Volume 22, Number 38
news
Can Austin planners and the City Council ever bring an end to the local transportation wars?
BY LAURI APPLE
The GOP's capture of the Texas House may have been accomplished with less than scrupulous campaign fund dealings.
BY AMY SMITH
Only Daryl Slusher votes against the city's $37 million tax rebate for a North Austin "urban village."
BY LAURI APPLE
The Ardmore walkout reverberates at the Capitol.
BY MICHAEL KING
BY MIKE CLARK-MADISON
Austin's police-review panel hears Lucy Neyens' allegations of "official oppression" against Detective Howard Staha.
BY JORDAN SMITH
Headlines
BY MIKE CLARK-MADISON
Lights On, Still Nobody Home: Entering the final innings, the lege scorecard is filled with zeroes
BY MICHAEL KING
The mayor-elect faces opportunities and awkward options
BY MIKE CLARK-MADISON
McCarthyism rears its ugly head; and taxpayers pay for a Bush campaign commercial.
BY JIM HIGHTOWER
music
Drummer Ernie Durawa's Way of Knowledge.
BY BILL BENTLEY
The Hole in the Wall and the Motards return, and things get smoky at City Hall
BY CHRISTOPHER GRAY
GRAND CHAMPEEN
Phases and Stages
Becoming I, 3.0
Lust Murder Box
Attic Ted
Complements
An Afternoon in Austin, Texas Sessions: Chapter Two
Songs for Blaze, a Friend of Ours: BFI Volume 4
Where Ya Been?
Greater Southbridge Soundtrack
Full Exposure
Lacuna
De Músico, Poeta, y Loco...
Soul Prayers
"Teenage Detox", "Drive You Faster", "Spike Penetrator", "A Major and a Miner", "Concentration Waltz"
screens
Citywide Summer Film Series
BY KIMBERLEY JONES
The last in the Chronicle and Alamo Drafthouse's Eat, Drink, Watch Movies series.
BY MARC SAVLOV
UT professor Nancy Schiesari presents a moving portrait of Hansel Mieth.
BY BELINDA ACOSTA
Film Reviews
arts & culture
Austin Symphony conductor Peter Bay has tremendous regard for both Sergei Prokofiev's score and Sergei Eisenstein's images for the 1938 film Alexander Nevsky, and as he prepares for a live performance of the score as the film is being shown, he talks about this remarkable fusion of image and music and what's involved in performing it live.
BY ROBERT FAIRES
Epic is not something often attempted in the theatre, much less by small arts groups, but with Orange, Refraction Arts Project is telling the epic history of a fictitious city across three time periods in four overlapping storylines, with the participation of 15 playwrights and 25 actors.
BY BARRY PINEO
A pair of dancing Hungarian sisters led to a trio of Obie Awards for sometime Austinites Katie Pearl and Lisa D'Amour and their friend and collaborator Kathy Randels.
BY ROBERT FAIRES
Arts Reviews
Multitalented Rob Nash has reshaped his "Holy Cross Quadrilogy" -- tracking three friends through four years at a Catholic high school in Houston -- into the evening-length Holy Cross Sucks!, and while the abridgment causes too much to happen too quickly, the result is still as funny and memorable as the best and worst of schooldays.
Ballet Austin's original adaptation of A Midsummer Night's Dream delivered two ballets, really -- a highly accessible story-driven first act, followed by a more traditionally balletic second -- which offered an easy way into his clever and fanciful yet intricate work.
columns
BY LOUIS BLACK
Our readers talk back.
BY MR. SMARTY PANTS
BY STEPHEN MACMILLAN MOSER
BY GERALD E. MCLEOD
Is it true that women with osteoporosis should not supplement with more than 6,000 IU daily of vitamin A? What about the vitamin A in food?
BY JAMES HEFFLEY, PH.D.
BY SYLVIA LOPEZ
Letters to the editor, published daily