Stephanie Fix, LZ Love, and Erin Jaimes

Girlie Action

Texas Platters
Stefanie Fix isn't from Austin, and that's easy to surmise upon hearing her new CD, Crooked Smile. That's because Austin singer-songwriters, especially the women, have a bit of self-consciousness about them. It's road-well-traveled and tough to come close to what the best have done before. Fortunately, Fix doesn't seem the least bit intimidated and saunters forth with a solid sophomore effort that polishes her indie rock edge. Production work by Stephen Doster and Johnny Goudie approximates a meeting of the minds: Fix has a fine pop sensibility about her music ("Holy Shit, Ma," "Walking Shoes") tempered by experience, intelligence, and expressive vocals. Hope she's this good live. LZ Love's debut, Higher Ground, was her calling card into Austin's languishing R&B scene, and her new live Gut Bucket Blues disc is the thank-you. Recorded with her longtime guitarist, the estimable Lightning Red, GBB collects nine mostly original tracks with Willie Dixon ("Wang Dang Doodle") and Jimmy Reed ("Baby, What You Want Me to Do") thrown in for good measure. Love has one of the best voices in Austin, and teamed with Lightning Red's acoustic guitar, it's applied with great care and thought. This platter could be one of the sleeper hits of the year. Girlie Action patted Erin Jaimes' back for her bluesy debut a couple of years back and suggested she develop some bad habits. She did and named her band Bad Habits. With Soul Garden, Jaimes' blues have bloomed. Opening with the self-penned title track, Garden displays a firm grasp of soul songwriting, and like Sue Foley's early recordings when the once-local guitarist hadn't quite found her vocal style, Jaimes fearlessly tackles ballads ("Fear"), shuffles ("Tell Me Why"), Delta blues ("Tuck Him In"), and rockers ("I Don't Mind") with accompaniment variously from Carolyn Wonderland, Beth Garner, and Eve Monsees. Jaimes is still doing her homework, but she's the one trying hardest.

Texas Platters
Texas Platters

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More Music Reviews
Review: Johanna Heilman, <i>When We Were Electric</i>
Review: Johanna Heilman, When We Were Electric
When We Were Electric (Record Review)

Doug Freeman, June 30, 2023

Review: Large Brush Collection & Creekbed Carter Hogan, <i>Split</i>
Review: Large Brush Collection & Creekbed Carter Hogan, Split
Tape of tender lullabies envisions a warm refuge for queer people

Wayne Lim, May 12, 2023

More by Margaret Moser
Did I Know Bruce Springsteen Was Going to Play 2012?
Did I Know Bruce Springsteen Was Going to Play 2012?

March 3, 2017

Adult Audio Coloring Book Sampler
Adult Audio Coloring Book Sampler
A look back at illustrated album covers old and new

July 29, 2016


Stefanie Fix, LZ Love

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle