Volume 19, Number 29
features
Kate Messer remembers when she first met Velvet Underground guitarist Sterling Morrison and they bonded over the Gibson SG like a couple of guitar geeks.
BY KATE X MESSER
news
Bush Applies Litmus Test of Allegiance in Choosing Inner Circle
BY ROBERT BRYCE
Capital Metro fires its freight rail carrier, Longhorn Railway, and its litigious owner, Don Cheatham, and finds a temporary replacement.
BY MIKE CLARK-MADISON
Off the Desk
BY AMY SMITH
Gary Bradley agrees to sell 1,000 acres of land to the city
BY JENNY STAFF JOHNSON
food
Favorite Finds
The Chronicle food staff's retinue of restaurants that visitors to Austin shouldn't miss.
Chronicle wine writer Wes Marshall reviews the wine lists at two Austin hotels, the Driskill and the Four Seasons.
BY WES MARSHALL
Virginia B. Wood on the delights of Dolce Vita and her updates on Austin's restaurant scene.
BY VIRGINIA B. WOOD
Cusines editor Virigina B. Wood and Chronicle writer Greg Beets serve up barbecue joints within an hour of Austin in this week's Second Helpings.
music
BY KEN LIECK
BY KEN LIECK
BY KEN LIECK
SXSW Profiles
Thursday Night
BY MARGARET MOSER
Sterling Morrison: An Oral History With Interviews
BY MARGARET MOSER
The Sahm Family Archives
BY MARGARET MOSER
SXSW Music Festival
Picks & Sleepers
A recap of favorite SXSW venues that no longer exist, a few festival hot tips, some non-festival tips, a celebrity-sightings checklist.
BY KEN LIECK
SXSW Live Shots
Wednesday Night
Lil' Brian and the Zydeco Travelers, Lucy's Retired Surfer's Bar
British Boys: Episode One, Twist / Maggie Mae's
Wednesday Night
Bastard Sons of Johnny Cash, Hole in the Wall
I Am the World Trade Center, Emo's Jr.
Adam Carroll, Gallery Lombardi Lounge
The Dylan Group, Emo's
Swollen Circus
Hank Williams III, Ray Price, Waterloo Park
Roger McGuinn, Stubb's, Day Party
Ballistix, Unfadeable Young Guns, Ukalipthis, NOOK, Velvet/Velvet Patio
Eric Mingus, Elephant Room
Thursday Night
Estrus / Lookout! Showcases
Thursday Day
BY GREG BEETS
SXSW Live Shots
Wednesday Night
Lil' Brian and the Zydeco Travelers, Lucy's Retired Surfer's Bar
British Boys: Episode One, Twist / Maggie Mae's
Wednesday Night
Bastard Sons of Johnny Cash, Hole in the Wall
I Am the World Trade Center, Emo's Jr.
Adam Carroll, Gallery Lombardi Lounge
The Dylan Group, Emo's
Swollen Circus
Hank Williams III, Ray Price, Waterloo Park
Roger McGuinn, Stubb's, Day Party
Ballistix, Unfadeable Young Guns, Ukalipthis, NOOK, Velvet/Velvet Patio
Eric Mingus, Elephant Room
Thursday Night
Estrus / Lookout! Showcases
Thursday Night
The Patti Smith Group, Waterloo Park
Friday Day
Friday Day
Shelby Lynne, Club DeVille
Yo-Yo's, Black Halos, Emo's Main Room
Gomez, La Zona Rosa
Beulah / Red Delicious, Day Party / Gallery Lombardi Lounge
Number Girl, Mercury
Gung Ho
Journey to the End of the Night
Spanker Madness
Lonelyland
The Black Halos
You Ride the Pony (I'll Be the Bunny)
Constellation
Suicide Pact -- You First
To All Our Fallen Heroes
Live in Berlin, Danny & the Nightmares
Chore of Enchantment
A Place in the Sun
Zooma
Strange Weather Lately
Liquid Skin
I Am Shelby Lynne
Furnace Room Lullaby
Mary Lou Lord/Sean Na Na
'Til You've Seen Mine
Kids in Philly
The Love Supreme
Castle of Crime
The Long Wind Down
Lushlife
Beachwood Sparks
Solid Sender
Volume IV
With Loving and Open Arms
Destination 2000
DDD
Splendor in the Ass II: Electric Boogaloo
Bananimals
Lost Scriptures, V.I.P., The Third Wish, Forever Botany, Veteranz Day
screens
Conversation With Janeane Garofalo and Steve Kessler
BY BARRY JOHNSON
Spotlight:
BY SARAH HEPOLA
The SXSW Film Awards Ceremony
BY STEPHEN MACMILLAN MOSER
Albert and Allen Hughes' American Pimp
BY MARC SAVLOV
Reflections
SXSW 2000 Film Festival and Conference
Winners of the SXSW Film Festival Awards.
Werner Herzog and Klaus Kinski's Colorful Relationship
BY MARJORIE BAUMGARTEN
Everything That Rises Must Converge
SXSW 2000 Interactive Festival
Winners of the SXSW Interactive 2000 Web Awards
Longtime buddies Tommy Rosen and John Comerford drew on their own experiences following rock bands from city to city to write Around the Fire, a free-spirited paean to life on the road directed by John Jacobsen.
BY PETER DEBRUGE
Upcoming events and workshops of interest to the Austin film community.
BY MARC SAVLOV
At the SXSW Interactive 2000 Festival, columnist Belinda Acosta takes a peek at the television of the future; also, director Kevin Smith fumes over the television version of his indie hit Clerks, and the Emmys announce a change in voting procedure.
BY BELINDA ACOSTA
Screens Reviews
Film Reviews
arts & culture
Installation art may be notoriously hard to define, but its role in art history isn't. It helped change the way we look at art, and the Blanton Museum of Art's survey of three decades of installation art, "Blurring the Boundaries," provides a window on the revolution.
BY BEN WILLCOTT
Touring plans for the Rude Mechanicals; two two shows for theatregoers to see before they close.
BY ROBERT FAIRES
Arts Reviews
STOMP turned the Paramount Theatre stage into a tidy salvage yard, where every piece of junk became a percussive instrument waiting to be heard.
With the multimedia B-movie spoofs The Apocalytes and The Tetragons, composer-performers Chad Salvata and Sergio R. Samayoa serve up some well-scored soft-core sci-fi cyber-porn, heavy on the energy fielding (and the hyphens.
Austin Lyric Opera's Aida looks like a million bucks, but its stunning visuals are undercut by some less-than-grand human qualities.
columns
We are not sleeping.
BY LOUIS BLACK
Quote of the week: "You, my hyphenated friend, are an ambassador of evil."
"Public Notice" is the sassy yet totally sincere public service column.
BY KATE X MESSER
In memory of a Shaman
BY MICHAEL VENTURA
Reports from a rare week of fashion activity in Austin.
BY STEPHEN MACMILLAN MOSER
The dirty South and the restless East.
BY MR. SMARTY PANTS
The New American fare at The Range in Salado alone is worth the 45-minute drive from Austin.
BY GERALD E. MCLEOD
Be true to your school!
BY ANDY "COACH" COTTON
Two drugs being developed from trees could help not only in the treatment of AIDS/HIV, but other diseases as well.
BY SANDY BARTLETT
Letters to the editor, published daily