Volume 22, Number 27
news
Lee Nichols interviews UT biologist Camille Parmesan about the evidence and consequences of global warming.
BY LEE NICHOLS
The AISD budget task force closes its deliberations as the Board of Trustees gets ready to act.
BY MICHAEL KING
The Telecommunications Infrastructure Fund -- and the have-nots it supports -- fights to avoid an early death by budget ax.
BY MIKE CLARK-MADISON
Computer Sciences Corp. is now one of America's largest defense contractors. Is this a problem for City Hall?
BY LAURI APPLE
Delma Banks death row appeal reads like a laundry list of everything wrong with Texas capital punishment.
BY JORDAN SMITH
BY JORDAN SMITH
Headlines
BY MIKE CLARK-MADISON
The legislative budget process is leaving buckets of blood on the floor.
BY MICHAEL KING
Will Austin's turbulent climate produce a perfect storm for Max Nofziger's mayoral campaign?
BY MIKE CLARK-MADISON
Bush acts like layoffs don't exist, and uses Iraq to distract the media from corporate corruption.
BY JIM HIGHTOWER
food
Welcome! The following is our comprehensive Austin guide to the American classic commonly known as the hamburger.
Austin gets two new eateries and a possible fosterer for many more, in this week's "Food-o-File."
BY VIRGINIA B. WOOD
Are you a vegetarian or curious about dishes without meat in them? This "Second Helpings" is for you, then.
music
SXSW MUSIC 2003
Previewing the 2002-2003 Austin Music Awards.
BY JERRY RENSHAW
SXSW Picks and Sleepers
Picks & Sleepers
Are you ready for the fallout?
BY CHRISTOPHER GRAY
Phases and Stages
You Are Free
Ladies' Love Oracle
Patricia Vonne
Start the Panic
Music is Useless
Airs Above Your Station
Initial Public Offering
screens
The 2003 Texas Film Hall of Fame Awards
BY MARGARET MOSER
SXSW FILM 2003
10 Years of SXSW Film
In 2001, actor and activist Woody Harrelson rang friend and filmmaker Ron Mann up and invited him to tag along on an environmental whistle-stop trip in a hemp-fueled bus -- "The Organic Living Tour." Two years later, Mann's digital video-shot doc Go Further is all but in the can.
BY MARC SAVLOV
Documentarians Kim Bartley and Donnacha O'Briain were right in the belly of the beast when the Venezuelan coup began -- specifically, in the Presidential Palace, right as the opposition stormed it.
BY MICHAEL KING
Long considered a lost film, Peter Fonda's The Hired Hand gets its long deserved due at SXSW.
BY STEVE UHLER
Nancy Savoca comes with two films tucked under her arms -- Dirt and Rebel Without a Pause.
BY MARGARET MOSER
What to see, when to see it, at SXSW Film 2003.
The Austin Film Society and SXSW celebrate the films of Mexican cinema giant Arturo Ripstein.
BY MARJORIE BAUMGARTEN
Star Crispin Hellion Glover, director Glen Morgan, and producer James Wong all gathered at the Alamo Drafthouse Downtown on Sunday to celebrate their new film, Willard, about a vermin-happy outsider who fights back against an unfeeling world via an army of killer rats.
BY MARC SAVLOV
You can turn your back on a drug, but never turn your back on Criterion Collection DVD #175, Fear and Loathing in Las Vegas, an "eerie trumpet call over a lost battlefield."
BY RAOUL HERNANDEZ
Tim and Karrie League take their genius Drafthouse idea and open two more franchises.
BY MARC SAVLOV
Fred Rogers had a lot to teach us about being a good neighbor.
BY BELINDA ACOSTA
Screens Reviews
Over the past 40 years, Sidney Lumet has directed classics such as Serpico, Dog Day Afternoon, and The Verdict, works that overshadow the rest of his 41-film career. The Pawnbroker is overlooked now, despite exploring some of the themes that would define Lumet's later, more recognized films.
Film Reviews
Colombani's debut features a finely nuanced and altogether striking performance by Tautou, whose wide eyes adroitly reflect an inner world that ricochets from hopelessly in love to simply hopeless.
arts & culture
Started in 1978 as a grassroots feminist arts collaborative, Women & Their Work has evolved into an Austin institution, which has survived collapsing economies and shifts in location and mission to become one of the city's premier visual arts spaces.
BY SARAH HEPOLA
In Wash, influential media artist Bill Lundberg projects video loops of hands being washed onto the bowls of three white sinks, calling to mind our culture's fears, now deeper than ever, of dangerous filth that might do us harm.
BY MOLLY BETH BRENNER
Austin helps the Lysistrata Project become a global phenomenon, and Governor Rick Perry and Austin Mayor Gus Garcia speak out in favor of the Long Center.
BY ROBERT FAIRES
Arts Reviews
Barrio Daze, a series of damn funny and poignant sketches created, woven together, and performed by Adrian Villegas is both absurdly funny and dead-on insightful, not only dissecting stereotypical views other groups hold of Hispanics, but challenging those Hispanics have applied to themselves.
Should you attend the UT Department of Theatre and Dance production of Heartbreak House, you'll have to work to keep up with the student cast, which blasts through the wordy script, but your labors will be rewarded by some fine design work and acting, and G.B. Shaw's timely critique of the leisure classes awakening to a world at war.
The Bedlam Faction is as smart a bunch of actors as you'll find, and they take the Jacobean tragedy 'Tis Pity She's a Whore and make its extra-dense language crystal clear and its characters comprehensible, and the story relatively easy to follow, but the production suffers from a flatness born of a lack of specificity.
columns
In such intense and crazed times, film and music of soothe and feed the soul; SXSW 2003 provides plenty to feast on.
BY LOUIS BLACK
Our readers talk back.
Stephen makes the party rounds this week and finds out which celeb made an appearance at Flipnotics.
BY STEPHEN MACMILLAN MOSER
BY MR. SMARTY PANTS
BY GERALD E. MCLEOD
How do I know if I need a B-vitamin supplement? What does it mean to "balance" the B-vitamins?
BY JAMES HEFFLEY, PH.D.
BY SANDY BARTLETT
One hundred years after "The Great Train Robbery," motion pictures have transformed consciousness into a Kingdom of Shadows.
BY MICHAEL VENTURA
Letters to the editor, published daily