2024

More by Marc Savlov
Remembering James “Prince” Hughes, Atomic City Owner and Austin Punk Luminary
Remembering James “Prince” Hughes, Atomic City Owner and Austin Punk Luminary
The Prince is dead, long live the Prince

Aug. 7, 2022

Green Ghost and the Masters of the Stone
Texas-made luchadores-meets-wire-fu playful adventure

April 29, 2022

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle