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Flaming Pie: Lead Lip Wayne Coyne goes for a Lollapalooza stroll (Photo By Mary Sledd)
High Five
This weekend the
Austin City Limits Music Festival reaches its first true milestone, five years, and its reward is a weather forecast that actually resembles autumn: highs in the low 90s, 20% chance of rain. Although the irrigation system prompted by last year's dust bowl isn't completely installed, it looks like they won't need it. "The park is as green as I've ever seen it," says promoter
Charles Attal. Also new this year are banks of drinking fountains near the two main stages. So for everyone used to bitching about the water or weather, don't worry, there's still the sound bleed-over from neighboring stages and interminable post-show waits in the shuttle-bus lines. Just kidding but don't forget that the shuttles are now dropping off and picking up at
Republic Square Park, at Fourth & Guadalupe.
Whether due to its success or simply its very existence, the ACL Festival has engendered a certain amount of grumbling among Austinites, and not just Zilker residents, whose neighborhood becomes a parking lot for three days. Big surprise: This is the same city where people get up in arms when the Longhorns lose more than one game per season, the City Council thinks bicyclists should wear helmets, and people have the audacity to want to smoke in bars. In Austin, causing someone to complain is a high honor indeed. The fact remains that even before the ACL lineup is announced, three-day-pass presales sell out faster every year, and by the time the festival rolls around, one-day passes are mighty hard to come by. Very few three-day passes were available Wednesday at the ACL box office.
The Raconteurs (Photo By Mary Sledd)
Those tickets sell so fast because Attal and his staff bring in acts people want to see (and will endure 105-degree temperatures to do so, if they must). Its first year, when the stages still had quaint names like Feature, American, and Heritage, ACL headliners could maybe sell out Stubb's on their own: Wilco, Jayhawks, Ryan Adams, Emmylou Harris. This year, there's a genuine rock legend who's said this tour may be his last (Tom Petty); two from the British Isles that are scarce stateside (Van Morrison and Massive Attack, still on, despite recent visa trouble); two of 2006's most-talked-about new bands (Gnarls Barkley and the Raconteurs); and Willie Nelson, who's topped Attal's ACL wish list for years. My, how it's grown.
Just think: No ACL Festival, no Rolling Stones next month. Not to mention, ACL's success combining indie and hippie was an obvious factor in Bonnaroo booking Radiohead this year. ACL and Coachella have almost single-handedly revived the U.S. festival industry, leading to events like the rebirth of Lollapalooza. Last month, the second Lolla was produced by ACL founders Capital Sports & Entertainment, and it was the first time it expanded to an ACL-like three days and 130 acts. The Chicago-based festival eclipsed ACL in terms of national media attention and, arguably, A-list talent (Red Hot Chili Peppers, Kanye West, Panic! at the Disco, Sonic Youth). So is ACL still the jewel in CSE's crown? Of course, says Attal, who insists booking Lollapalooza has no bearing on the ACL lineup.
"This is our home base," he says. "This is our baby, and it always has a special place for all of us. This is where we live."
ACL Notes
Austin techno-rock sensations
Ghostland Observatory, a late add, play 1:30pm Saturday on the
Heineken stage.
Taping sets at the Austin City Limits TV studios this week are Van Morrison (tonight); Sufjan Stevens and the Raconteurs (Sunday); Cat Power (Monday); and Damien Marley (Tuesday). Marley tapes at 9pm; all others at 8pm. Ticket hotline: 475-9077.
Outside the Park
Like SXSW, ACL weekend is a study in trickle-down rockonomics. Even clubs that have nothing whatsoever to do with the festival or its aftershows put their best foot forward, and opportunistic promoters snap up every square foot of available party space. And it starts tonight (Thursday): New Red River room
Mohawk and
Austinist.com host Local Music Is Sexy 2, a free minifest of its own with
IV Thieves,
Brothers and Sisters,
Loxsly,
'Til We're Blue or Destroy,
Horse + Donkey, and DJs
Car Stereo (Wars) and
Stay Gold. Up the street, incendiary Islamist rappers the
Arab League storm
Room 710 with ex-
Frog Jimmy Flemion, while the
Octopus Project and
Enon entrance
Emo's inside, and
Heather Rae & the Moonshine Boys honky-tonk
Lovejoy's. Friday, the
Jolly Garogers celebrate National Talk Like a Pirate Day at
Elysium's
Buccaneer's Ball, with burlesque from
Ruby Lamb and yo-ho-hos by
DJ Raleigh.
