Hot Summer Nights
Thursday-Sunday, July 13-16, 2017
Red River Cultural District
Music venues and other businesses in the Red River Cultural District join forces for Hot Summer Nights, a free music series celebrating Austin's most vibrant music strip.
Rising from the ashes of the ill-fated but beloved Red 7 in late 2015, Barracuda keeps the Red River vibe alive. Former Spider House booker and current Hotel Vegas magnate Jason McNeely and a local consortium of partners continue their interior remodel, but the refurbished indoor and outdoor stages give the original dive a face lift. Capacity remains around 600 outside and a third of that inside. An even more eclectic booking policy than Red 7’s means punk, metal, indie rock, country, hip-hop, and everything in between.
Beerland’s cheap beer and loud music have been a recipe for success since 2001 when the Red River cave opened. The roughly 200-capacity club has since become favored ground for punks and garage rockers, breaking bands like OBN IIIs while also tapping national acts like Ty Segall and Thee Oh Sees. The bar’s streetside smoking patio has hosted some of the craziest unofficial SXSW performances in Austin history.
The fun, gay uncle of the Red River bar and live music scene, Cheer Ups is one of the most cheerful, inviting, and beloved venues on the block. Featuring random rainbow art, unicorns, and funkiness all around, the vegan bar serves a creative blend of cocktails (kale lime gingerita), as well as local beers, organic teas, and kombucha on tap. Outside, the limestone-dressed stage remains home to a variety of eclectic events, from crafts nights to karaoke, Peaches to John Legend.
Bela Lugosi may be dead, but his memory lives on here. Opened in 2001, the 500-capacity Red River institution remains the shadowy mecca for local goths 18-and-up, and upholds the city’s legacy as a former industrial rock capital. It’s also developed its own peerless reputation for neo-folk, neo-goth, and techno. Scene heavyweights like Combichrist have been known to divert tours through Texas just to stop by. During SXSW, it’s the established home of the beloved Japan Nite celebration of music from the shadow of Mount Fuji.
Known first as Empire Garage thanks to the bloodline of its outdoor stage – an outdated auto body garage – Empire Control Room has risen in its short lifespan to serve as a dominating force in both hip-hop and electronic music, with ticketed roadshows and walk-up locals alike running indoor and outside, sometimes simultaneously. A bar featuring DJs splices between the two. The venue has been instrumental in swinging the Red River Cultural District eastward.
This beloved multi-level Red River anchor, regularly voted Best Live Music Venue in the Austin Music Poll, hosts the crème of indie nation – old, new, small, massive. Its spacious outdoor stage is surrounded by balconies with excellent sight lines and great sound wherever one stands; there's also multiple convenient bars and a cozier inside performance space. Mohawk also hosts outsize SXSW appearances, including the Stooges, Specials, and X.
A staple watering hole in the Red River entertainment district since opening in 2004, Side Bar isn’t foremost a music venue – except for occasional back patio concerts, most prominently the hyper-local Uncle Doug’s Chili Dog Fest on the Sunday of SXSW. Still the 7th and Red River dive remains favored drinking turf for musicians, scenesters, and off-duty venue workers, boasting a world-class jukebox and a Tom Waits mural painted on the interior wall.
David Brendan Hall
The Sidewinder came together as a Frankenstein operation: putting the brains of doomed venue Red 7 into the body of underachieving club Red Eyed Fly. The result, launched in late 2015, has found early success with solid concert attendance and major demand from bands wanting to play there. The bar features two stages: a no-frills interior platform suited for crowds up to 100 patrons and a larger outside concert area with higher production value with a capacity of roughly 300. Like Red 7, Sidewinder’s bread and butter is punk, metal, and rock, but also factors in hip-hop.
photo by Sandy Carson
Milestone 20th anniversary hitting in 2016, Stubb’s filled the void left by the 1999 closing of Liberty Lunch, itself the local replacement for the Armadillo World Headquarters. Taking its name and recipes from legendary Lubbock cook Christopher “Stubb” Stubblefield, who established the first Stubb’s in his hometown in 1968, the dual-level venue and celebrated barbecue joint boasts indoor and outdoor stages, with the latter holding upward of 2,000 souls. Booked by C3 Presents co-founder Charles Attal and unsung ACL Fest talent doyenne Amy Corbin, both stages host names big (Bob Dylan) and bigger (Metallica).
As much a dive bar (hence the name) as a concert venue, Swan Dive attracts quality local talent for its roomy inside and outside stages. Not just bands, either: dance parties, burlesque, and its own self-proclaimed “hipster karaoke.” Outside of ample Free Week action, release shows from Austin indie’s finest, and ample homegrown bills throughout the month, the Dive also features a drink menu heavy on vintage cocktails and actual booths to sit and sip them in. At a 250 load, any occasion is an intimate one.
A rentable event space, popular for weddings and corporate parties, with a 1,700- square-foot main room and a deck overlooking Waller Creek. The brick building, opened in 2014, stands as one of the more elegant rooms on “Dirty Sixth.”
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