Nordic Noise

The Scandinavian armada


The five nations that make up greater Scandinavia are increasing their presence at SXSW 2006 by sending over a whopping 35 showcasing artists. Just as some scholars disagree on what the term "Scandinavia" should encompass both geographically and culturally, it would be impossible to define an overriding theme in this diverse armada of Nordic noise.

Over the years, Denmark has given the world Kierkegaard, LEGOs, and NFL kicking great Morten Andersen. More recently, the kingdom's vibrant music scene has spawned internationally noted acts like Copenhagen's the Blue Van, who rock the Jutland peninsula like it was swinging London-style circa 1965. The quartet's gear 2005 TVT Records slab, The Art of Rolling, sounds like a long lost Kinks album with Keith Moon filling in for Mick Avory.

Hailing from Århus, warm and soulful singer-songwriter Tina Dico made her international debut this year with In the Red (Defend Music), her third album overall. Copenhagen's epo-555 plays wistful, pliant pop tunes with a slight electronic undertone reminiscent of early Nineties shoegazers like Ride. Their second Crunchy Frog album, Mafia, hits Danish shelves this month. Sarah Hepburn is a native of Chicago who now lives in Copenhagen. After achieving European renown with languid indie-pop trio Glorybox, Hepburn enlisted Slowdive/Mojave 3 guitarist Neil Halstead to play on her Americana-tinged 2005 solo debut, Stars & Haze (Copenhagen).

Copenhagen quartet the Royal Highness revels in groove-laden basement rock that bears a passing resemblance to Soundgarden. Their debut EP, What Will Show, (available at is a remarkably potent brew coming from a band just over a year old. Århus post-punk quintet Veto fits right in alongside Eighties-tapping modernists like Interpol and Bloc Party. Unhinged vocal theatrics and plenty of quick right turns keep Veto's latest album, There's a Beat in All Machines (Tabu), alive and slippery.

Finland contributes four acts to SXSW 2006, all from Helsinki. Led by dynamic frontman Miikka Koivisto, Disco Ensemble shakes a dash of New Wave into high-energy emo catharsis. The quartet's second CD, First Aid Kit (Fullsteam), is a parade of radio-ready hooks. The Latebirds put encyclopedic pop smarts to work in assembling a new classic rock playlist of the mind. The quintet's third disc, Radio Insomnia (Grandpop), kicks off with the anthemic "Set Free the Radio," a Costello-style excoriation of commercial radio featuring DJ patter from MC5 guitarist Wayne Kramer.

"Scandinavian Action Jazz" duo Nieminen & Litmanen's second album, More Adventures With... (Grandpop), conjures images of a swinging Sixties cocktail hour with just a Hammond organ and drums. Finnish chanteuse Astrid Swan writes piano-centric pop songs that come cloaked in breezy, 5th Dimension-style arrangements on her 2005 debut, Poverina (Delphic Recordings).

Given its remote location and a total population of only 296,737, Iceland's disproportionate contribution to modern pop music is especially remarkable. Reykjavik's Dr. Spock describe their sound as "heavy metal cabaret with a dash of surf-porn cartoon funk," and the sextet puts forth all the zany, bass-thumping goodness such a moniker implies. Even better, they had the temerity to name their debut album Dr. Phil.

American talk show hosts also figure into the sardonic lyrical assault mounted by teenage techno-indie rockers Jakobinarina. The Hafnarfjörur-based sextet garnered a Rolling Stone rave with their hyperactive set at last October's Iceland Airwaves fest. Reykjavik singer-songwriter Thorir, aka My Summer as a Salvation Soldier cut his teeth in hardcore bands before going acoustic. His second album, Anarchists Are Hopeless Romantics (12 Tonar), resonates with the raw self-effacement of Conor Oberst. With plenty of torque and torment, youthful heavy metal scavengers Sign would've been right at home on the Sunset Strip in 1987. The Reykjavik quartet's 2005 album, Thank God for Silence (R&R Music), is their first in English.

