Eric Johnson

Record review

Texas Platters

Eric Johnson

Bloom (Favored Nations)

Perhaps Eric Johnson needs to record an entire album of sentimental love songs, like Bloom's "Sunnaround You" and "From My Heart." It might just open up the veteran Austin guitarist's subsequent albums for other sounds, thus getting the, "Where's the next Ah Via Musicom?" monkeys off his slender back. Johnson's 1990 platinum and Grammy-winning breakthrough is now 15 years old, and with the renown ace having recently passed the half-century mark, it's only natural for his focus to change over time. Then again, Johnson doesn't make things any easier with his timeless quest for perfection, which bogged down AVM's follow-up, 1996's multifaceted, but ultimately diffuse and overproduced Venus Isle. Don't let the nine-year hiatus between Venus Isle and Bloom be misleading, however. Johnson's strung gold has chimed four times in that span: digitizing the Electromagnets' 1975 fusion powerhouse debut; the subsequently stinging, sometimes corny (and originally unreleased) Seventies solo debut Seven Worlds; studio vault sampler Souvenirs; and Alien Love Child's blues power trio Live and Beyond from 2000. Where does Bloom land? As with Venus Isle, the vocals are highly treated, the vocoder working overtime here. Luckily, smokin' instrumentals ("Summer Jam," "12 to 12 Vibe," "Bloom") and crystalline acoustic numbers ("Tribute to Jerry Reed," "Ciel") also work overtime. Playing other cards in his hand, Johnson's poignant lyrics elevate "Sad Legacy," "Magnetized" is an instrumental jazz-funk nod to the Electromagnetics, and Wes Montgomery comes alive in the cocktail jazz of "Hesitant." Too bad Johnson didn't stop there. Dylan's "My Back Pages" suffers from too much studio think (solo vox and acoustic would be more fitting), and the length of the overly long romantic tunes somehow got switched with the too-short instrumentals. That love song album is sounding better already, but then maybe Johnson's already segmented his talents. Fans pining for the silken, saturated stringwork of 1986's Tones or follow-up AVM are better sated by Alien Love Child, as Bloom follows in the footsteps of Venus Isle. With more spontaneity and less gravitas, Bloom is better.


A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More Music Reviews
Review: Holy Wave, <i>Five of Cups</i>
Review: Holy Wave, Five of Cups
Five of Cups (Record Review)

Raoul Hernandez, Sept. 1, 2023

Review: The Bright Light Social Hour, <i>Emergency Leisure</i>
Review: The Bright Light Social Hour, Emergency Leisure
Emergency Leisure (Record Review)

Raoul Hernandez, Aug. 4, 2023

More by David Lynch
Rock & Roll Summer Reading
How Can I Keep From Singing?: The Ballad of Pete Seeger

May 30, 2008

Texas Platters
That Damned Band
999 Surreal Eyes (Record Review)

Feb. 15, 2008

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle