Photo By Todd V. Wolfson

Echo Base Soundsystem

Summoned into being by the 1997 release of Lee "Scratch" Perry's Arkology box set, Austin's Echo Base Soundsystem began with the basics: dub standards by Lee Perry, King Tubby, and Augustus Pablo.

"Once we caught our stride on the classics," explains Phillip Hernandez, EBS's Melodica player, "we began to use dub as a springboard into other musical waters."

Incorporating an ocean of electronic effects, the local quintet extends warped instrumental arrangements beyond nonblunted reality.

"At times our electronic accents are so engrained within our sound that when we're playing live, I can hardly tell where they are coming from," chuckles Pete Neonakis, the band's Rhodes piano player.

Whether it's Neonakis switching over to his Korg MS2000 synthesizer, Hernandez on his MicroKorg, drummer Andrew Gerfers toying with his SP-303 sampler, or Eddie Torres tweaking his guitar, there's never a dull moment as the band locks into a pulsing groove. The group's self-titled debut from last year is a meditation of mystical proportions.


"Communication between band members is nothing short of telepathic," beams Neonakis.

Capturing the depth and soul of dub, songs such as "Nyingje" and "Dem Have" build upon established reggae traditions with a confidence that coughs digitally in the face of inexperience. As comfortable with jazz intonations as they are with flights of drum and bass, the cohesiveness of EBS's explorations presents itself as the album's marquee attribute.

Sharing members and their Seedknowledge label with local brother band Alpha Rhythm, Echo Base stages a musical square-off annually ("soundclash") that bass player Nicolas Treviño says is integral to recording.

"Our performances, especially when we're creating within designated open spaces, often translate directly to the studio," says Treviño.

Having worked with producer E. Clarke Wyatt on their first project, Treviño notes that "we actually had to shorten our expansive songs a bit in order to move away from that jammy feel in favor of an epic mysteriousness, reminiscent of Ennio Morricone."

With their performance at SXSW 04 coming on the heels of their 16-date the Force Unseen Tour of the East Coast, Echo Base Soundsystem is impressing music fans who are looking to augment their exposure to the increasingly popular genre of experimental dub.

Along with incidental cohorts such as HiM, Mice Parade, and Sub Oslo, Echo Base is helping put the American strain of dub in contention with its Jamaican and European counterparts.

SXSW showcase: Wednesday, March 17, 1am @ Rockstars

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More by Robert Gabriel
KJ Hines
KJ Hines
Prince of the City

April 27, 2007

Play the Role
Play the Role
Bavu Blakes is not afraid

April 27, 2007


Echo Base Soundsystem

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle