Phil Pritchett Heritage Way (Spitune)

Texas Platters

Phil Pritchett

Heritage Way (Spitune)

Note to Phil Pritchett: Get rid of the recorder. Take it and break it over your knee. It lends a weird maritime/Irish Spring commercial feel to your songs. Aside from the annoying presence of that instrument, local singer-songwriter Pritchett's fourth CD is personal, heartfelt, and intimate. Playing nearly all the instruments himself, Pritchett shows himself to be both a talented songwriter and player. Songs like "Beautiful Day" and "Guardian Angel" have a nicely stripped-down, back-porch mood to them, with wry, intelligent lyrics that manage to be oblique and expressive at the same time. "Feeling Port Aransas" finds Pritchett going back to some of his old haunts, places that are familiar but foreign with the years in between. Another high point is "Stumbling Free," a somewhat melancholy number about commitments and responsibilities. Perhaps the strongest composition is closer "Long Way Gone," a poignant number with Pritchett accompanying himself on piano. Dark, mature, and introspective, it's a perfect capper to the album's mood. Pritchett ought to do well on the coffeehouse circuit -- if he'd put that recorder away.

**

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Music Reviews
Review: Johanna Heilman, <i>When We Were Electric</i>
Review: Johanna Heilman, When We Were Electric
When We Were Electric (Record Review)

Doug Freeman, June 30, 2023

Review: Large Brush Collection & Creekbed Carter Hogan, <i>Split</i>
Review: Large Brush Collection & Creekbed Carter Hogan, Split
Tape of tender lullabies envisions a warm refuge for queer people

Wayne Lim, May 12, 2023

More by Jerry Renshaw
SXSW Live Shots
Export Sweden Showcase

March 19, 2004

SXSW Live Shots
Amsterdam Calling

March 19, 2004

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle