Eliza Gilkyson and Christine Albert
Reviewed by Margaret Moser, Fri., May 16, 2008
Here's Eliza Gilkyson and Christine Albert, two May goddesses with a taste of summer's ripe bounty to come. At the Austin Music Awards in 2006, Gilkyson stood before a packed house with an armful of awards and declared that she was proudest of winning Best Folk Act. So when she announces, "I am just a troubadour, a tried and true believer," on "Clever Disguise," she's reminding us of precisely that. Which isn't to suggest that the Mark Hallman-produced Beautiful World (Red House) is a folk album. It's not. More stylistically adventurous than the divine local songstress has been since hitting her stride with 1997's Redemption Road, her latest is still innately political in all the right ways ("Great Correction," "Runaway Train") but unexpected in the jazzy "Unsustainable." Yet it's Gilkyson the folkie who's Queen Midas, "Rare Bird," "The Party's Over," and "Wildewood Spring" tenderly evoking local names like Mambo John Treanor, all gleam with the golden touch.
Paris, Texafrance (MoonHouse) is Christine Albert's third recording in her utterly charming series of French songs recorded in Texas, accompanied by husband/partner Chris Gage whose production polishes this little gem. Albert's French heritage and Texas heart lend a rootsy feel to the covers that include those of popular French composer Charles Trenet ("Swing Troubadour," "Ya de la Joie"). There's plenty of Edith Piaf for fans of the Little Sparrow with "Chante-Moi," "Hymne à l'Amour," and "Don't Cry," but Albert avoids tribute territory with unexpected entries like Jesse Winchester's "L'air de la Louisiane" and "Un Prince en Avignon," inspired by a Walter Hyatt recording of the French traditional. Gage's choice in using spare instrumentation – sometimes only a piano – with Albert's lovely voice enhances Paris, Texafrance's warm summery feel. Many stars all around.