Archive Search
  • SEARCH FOR

1-8 of 8 results for Keene Prize

sorted by relevance | sort by date


Keene Prize, Kudos to George Brant
DAILY Books  July 1, 2008, by Kimberley Jones
"...Since those halcyon days of deep-pocketed patrons are long gone, struggling writers typically have to make do with the occasional grant or free lit mag subscriptions. But for the lucky few – three so far – there's the pinch-me-I'm-dreaming Keene Prize for Literature, a not-uncontroversial $50,000 jackpot delivered annually to one University of Texas student or recent graduate...."

Keene Prize Winners Announced
Frances Ya-Chu Cowhig takes home $50,000 for her play Lidless
DAILY Books  July 24, 2009, by Kimberley Jones
"...Prizewinners for the prestigious Keene Prize for Literature were announced this morning, and UT's Michener Center for Writers continues to dominate: Out of 58 submissions for the annual award, two Michener grads and two current Michener MFA candidates made the shortlist, with Frances Ya-Chu Cowhig winning the top prize for her play Lidless, described as "a poetic treatment of the issue of torture at the detention center at Guantanamo Bay, Cuba." Cowhig will receive $50,000 – one of the largest student literary prizes in the world – while an additional $50,000 will be split between three additional finalists, Malachi Black for the collection of sonnets Cantos from Insomnia; Sarah Cornwell for her short stories "Mr. Legs," "Champlain," and "Other Wolves on Other Mountains"; and Sarah Smith for her collection of poetry, Enormous Sleeping Women. Full press release after the jump...."

It's the Sound of 50 G's, Baby
UT grad Nora Boxer wins the prestigious Keane Prize for her short story, 'It's the song of the nomads, baby; or, Pioneer.'
DAILY Books  May 5, 2010, by Kimberley Jones
"...The University of Texas announced today the winner of the Keene Prize, with its jaw-dropping jackpot of $50,000; Nora Boxer, a graduate of the Creative Writing Program in the English Department, took the prize for her short story, "It's the song of the nomads, baby; or, Pioneer."..."

MCW Alum Brian Hart Reads at BookPeople
Michener Center for Writers also announces hiring of Elizabeth McCracken and a reading by Richard Ford
DAILY Books  January 20, 2010, by Kimberley Jones
"...Brian Hart is no stranger to accolades – in 2006, he become the first-ever recipient of the University of Texas’ Keene Prize for Literature, the largest student literary prize in existence. Now his debut novel is netting him some awfully nice notices..."

Frances Ya-Chu Cowhig
This Michener Center grad wins a second major prize and more national notice for her drama
Arts Story  August 7, 2009, by Robert Faires
"...Frances Ya-Chu Cowhig is on a major roll. The Michener Center for Writers grad has won a second major literary prize for her play Lidless, which is also proving a hot property on the national new play circuit..."

News/Print
Headlines from the local literati
DAILY Books  May 16, 2013, by Monica Riese
"...Writing prizes are great news for the recipients, but they're even more spectacular for the community: You get a whole new set of rising stars to watch make their impressive trajectory. Check out the latest on these recent winners...."

SXSW Record Reviews
Music Review  March 13, 1998
"...In the bridge of "Bad Luck," a flanger guitar wrestles with a nasty harmonica, sounding like the Buckeye State's New Bomb Turks on a black day. Maybe most of the songs sound the same, but Hai Karate ain't aiming for the diversity prize here..."

Postmarks
Balcones Responds
Columns  December 6, 1996
"...Five years ago, when I was an editor at HarperCollins, when it was still called Harper & Row, a collegial old place not yet fully incorporated into Rupert Murdoch's global media offensive, management held editors to acquisitions goals which assigned books "letter grades," A through D, with coveted A books having estimated first printings of 50,000 copies or more. There was an explicit rule that hardcover books whose first-year sales were projected below 15,000 copies would not be acquired by the firm, unless they were likely to win a major literary prize (prestige being its own bottom line, and fully depreciable under the straight-line accounting method). Editors at certain publishers (Villard and Crown come immediately to mind) have told me that they won't consider a book that won't likely advance at least 50,000 copies, and become the basis for a segment of 60 Minutes along the way...."

This content has not been formatted for this window size.
Please increase the size of your browser window, or revisit on a mobile device.