"..."This place originally started as the people's voice [and it's] been a phenomenal incubator for talent," said Executive Director Linda Litowsky. "It's a place where indie filmmakers and bloggers and musicians and videographers and film producers all came to actually get their hands on high-end professional equipment either for free or very inexpensively."..."
"...Banks & Steelz unites Wu-Tang sensei RZA with Paul Banks, frontman for sullen post-alternative breakouts Interpol. The duo blazes from the get-go, “Giant,” wherein the MC’s breathless power-to-the-people rhymes unfold into Banks’ melodic radio rock hook..."
"..."People say, are you trying to be like Sinatra? No! I'm trying to be like me," he laughs. "Well, why'd you do 'Fly Me to the Moon'? 'Cause it's a good song! Man, I just try to sing it the way I feel it..."
"...But what he mostly talks about is chocolate. I've learned that chocolate people are often obsessed, and Compton is no exception..."
"..."No one got the call that was like, 'Hey, I need help. I'm in trouble.' It was hard for people who knew Paul to piece it together and make sense of it all."..."
"...Fifth, 476-7218. Jump for joy, people -- Castle Hill is taking reservations, but only for Valentine's Day..."
"..."This ain't no mockery," says Rudolph. "I think because of my history, people assume that it's a send-up or that we're taking the piss out of something..."
"...Everybody offers so many cures and remedies that you can wind up feeling sicker than before. Seabrook valiantly kept his cancer a secret among a few close friends, but now, in need of help, we ask that you help someone who has meant so much to so many people..."
"...There was lots of music – Santana, Bob Marley. People would go to the stadiums to see them and then tear the place apart...."
"...Except, down the dark, empty back halls -- somewhere -- there was a light on, or one about to go on; Wynton Marsalis, trumpet player, bandleader of the Lincoln Center Jazz Orchestra, and arguably one of the most influential young jazz musicians of his generation, was doing a little after-hours teaching. Sharing a piano bench in the bulding's green room with a student, Marsalis was passing along the educational moment of a lifetime. "I know people have mixed feelings about Wynton Marsalis," asserts Cynthia Patterson Quinn, program manager for the University of Texas' Performing Arts Center, "but there's no one who's as dedicated to young people as him..."
"...Reggie took me through a series of improvisations and what seemed to be random experiences and developed a script from that. What I remember most is that there was a lot of silence in the performance, there was a console TV as the primary set piece (in Mildred's work, there were often people staring blankly into televisions), there was a video about miscegenation as if it were a TV commercial, and I was just turned out at the end of the show! Something happened! The nonlinearity, the close proximity to the audience (it was a semicircle, and I could touch the audience), the vulnerability of working inside a form I didn't recognize – in fact, a form I think Reggie and I were building as we went – all of that left me spent..."
"...“As a result, I feel like I’m a recent graduate of the Slim Richey Finishing School for Singers and Musicians. So many people have been pulled up by him.”..."
"...Myself and a trombonist named Dan Osterman were kind of the catalysts behind everything. We wrote the arrangements and got on the phone, spent a lot of time pulling people together..."
"...Bump & Hustle: Fania is a hugely important label but I think it doesn’t get that much recognition outside of record collectors and music scholars. Explain the importance of Fania for people outside those circles...."
"...Wynn has enthusiastically called for like-minded pioneers to follow his trail through the wilderness of Austin's traditional, established, outlying neighborhoods into the heart of the city. Wynn imagines an urban village swelled by their ranks, with some 25,000 people living Downtown by 2015..."
"...Some people prefer their brunch to be basic, but they are probably the same folks who made Meghan Trainor a thing. Those of us with more taste or who prefer something a bit more creative appreciate that chef Joe Anguiano has his own take on brunch classics like a potato churro blini topped with smoked Tasmanian trout or a Duroc pork hash swimming in salsa verde..."
"...The three movements range from the playful idiosyncrasies of "Machines" to the unapologetically lovely lyricism of "Family" to the celebratory drive and optimism of "Community," with Junkin and his band merging the mechanical and the mortal with a stirring exuberance. One is left at the end of the recording with a new appreciation for the American character in both its land and its people: the openness, the sweep, the verve..."
"...David Hamburger, an accomplished Dobro and guitar player with one of Austin's best new bluegrass bands, the Grassy Knoll Boys, also moved here from the Northeast, and credits a Folk Alliance conference he attended in the past with introducing him to a lot of musicians he ended up either recording with or joining as a sideman. Veteran Austinite Kerry Polk, an acclaimed if underappreciated folk/roots artist, points out that "the educational aspect of it is good for a newcomer, and it's rare to have access to so many business people in one place."..."
"...It's Cha-Cha meets Jitterbug, swing meets mambo, the dance-and-jive of each culture interpreted through Latin hips. This is what Aztlan's artistic director Roën Salinas calls storytelling "the Aztlan way -- a lot of love, a lot of fun." He's not here to shove social justice issues down people's throats..."
"...Co-directors Cavolina and McCrudden obviously like their subject too much to let the proceedings become uncomfortable. It takes Bryant Gumbel, of all people, to make O'Day bristle during an interview in which she's visibly trying to keep the tone breezy..."
"...Stern Grove, Marin County Fair, Mondavi Winery, and Frost Amphitheater: they were a tradition. As far as recordings go, the band didn’t record the shows, but there were people recording the shows from the audience...."
"...Carl Smith has been banned from so many clubs, coffee houses, and restaurants in Austin that he moved to New York City. He doesn't get into drunken fistfights, smoke smelly cigars, sleep face down on the tables, or even pinch people in inappropriate places..."