Red's Scoot Inn is the scene for Eastside City Limits, starring the
Missing Tapes,
Tenlons Fort,
iKiLLCaRS, and
Pink Nasty. At 12:30am, the party moves next door to the
Austin Daze compound for B&S, TWBOD, and the
Black. Saturday, drag your tired ass to
Beerland for some
Ugly Beats therapy or
Hole in the Wall for the
TunaHelpers' tasty pretour send-off
Zykos, out of hiding, and
I Love You but I've Chosen Darkness take over
Beauty Bar. And all weekend long,
FactoryPeople hands over its turntables to ACL musicians the
Black Angels, the
Long Winters,
Damien Marley, the
Secret Machines and hosts the
Misprint/Insound party 12am Friday with ex-
Death From Above 1979 basher
MSTRKRFT. Plenty of time to sleep Monday after you call in "sick."
Photo By Courtney Chavanell
Whut It Dew
Houston rapper
Trae put
Red 7 in a state of "Swang" Saturday night, bringing the
Restless tour, named after his new
Rap-a-Lot LP, to a restive crowd of about 300. Though Trae didn't appear until 1:40am, he instantly won over the audience by telling them, "This is my second home." His ballistic beats part
50 Cent, part
DJ Screw and scowling persona ("I do this asshole by nature style") did the rest. His multitude of openers, meanwhile, put on a virtual how-to clinic of Gulf Coast rap: catchphrases universal ("Girl gimme that pussy"), regional ("Chunk up a deuce"), and local ("Get ya Horns up"); DJs that knew when to drop
Chamillionaire and
Trina; and MCs tossing CDs and wads of dollar bills to the crowd. Besides directing traffic on the crowded stage, the harried promoter, who was more entertaining than some of the rappers, announced special guest and onetime
No Limit soldier
Mia X will host Club 504 at Red 7 Wednesdays in October. The clinics will continue.
In Memoriam
Bill Ellison, a founding member of Austin rock & roll satirists the
Uranium Savages, passed away Aug. 30 after a long illness. He was 66. Ellison graduated from Houston's Westbury High School and lived in Austin until 1981, when he moved to the Rio Grande Valley to sell real estate on South Padre Island. He is survived by his parents, wife
Margaret, two sons, and two sisters; there is an online guest book at
www.legacy.com/Link.asp?Id=LS19067558X...
Vanessa Jo Alvarez, founder and owner of Red River ink & piercing parlor
True Blue Tattoo, passed away Sept. 1 in Austin. Alvarez was 35 and remembered by friends as kindhearted, creative, and outgoing; survivors include her husband, musician
Charles Alberty; her parents; sister; and two brothers. Alvarez's online registry is at
www.legacy.com/Statesman/Obituaries.asp?Page=LifeStory&PersonId=19129937...
Dewey Redman, the jazz saxophonist who recorded with
Keith Jarrett,
Charlie Haden, son
Joshua, and childhood friend
Ornette Coleman, died Sept. 2 in Brooklyn from liver failure,
The New York Times reported. Redman, 75, was born
Walter Redman in Fort Worth and played in the same high school marching band as Coleman. He attended
Prairie View A&M University and taught elementary school for several years in Bastrop, coming to Austin to play weekend gigs. "I still love Texas I'm a Texan, you know," he told a sold-out
Bates Recital Hall in 1999... Finally, the
Chronicle family lost one of its own on Aug. 12 when
Laura Carrico, wife of longtime photographer
John Carrico and mother of their two sons, succumbed to cancer at age 48. Condolences to all.