"...They roll lazily along on the music, smoothly vocalized by Jan Evans to Davis' plummy trumpet and both their humming acoustic guitars; the sound is like the water flowing slowly over Longhorn Dam in one of the songs. And in the low, warm light provided by Jennifer Rogers, the movements of David Yeakle's wistful Petrushka and Jennifer Sherburn and Jennifer Harlow's playful Firebirds have the languor and grace of an underwater ballet..."
"...At the table are Lisa Byrd, production director for Ballet Austin; Ann Marie Gordon, set designer known for her work with the Vortex and other avant-garde theatre houses; Karen Maness, UT Performing Arts Center resident scenic artist and adjunct professor; Jennifer Rogers, co-owner of Light Bastard Amber, a freelance Austin lighting design company; Leilah Stewart, who designs sets for St. Edward's University as well as virtually every small theatre company in Austin; and Susan Tsu, nationally known costume designer and, until recently, longtime head of the Costume Design program in the UT Department of Theatre & Dance..."
"...Directed by: Patricia Riggen. Starring: Jennifer Garner, Martin Henderson, Kylie Rogers, Queen Latifah, John Carroll Lynch, Eugenio Derbez, Brighton Sharbino, Bruce Altman, Hannah Alligood and Wayne Pére...."
"...Lowell Bartholomee's sounds echoed the subtle chorus of forest noise, cradling us in our own auditory sense until a particular moment exploded us out of our bubble of safety. The lighting, by Jennifer Rogers, appropriately captured the sun's struggle to pierce the dense growth around us, making each ray of light a gift..."
"...Edmund Pantuliano's score bristles with spiky dissonance, the musical equivalent of hairs on the back of the neck standing up, and it's performed by pianist Alex Krigsfeld and violinist Mariam Hembrook with a vigorous intensity that pricks at our ears. The greenish-bluish-purplish lighting by Jennifer Rogers and Natalie George casts shadows like bruises across the faces and bodies of the performers, who express fear and delight with wide, wild eyes..."
"...Yeakle makes good use of the cabaret motif for his production, aided by Kari Perkins' excellent costumes and moody lighting by Elizabeth Doss and Jennifer Rogers. Amiable Can-Can era showgirls and a talented musical combo linger onstage to maintain the pleasant mood..."
"...Lighting Design Patrick Anthony, Year of the Rooster/Hunger/Terminus/Medea/Marie Antoinette Michelle Habeck, Sophisticated Ladies Sarah Maines, Mr. Burns, a post-electric play Stephen Pruitt, In Your Shoes/Frankenstein: The Trouble Puppet Show/True Story/Lumen Jennifer Rogers, The Tree Play Megan Slayter, Dancestry Po-Yang Sung, The Diary of Anne Frank..."
"...The Rogers Sisters1am, Red Eyed Fly You've gotta love a record titled Purely Evil (Troubleman) that features a photo of George W. with a privacy bar across his eyes..."
"...After 12 years running the costume design program at UT, Tsu has left Austin to join the drama department at Carnegie Mellon University, teaching costume design with Paul Tazewell. In 2004, she will design the costumes for King Lear at the Oregon Shakespeare Festival.Jennifer Rogers Rogers has been one busy designer this year, with her lighting design company Light Bastard Amber having worked on iron belly muses' final production, Pains of Youth; Moving Voices' This Vivid Life; Ariel Dance Theatre's Shoulder to Shoulder; Refraction Arts' workshop production of Orange; Tongue and Groove Theatre's Eggheads; Austin Script Works' Sitting Room Only; Mainline Theater Project's Jesus Hopped the "A" Train; and Flawed, part of Refraction Arts' Naked Theatre series..."
"...We watch Nash performing his characters and we watch those characters performing bits of Romeo and Juliet, and all the different parts come together like a theatrical jigsaw puzzle joining itself on the stage before us, forming a fine drama within a sharp comedy of eros and social dynamics. Nash accomplishes this with nothing but a chair and a bench, the sound design of James Reilly and the lighting wizardry of Jennifer Rogers, and a remarkably strong control of the actor's craft..."
"...Ad Production Coordinators: Doug St. Ament, Amy Rogers, Jennifer Scoville..."
"...(1935, 99min/b&w, 35mm) Fred Astaire, Ginger Rogers, Edward Everett Horton, Erik Rhodes, and Eric Blore. Directed by Mark Sandrich..."
"...Directed by: James B. Rogers..."
"...The Rogers Sisters..."
"...Graphic artist Robert Rogershas spent 20 years in South Austin. "There's something in the air that you notice as soon as you cross the river out here..."
"...D: Mark Malone; with Mimi Rogers, Anthony LaPaglia, Peter Boyle, Matt Craven...."
"...BULLETPROOF HEARTD: Mark Malone; with Anthony LaPaglia, Mimi Rogers, Matt Craven, Peter Boyle, Monika Schnarre, Joseph Maher. Director Mark Malone makes an impressive debut with this modern film noir about a hit man who falls in love with his victim. This cold-blooded drama stares unflinchingly into the face of death..."
"...The Rogers Sisters..."
"...Among the special honors handed out by the Payne Council was a Distinguished Service Award to photographer Steve Rogers for his efforts in chronicling the work in Austin's improv and performance communities and an award to Steven Fay, a longtime member of the theatre community who has contributed years of service to it, with a significant portion of spent as a volunteer member of the nominating committee for the Payne Awards...."
"...Julie Rogers – Down House (Houston)..."