Redd Volkaert No Stranger to a Tele (HighTone)

No Stranger to a Tele (HighTone)

Record Reviews

Redd Volkaert

No Stranger to a Tele (HighTone)

When Leo Fender dreamed up the Telecaster electric guitar back in '49 or so, it's doubtful he knew what uses it would be put to, especially in the hands of someone like Redd Volkaert. The local Telecaster master is all over the guitar like grease on a pork chop, quoting jazz, country, blues, and Western swing as effortlessly as turning on the lights in the living room. The title track finds him slyly cribbing from the Buckaroos' Don Rich and longtime Merle Haggard guitarist Roy Nichols, Volkaert imbuing the tune with his own winking sense of humor. The guitarist's growling vocals are front-and-center on covers of Wynn Stewart's "Big Big Love" and Bob Wills' "End of the Line," among others, fellow Heybaler Gary Claxton chiming in on harmonies. The crux of any Redd Volkaert effort, though, is going to be that Fender guitar, and he shows all the other twangsters a thing or two on songs like "Diminishing Flames," "Granny Grunt," and "Rubberdance." There's a self-assuredness on all these songs that never crosses over into the Hellecasters' type of flash-for-flash's-sake, yet between the fluidity of his playing and the purity of his tone, each song is unmistakably Volkaert. Recorded at Austin's Cedar Creek, the production on this effort is a clear, simple snapshot of his live sound with little in the way of studio trickery. It may be a guitar player's album, but as such, it's enough to make most guitar players slink home with their tails between their legs.


A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More Music Reviews
Texas Platters
Kinky Friedman
Resurrection (Record Review)

Rick Weaver, Jan. 3, 2020

Texas Platters
The Beaumonts / Hickoids
This Is Austin, All the World's a Dressing Room (Record Review)

Kevin Curtin, Jan. 3, 2020

More by Jerry Renshaw
SXSW Live Shots
Export Sweden Showcase

March 19, 2004

SXSW Live Shots
Amsterdam Calling

March 19, 2004

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Behind the scenes at The Austin Chronicle

Information is power. Support the free press, so we can support Austin.   Support the Chronicle