Volume 36, Number 27
Issue Supplement
Austin Music Awards
features
2016/2017 AUSTIN MUSIC AWARDS
Living in a dream
BY DOUG FREEMAN
news
Scrubbing education's one-size-fits-all model
BY RICHARD WHITTAKER
Trump delivers the same threats in a more polite package
BY MICHAEL KING
Everyone hates the non-transect zones
BY NICK BARBARO
Yes, he really said that
NAKED CITY
The Senate continues its attacks on abortion
BY MARY TUMA
Can Stacey Soule prove that Vicki Nisbett is actually dead?
BY CHASE HOFFBERGER
So goes the latest leader of the land code rewrite
BY CALEB PRITCHARD
We’ve got “an affordability problem”
BY MICHAEL KING
AISD found high levels at two of 66 tested schools
BY MICHAEL KING
Looking for ways to balance the budget
BY MICHAEL KING
General strike planned for Wednesday, March 8
BY SARAH MARLOFF
Voter ID's future in Texas, without the DoJ
BY RICHARD WHITTAKER
Convicted hit man faces third date with death
BY SARAH MARLOFF
Like many of his colleagues, the congressman decided to not show up
BY JANA BIRCHUM
Rather than sodbusters, Farmland Partners are taxbusters
BY JIM HIGHTOWER
food
Is the restaurant industry making a bad situation worse?
BY MELANIE HAUPT
Latest concept from Jack Gilmore is anchored in seafood
BY MELODY FURY
Find a few neighborhood spots that won't break the bank
BY EMILY BEYDA
music
Seven Local Acts to See at SXSW Music
Austin recommendations for out-of-towners
SXSW Music's festival sideshow contracts
BY KEVIN CURTIN
screens
Shirley MacLaine, Jeff Nichols, and others to be honored
BY RICHARD WHITTAKER
Glenn Frankel’s new book on the classic film explores a very timely history
BY JOE O'CONNELL
Film Reviews
A backpacker and drug smugglers clash on a high-speed highway
Hugh Jackman sports those famous mutton chops for the final time
A film on love, race, and royalty
arts & culture
With two major solo shows and a new documentary about him, the Austin collage artist readies to be seen in a new way
BY SEAN L. MALIN
Arts Reviews
Asking what difference art makes in the face of revolution, Theatre en Bloc delivers an engrossing production
Marc Pouhé creates a powerful and sympathetic portrait of Willy Loman in a production starring African-American actors
A series of paintings with figures that are blurred and pixelated neatly illustrates the shortcomings of digital interactions
columns
Rebel Grrrl Burlesque's riot grrrl tribute will benefit SAFE
BY SARAH MARLOFF
Ancient history comes alive near where the bones were found
BY GERALD E. MCLEOD
Looking a gift horse in the mouth
BY THE LUV DOC
BY MR. SMARTY PANTS
Renting your rental house during SXSW?
BY LUKE ELLIS
Letters to the editor, published daily
sports
BY NICK BARBARO
comics
BY TOM TOMORROW
BY JEN SORENSEN
BY LANCE MYERS
BY SAM HURT