Photo by Rich Fury
Volume 37, Number 28
Issue Supplement
SXSW 2018 Week One Preview
ON THE COVER:
features
SXSW 2018
Festival films, music, and more, on the cheap
BY MAE HAMILTON
news
Tracking back on a wild election night
BY THE NEWS STAFF
Waking up wondering if Texas will ever be purple
BY MICHAEL KING
We're late, we're late, for a very important date ...
BY NICK BARBARO
The county tax assessor and voter registrar weighs in on primary voting
NAKED CITY
Council members throughout the country reject HQ2
BY MICHAEL KING
Police impasse overshadowing EMS?
BY NINA HERNANDEZ
Another rideshare bites the dust
BY NINA HERNANDEZ
Many balls in play for the Columbus Crew
BY AUSTIN SANDERS
A light agenda promises an early farewell
BY MICHAEL KING
Hawley retirement shines light on systemic issues
BY CHASE HOFFBERGER
Local daily goes to new media giant for $47.5 million
BY MARY TUMA
A surprising turn of events
BY LINDSAY STAFFORD MADER
"This is coming from the Eastside, not coming from above, but below"
BY SARAH MARLOFF
Delayed vote finds local provider besting out-of-town option
BY MARY TUMA
The most dangerous policing job? Not so.
BY DEBBIE NATHAN
food
SXSW 2018
The sixth annual on-site food hub is extra-special
BY JESSI CAPE
Fiction meets reality with several bonus dining events
BY JESSI CAPE
We get by with tacos, pizza, barbecue, and burgers
BY JESSI CAPE
Who says you can't have ice cream and french fries for breakfast?
BY DAN GENTILE
Austin food community mourns the loss of one of its champions
BY JESSI CAPE
music
SXSW 2018
12 Breakthrough Austin Bands at SXSW Music
12 Austin Picks 2 Click at SXSW 2018
Thirty-four awards and six musical sets in 211 minutes
BY RAOUL HERNANDEZ
Forecasting this year’s breakout acts
BY KEVIN CURTIN
screens
SXSW 2018
Poster Children
SXSW regulars discuss what the festival means to them
The Santa Fe-based art collective debuts newest creation and new film
BY WAYNE ALAN BRENNER
New archival footage of the king, the musician, and the man behind the music
BY JESSI CAPE
Hometown Heroes
Austin’s finest, and more Texans we love
In Black America
Race relations reconsidered
Stranger Than Fiction
When the going gets weird, the weird turn pro
The Horror, the Horror
The darkest side of sxsw
Douglas Tirola puts a human face on those labels in the liquor store
BY MATTHEW MONAGLE
Annika Berg's feature film debut dives into the maelstrom of youth
BY BETH SULLIVAN
Love is sickness, not the cure in this anti-rom-com
BY MICHAEL AGRESTA
From Virtual Boy to Oculus Rift, VR tech is always improving
BY TUCKER WHATLEY
The first rule of VR storytelling is that there are none
BY MATTHEW MONAGLE
Discussing the core values of Austin's forthcoming public house at SXSW
BY ADRIENNE WHITEHORSE
Altering the future, one bite at a time
BY VERONICA MEEWES
ConsenSys Capital co-founder Andrew Keys on how Ethereum could be a game changer
BY DAN GENTILE
Female industry professionals on power in parity, equality in cinema at SXSW Interactive
BY JENNY NULF
Ray Kurzweil, Melinda Gates, and other brilliant minds come to town
BY MAE HAMILTON
The rebel without a crew becomes a rebel with a cable show
BY RICHARD WHITTAKER
Locals at SXSW, plus RSVP for a Maybe Shower
BY RICHARD WHITTAKER
Student Filmmakers Need Your Help
BY MILO WEBB
Film Reviews
The zombie apocalypse is over. So now what?
Bruce Willis picks up where Charles Bronson left off.
It's a soggy hold up!
Based on a Francine Prose novel, Submission stars Stanley Tucci as a liberal arts professor who becomes dangerously close to a student.
America's class system goes under a bloody scalpel.
Ava DuVernay's adaptation of the children's classic rarely soars.
arts & culture
SXSW 2018
The veteran talk-show host matters because he took the art of being funny seriously
BY ROBERT FAIRES
Stuart Goldsmith gets under the skin and psyches of professional stand-ups
BY ROBERT FAIRES
Dave Anthony and Gareth Reynolds serve up events from yesteryear with a topping of WTF
BY ROBERT FAIRES
It’s not just about twisting balloons into dog shapes, you know
BY DAVID BRENDAN HALL
Arts Reviews
This production of Will Eno's solo show puts us at ease with our mortality through a captivating talk from a dying man
The quality of mercy is never not strained in this new adaptation of Mozart's late opera
columns
1, 2, SXSW is coming for you
BY SARAH MARLOFF
Annual music festival is rocking in a new location after three decades
BY GERALD E. MCLEOD
Idle hands are the Devil's playthings
BY THE LUV DOC
BY MR. SMARTY PANTS
Letters to the editor, published daily
sports
BY NICK BARBARO
comics
BY SAM HURT
BY RYAN HENNESSEE
BY TOM TOMORROW
BY LANCE MYERS