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1-6 of 6 results for The Illusory Impressions Project

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Illusory Impressions
Catherine Davis and Michelle Thompson's site-specific dance-and-music work will move you in ways you won't expect
Arts Story  April 28, 2016, by Jonelle Seitz
"...The piano is their home." Audience members become intruders into that private space, becoming witness to unspoken parts of a relationship and aware of their own presence and reactions. What do you do with it? How do you filter or reflect it and project it back out?..."

Year of the Booster
The 2015-16 Austin Critics Table Awards
DAILY Arts  May 25, 2016, by Robert Faires
"...Video/Projection Design Eliot Gray Fisher, The Warriors: A Love Story [image-4]..."

The 2015-16 Austin Critics Table Awards
The 2015-16 Austin Critics Table Awards
Arts Story  May 26, 2016, by Robert Faires
"...Robert S. Fisher, The Night Alive/Gusev/The Realistic Joneses Video/Projection Design..."

Robert Faires' Top 10 Classical Music / Dance Treasures of 2016
The richest work in dance and classical music this year ran the gamut from a dance in a backyard pool to an opera about Cold War brainwashing
Arts Story  December 29, 2016, by Robert Faires
"...1) THE MANCHURIAN CANDIDATE (Austin Opera) The gamble of mounting a new opera based on a tale of Cold War paranoia paid off richly when this thriller proved gripping from the first note. Every element, every moment worked – Kevin Puts' moody score; Richard Buckley's intense conducting; Alison Moritz's taut staging; Greg Emetaz's projections; all the performers – heightening the tension 'til my shoulders were hunched around my ears...."

Star Turns
The nominees for the 2015-16 Austin Critics Table Awards
DAILY Arts  May 9, 2016, by Robert Faires
"...Arnold (visual arts), Elizabeth Cobbe (theatre), Jonelle Seitz (dance), Shanon Weaver (theatre), and Robert Faires (arts). Note: Members of the Table refrained from voting on any project in which they or an immediate family member took part...."

Shorty's is Still Closed
Yes, Folks...
News Story  June 23, 1995, by Chris Walters
"...The important thing, says Hatch - a rugged-yet-cerebral man around 50 who outdoes Clint Eastwood in laconic terseness - is to make something happen, anything so long as it injects some life into the place. He's done so well for himself designing Whole Foods stores around the country, including the new Austin edifice at Sixth and Lamar, that carrying a note for the likely project cost of $150,000-plus doesn't phase him in the least..."

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