Amy Winehouse

SXSW showcase reviews

Live Shots
Photo By Felicia Graham

Amy Winehouse

La Zona Rosa, Friday, March 16

Long live Nina Simone. North Londoner Amy Winehouse has the look down pat. She's got the band and the groove and the lungs of steel. The only thing she's missing is that raw Nina growl. Strutting onstage to the Chiffons' mood-setter "He's So Fine" with hair up to there, Winehouse and her band, the Dap-Kings, slurred through her two LPs, 2003's Frank and the new Back to Black. "I wrote my whole album about being heartbroken," the temptress admitted. "I'm singing some really sad and fucked-up things." Songs about leaving and loving and not being able to pick yourself up off the floor coalesced in "I'm No Good," and as if Winehouse poured some inner strength into her ubiquitous whiskey and coke, the show hit its groove with "Me & Mr. Jones," or at least her non-radio-friendly edit. There's a thin line that separates talented pop and R&B stars from the jazz masters, and while Winehouse may wobble slightly across it, she comes closer to the Holidays and Fitzgeralds of yesteryear than any of her contemporaries could ever hope. Her live glossiness lacked the rough edges of the greats, but when she let loose, the lights rattled. "I'm drunk," she laughed before launching into "Rehab," which finally gained the crowd's full approval. The irony with hearing her sing the line "I don't never want to drink again" as she takes another gulp is apparent, but her covering the Zutons' 2006 "Valerie" to close wasn't at all. Winehouse is full of surprises, but her sometimes-abrasive candor might be just the shot in the arm that the States need.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
Saturday Picks & Sleepers
Saturday Picks & Sleepers
Last night blurbs – hip-hop Picks and slept-on Sleepers

March 20, 2015

Friday Picks & Sleepers
Friday Picks & Sleepers
Obvious Picks and loads of not-so-obvious Sleepers!

March 20, 2015

More Music Reviews
Paper Cuts: No Desire's Agile Debut and Five More Songs
Paper Cuts
New Austin music picks from francene rouelle, variety

Carys Anderson, Jan. 26, 2024

A Saucy, Seven-Course Musical at Boggy Creek Farm
A Saucy, Seven-Course Musical at Boggy Creek Farm
Jade Fusco’s activist interactive recruited members of Ley Line, BluMoon, and more

Carys Anderson, Nov. 24, 2023

More by Darcie Stevens
Phases & Stages
Yeah Yeah Yeahs
It's Blitz! (Record Review)

April 3, 2009

Spotlight: The Wooden Birds
Spotlight: The Wooden Birds
9pm, the Parish

March 20, 2009

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle