Rig Rock Deluxe: a Musical Salute to the American Truck Driver
Fri., Sept. 20, 1996
I've always strongly suspected Jeremy Tepper was a mad genius; now, I have
firm proof. Tepper, leader of the World Famous Blue Jays, keeps spitting out
these wonderful alt-country compilations on his Diesel Only label that are
chock full of meaty chunks of inspired country music, usually with a lean
toward trucker culture. This is the crown jewel of his vision, with a roster
that borders on mind-boggling, including a coup of getting Buck Owens, Del
Reeves, and Red Simpson. Listing highlights is pointless -- the whole album is
a highlight. Simpson and Reeves, two of the towering pillars of the
truck-driver country genre, team up with Junior Brown and Jim Lauderdale,
respectively, for rollicking good tracks. Brown affirms that, had his heyday
been 1966 instead of 1996, he'd be their peer rather than just an admirer, and
in consideration for the Country Music Hall of Fame. Other Austinites (and
semi-Austinites) register a strong presence throughout the album, with Don
Walser's solid opener, "Truck Driving Man," followed by tracks from Kelly
Willis (accompanied by Son Volt, who also have their own cut), Shaver, and a
makeshift confederation called Rig Rock Deluxe that includes Dale Watson, Rosie
Flores, Wayne Hancock, Toni Price, Caspar Rawls, and Gurf Morlix. Steve Earle
covers "White Freight Liner" with all the respect you'd expect of a man who
considers Townes Van Zandt to be God on earth; Cheri Knight (formerly of the
Blood Oranges) and the Bottle Rockets show why they're the darlings of
alt-country deejays nationwide; and Marty Stuart and BR5-49 provide two rare
reasons for not launching B-52 raids on Nashville. Weak points are few and
minor, and surprisingly, one of them comes from Buck Owens, as he obviously
hasn't fully recovered from his throat ailments. If you've been trying to
decide whether to pay the rent or buy an album, go for this disc -- you can
crash at a friend's house, and he'll probably be glad to let you play this
constantly on his stereo.
(4.5 stars) -- Lee Nichols