With 12 acts making the trek to SXSW, Norway will be especially well represented at this year's fest. Oslo's Animal Alpha drive a glam metal jalopy headfirst into circus tent hucksterism, setting off an entertainment explosion that's good for the body if not necessarily the soul. Their full-length debut, Pheromones (Racing Junior), is the kind of product senators like to blame school shootings on. The Norwegian music mecca of Bergen is home to Annie, who delivers Tom Tom Club-style electro-pop in all its bubblegum glory. Her exciting 2004 debut, Anniemal, saw U.S. release on Big Beat last year. More recently, she contributed a mix album to !K7's DJ-Kicks series.

Norwegian Grammy-winning singer-songwriter Thomas Dybdahl has a rich, slightly husky vocal tone which compliments his sparse, acoustic-guitar-centered arrangements quite well. The Stavanger native's 2004 release, One Day You'll Dance for Me, New York City (EMI International), topped Norway's album chart. Kristiansund-bred prog-metal sextet Green Carnation recall the folkier, melodic sides of coliseum rock titans like Jethro Tull and Led Zeppelin with their intricately woven new album, The Acoustic Verses (The End).

Hurra Torpedo achieved worldwide renown via an oft-forwarded Internet video of the track-suit-clad Oslo trio smashing out a rendition of Bonnie Tyler's "Total Eclipse of the Heart" on old kitchen appliances. Their last American tour – which included an improbable gig at Amarillo's Big Texan Steak Ranch – is the subject of a documentary called The Crushing Blow. Oslo artist Leif Inge is no less eclectic with his trance-worthy 9 Beet Stretch, a digitally-stretched version of Beethoven's Ninth Symphony that lasts 24 hours.

When Rhino gets around to putting out Grandchildren of Nuggets, the Jessica Fletchers' effervescent mix of power pop and psychedelia will be a prime candidate for inclusion. The Oslo quintet's 2004 album, Less Sophistication (Rainbow Quartz), is a must-have for mavens of the form. Magnet is Even Johansen, a Bergen-bred aural raconteur who adds a hint of broke-down twang to sweeping, Air-like electronic canvasses. His remake of Dylan's "Lay, Lady, Lay" with ingenue Gemma Hayes casts the classic in a whole new light.

Bergen's Real Ones are deft multi-instrumentalists who connect the dots between psych-pop, Americana, and globe-girdling folk in a manner that gives listeners a new bead on both. The quintet's 2005 album, Home With the Girls in the Morning, is a languorously melodic delight. Soul-stirring Oslo quintet Serena Maneesh won raves for their self-titled 2005 Honeymilk release by playing driving pop songs against a simmering wall of noise without sounding too much like the Velvet Underground.

Modern-day hesher gods Turbonegro have amassed a worldwide cult following of denim- and sailor cap-wearing brethren with tasteful hard rock anthems such as "The Midnight NAMBLA" and "Blow Me (Like the Wind)." Quiet Riot has nothing on the Oslo sextet's latest, Party Animals (Burning Heart). Oslo's We lands its punches in the same territory, alternating between Motörhead, Mötley Crüe, and Mudhoney on 2004's Smugglers (Nun Music).

Swedish pop music exports have come a long way since ABBA won the Eurovision Song Contest in 1974. Malmö pop collective the Ark shifted their focus from glam to disco for 2004's State of the Ark, giving them the campy, hook-laden patina of the Scissor Sisters. Stockholm singer-songwriter Ane Brun plies confessional folk tunes in the same vein as Joni Mitchell and Maria Muldaur. She duets with Ron Sexsmith, among others, on her latest album, Duets (Determine).

With eight members on board, Stockholm's the Concretes ably combine Spectoresque girl-group bombast with the lonesome highway pop of the Raveonettes. Their follow-up to last year's rollicking odds-n-sods compilation, Layyourbattleaxedown, is due this spring on Astralwerks. The whimsical salvage yard indie-rock of Stockholm's Envelopes leaves you feeling dizzy in a good way. Marching to an iconoclastic off-kilter beat, the quintet's debut album, Demon (Psychotic Reaction), comes off like a cross between Ween and Stereolab. Gothenberg-based singer-songwriter José González has a full-bodied voice that recalls Nick Drake and remarkable guitar chops to match, as demonstrated on 2005's Veneer (Imperial Recordings).

Although their m.o. has shifted from making eardrums bleed to making asses shake, Stockholm's Hellacopters continue to spread the gospel of Seventies-style rock & roll bacchanal with their ironically-titled sixth album, Rock and Roll Is Dead (Liquor & Poker). Stockholm's Emil Svanängen, aka Loney Dear, makes lo-fi rainy day bedroom pop with a hint of mischief, but then what do you expect from a guy who self-describes as "a one-man band with nine members"?

Gothenberg indie-pop quintet Love Is All builds an alluring, echo-laden racket out of bleating sax, booming drums, and high-pitched female vocals ã la Romeo Void. "Talk Talk Talk Talk" from their album, Nine Times That Same Song (What's Your Rupture?) is a chart-topper in a parallel universe. Looking forward to the future, Malmö electro-spaz-punk trio Quit Your Dayjob offer trenchant critiques of modern living with lyrically swart nuggets like "Look! A Dollar!" "Brain in Vain," and "Pissing on a Panda." Their debut, Sweden We Got a Problem (Bad Taste), may well be the 21st century answer to the perennial query, "Are we not men?" end story

The Universe Through URLs

(all showcases subject to change)


Tina Dico (Denmark); 18th Floor at Capitol Place, Thu, 10pm

epo-555 (Copenhagen); Pecan St. Ale House, Thu, 9pm

Figurines (Copenhagen)

Sarah Hepburn (Copenhagen); The Drink, Fri, 10pm

The Royal Highness (Copenhagen); The Drink, Thu, 11pm

Veto (Århus); The Drink, Fri, 12am


Circle (Pori); Central Presbyterian Church, Fri, 12am

Disco Ensemble (Helsinki); The Drink, Thu, 12am

The Concretes
The Concretes

The Latebirds (Helsinki); The Drink, Thu, 10pm

Nieminen & Litmanen (Helsinki); Elephant Room, Sat, 8pm

Astrid Swan (Helsinki); The Drink, Thu, 8pm


Dr. Spock (Reykjavik); Oslo, Thu, TBA

Jakobínarína (Hafnarfjordur); Oslo, Thu, TBA

My Summer as a Salvation Soldier (Reykjavik); Oslo, Thu, TBA

Sign (Hafnarfjord); The Drink, Thu, 1am

Storsveit Nix Noltes (Reykjavik); Fox and Hound, Fri, 10:15pm


Animal Alpha (Oslo); The Drink, Fri, 11pm

Annie (Bergen); Eternal, Wed, TBA

Thomas Dybdahl (Stavanger); Hilton 406, Thu, 10pm

Green Carnation (Kristiansand); Lava Lounge Patio, Thu, 11:30pm

Hurra Torpedo (Oslo); Fox and Hound, Thu, 10pm

Leif Inge (Oslo); Central Presbyterian Church, Wed, 6pm

The Jessica Fletchers (Oslo); Blender Bar at the Ritz, Sat, 11pm

Magnet (Bergen); 18th Floor at Capitol Place, Thu, 9pm

Real Ones (Bergen); The Drink, Fri, 9pm

Serena Maneesh (Oslo); Emo's Main Room, Wed, 11pm

Turbonegro (Oslo); Emo's Main Room, Sat, 1am

WE (Oslo); Emo's Main Room, Sat, 8pm


The Ark (Malmo); Dirty Dog Bar, Wed, 1am

Ane Brun (Stockholm); The Drink, Fri, 8pm

Division of Laura Lee (Gothenburg); Maggie Mae's, Sat, 12am

Nicolai Dunger (Stockholm); 18th Floor at Capitol Place, Fri, 9pm

Envelopes (Stockholm); The Parish, Wed, 8pm

José González (Gothenburg); Eternal, Wed, TBA

The Hellacopters (Stockholm); Emo's Main Room, Sat, 12am

Loney Dear (Stockholm); The Drink, Thu, 9pm

Love is All (Gothenburg); Elysium, Fri, 1am

Quit Your Dayjob (Malmö); The Drink, Fri, 1am

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Copenhagen, Blue Van, Tina Dico, epo-555, Sarah Hepburn, Royal Highness, Veto, Finland, Disco Ensemble, the Latebirds, Nieminen & Litmanen, Astrid Swan, Iceland, Dr. Spock, Jakobinarina, My Summer as a Salvation Soldier, Sign, Norway, Animal Alpha, Annie

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