"...And jazz, for that matter. Having worked with musicians like Pinetop Perkins and people of that legacy or that lineage, I know them to have had a huge reverence for jazz music..."
"...For the couple hundred people assembled at a nightclub in the spring of 1996 to watch an up-and-coming instrumental band from Chicago, one such moment occurred in the unlikely locale of Denton, Texas, more or less the penal colony of the Dallas-Ft. Worth Metroplex..."
"..."It was very important, in order to be able to draw people to this school, to have some talented players here," says Winking about laying a foundation for the program. "People who the young guys would want to play with." Polk was one such figure, Mills was another..."
"...Geezerville: In the liner notes to Brother’s Keeper, you urge people to make a conscious effort to reconnect with the people around them, summing it up with, “Love your neighbor as yourself.” Was there something in particular that happened to bring you to that?..."
"..."All forms are compatible. It's all one continuum, but there are separate areas and people develop expertise in different areas..."
"..."We'd get up there and say, 'This song's about the environment,' and play a snippet," laughs Benton. "Then we'd say, 'This song's about people with no faces,' and play another..."
"...RM: Segregation didn’t affect you because it was Chicago and there were lots of black people, and there was the blues on the radio. My God, Chicago..."
"..."But what it did is make people take notice. That was shocking to me..."
"..."I want people to have their ears open instead of talking about Trump and kneeling in football," says Monks founder, pianist Collin Shook, about the listening room mentality. "I want them to hear the extra flam on the snare, the nuances in the bass tone, and I want everybody to be present in the moment."..."
"...They loved it. It was wonderful, and powerful, and then after I left, somebody went driving and hit people with the car..."
"...Likewise, in early 1972 when Ellington was booked into the University of California at Santa Barbara, where I was in school, his music was considered as obsolete and out of fashion as any self-respecting counterculturist could possibly imagine. To put in perspective just how outdated big band jazz was to my generation at that time, when a friend and I, hot off seeing the Rolling Stones and Stevie Wonder, went to see the Count Basie Orchestra with Ella Fitzgerald and an array of swing stars in Los Angeles the following week, we were virtually the only people there of college age..."
"...“Slim has influenced so many people in town. He let me borrow his guitar when mine was stolen and I ended up buying it from him..."
"...I saw a lot of them! But I couldn’t get to them all. Here’s an incomplete list of all the movies I didn’t see (or see all the way to the end; note to self: don’t start movies in bed after midnight): The Tribe, Only Lovers Left Alive, Leviathan, Love Is Strange, Enemy, Listen Up Philip, National Gallery, Wild Tales, A Girl Walks Home Alone at Night, Dear White People, Coherence, Land Ho!....."
"...A friend of mine wrote that. The cool thing about this is, although I’m what you’d call the head honcho, I have a team of people who I trust..."
"...It’s a kind of collaboration that new technology has made possible. I’m not in the room – once I’ve turned over the material I’m involved very little in the process really – but then it comes back to me and I love to hear what people have done..."
"...Even when it came to Austin in '73-'74, it was still the same thing. People didn't understand..."
"...Legendary local venues close regularly, but Hot Club of Cowtown fiddler Elana James and former Timbuk 3 breakout Barbara K gather a backyard full of people at the former's Central Austin home to perform original and traditional folk tunes without amplification. Take in an Erin Ivey gig and there's Elizabeth McQueen adding harmonies..."
"...The most visible example of Austin's backhanded support of the live music scene, the smoking ban prohibited the use of a perfectly legal substance in private businesses (see "Smoke Signals," April 15, 2005), resulting in a lot more outdoor patios and the closure of at least one music venue. "The fact that I didn't shut down during the smoking ban gave people the belief that we weren't scarred by it," bemoaned Room 710 owner Asher Garber to the Chronicle in June, shortly before the club shuttered..."
"...Austin Chronicle: In the book, you thank so many people in your life: your grandparents, your parents, other relatives, David Simon, actors you worked with. Did you set out knowing that you wanted to do that?..."
"...Some didn't care, saying it was old stuff that wasn't relevant any more. We had to persuade them that the music they made all those years ago was relevant and so good that people would want to listen and dance to it today!"..."
"...AC: Was Birmingham a place people wanted to escape from or just that London was where it was happening?..."
"...I knew those records had all kinds of weird spooky stuff - what Danny Barnes would call "the essence." It lives in these old performers who weren't influenced by anything other than who lived down the street and who they played with on Saturday night. But people who set out to research this period on short notice typically end up with what little is available at the local CD store..."
"...When I think of `Space Rock,' I think of just dropping out a lot of the normal elements of whatever makes up rock. It goes back a lot further than most people realize..."
"...Cage portrays Jim Stone, an enterprising officer who's gained the respect of everyone except the people he wants it from most. In a character who's much more than meets the eye, Cage's dynamism powers the film forward with a locomotive's strength..."
"...Most people involved with the creation of the network credit either or both Tim Hamblin and Hank Sinatra with the original idea for AMN. Sinatra actually ran for mayor at one point with establishing a local music channel as one of the items on his agenda...."
"...The Instrument Loan Program for example, through the use of television and radio ads that feature Asleep at the Wheel's Ray Benson and Jimmie Vaughan, promotes the local scene by making people think about music. "Our promotion of events hopefully winds up impacting on different levels," says Meyer..."
"...With five improv schools in town, none of us know all the young talent coming up. And there’s some really talented people who may’ve not been doing improv that long, but I wouldn’t say we’re better than them..."
"...But the place itself never really matched the magnificence of its enormous hunk of furniture. In its first years, the Butterfly Bar lounge was a sort of glorified vestibule where people would congregate on weekend nights before heading into the adjoining theatre..."