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Volume 27, Number 19
ON THE COVER:
news
The city unveils its Downtown Plan in progress
BY KATHERINE GREGOR
Wal-Mart-fighters regroup
BY LEE NICHOLS
Flurry of last-minute filings
BY RICHARD WHITTAKER
There's been audible grumbling that city manager selection process has been insufficiently "public"
BY MICHAEL KING
Just like your college-ball hopefuls, several city manager picks won't go the distance
BY WELLS DUNBAR
On the alcohol-marijuana equalization movement's frontlines with Mason Tvert
BY JORDAN SMITH
The Luxury of Chinese Labor; and Taking Care of the Smithsonian
BY JIM HIGHTOWER
food
Deep-frying may lower cholesterol
BY MICK VANN
Returning chefs, restaurants anew, and requests for canned-food donations from Caritas of Austin
BY VIRGINIA B. WOOD
Food Reviews
Coddled and comfortable at Austin's best steak house
More is better at this new eatery
music
Ernie Durawa's Monstas keep another grim demon at bay
BY MARGARET MOSER
Greg Ginn and SST Records start fresh in Taylor, Possessed by Paul James stars as The Folk Singer, and KOOP Radio catches fire (again)
BY AUSTIN POWELL
Texas Platters
Horse + Donkey
Live Shot
While on Saturn's Rings
Raíces y Ramas
A Long Day for the Weathervane
Happened
Let's Go Pioneering!
Red Hot From Blue Rock
Paul Banks
The Will Evans Project
screens
Sofia Resnick gets her kee-op! on at Master Yi Martial Arts Academy
BY SOFIA RESNICK
AFS Documentary Tour presents Audience of One
BY ANNE S. LEWIS
The first ever Puppet Parts Film Festival
BY JOSH ROSENBLATT
It's ba-ack: The season debut of The Wire marks the return of appointment television
BY BELINDA ACOSTA
Screens Reviews
Stephen Lowenstein, Dominique Mainon and James Ursini
Film Reviews
Jack Nicholson and Morgan Freeman play characters who have only a short time to live. Promises, promises.
Julian Schnabel's unorthodox but true story about a protagonist who is stripped of all self-movement and expression is equal parts reverie, despair, and social experiment.
This American horror remake of Takashi Miike's eponymous Japanese original is a dud.
arts & culture
That free-for-all spirit is part of the kick of FronteraFest
BY ROBERT FAIRES
Austin's new performing-arts center releases the performance schedule for its first few months
BY ROBERT FAIRES
Honors for a Blanton exhibition, Blue Lapis Light, and a Round Rock tuba player, plus a bundle of joy for a local choreographer
BY ROBERT FAIRES
Arts Reviews
With this Naughty Austin revue, it ain't about the story; it's about the songs – and the costumes
AMOA's exhibit reveals how our desires are formed by primary colors, Benday dots, and thick black lines
This Argentinean artist's work may not grab you immediately, but its understated lyricism will linger
columns
Obama and Clinton are the future – a real future that is better than any fabricated past
BY LOUIS BLACK
Your Style Avatar remains new-year-fabulous in fur despite others' mauling, pushing, and vomiting
BY STEPHEN MACMILLAN MOSER
The Battle of Sabine Pass is known as one of the greatest battles, yet it has been largely overshadowed by other Civil War engagements
BY GERALD E. MCLEOD
The Cowboys' faithful are blindly optimistic entering the playoffs
BY THOMAS HACKETT
What smells worse, Limburger or body odor?
BY MR. SMARTY PANTS
It's the new year – check your credit history
BY LUKE ELLIS
Ruta Maya, Friday, January 11, 2008
BY THE LUV DOC
Letters to the editor, published daily
sports
News on Hope Solo, Greg Ryan, Luís Figo, Alexi Lalas, and more
BY NICK BARBARO