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Letters are posted as we receive them during the week, and before they are printed in the paper, so check back frequently to see new letters. If you'd like to send a letter to the editor, use this postmarks submission form, or email your letter directly to mail@austinchronicle.com. Thanks for your patience.
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Shut Out Again

RECEIVED Wed., Feb. 11, 2015

Dear Editor,
    I appreciated the article "Death Waits for No Plan" [News, Feb. 6] on the draft of the Austin Cemetery Master Plan, which addresses long overdue needs in Austin's five city cemeteries. With that said, I take issue with the representation of, or lack of, the historic Mexican community of Austin in this document.
    While Mexican-Americans are in the section "Ethnic Groups in Austin," we are little to be found elsewhere in its 542 pages. The most glaring example of exclusion is to be found in chapter five, on Oakwood Cemetery. I agree wholeheartedly with the Chronicle's observation that "each cemetery is the history of Austin, played out graveyard by graveyard, plot by plot." To read the historical report on Oakwood, one would think of burials only in terms of white and black. Yet sexton records beginning in the early 1860s show the presence of Mexican burials. These ledgers have a printed row of headings, one being “Color,” underneath which are the designations for "White/Colored." In the “Colored” column is to be found "Mex" to indicate a grave dug for a Mexican. It wasn't until 1900 that the ledgers added a third printed column, "Mex." In addition, there was a segregated area in Oakwood called the Mex Grounds.
    Also under this chapter on Oakwood is a listing of “Historically Significant Persons,” these being as expected, predominantly dead old white men and a handful of their former slaves. Of course, no Mexicans made the cut. Unlike the African-American community, I am unaware of the engagement of any Mexican-American groups by the master plan team to identify the Mexican presence in Oakwood. Our historical significance lies in a community of lives lived and it seems as far as the cemetery master plan is concerned, not worthy of inclusion. The report takes more notice of the trees than what is expended on Mexican burials. For the Mexican-American community to be unacknowledged in its equal place in the history of Oakwood, whatever the reasons, I can only hope will be corrected before being presented to the City Council.
Danny Camacho

Just Walk Away

RECEIVED Wed., Feb. 11, 2015

Dear Editor,
    The term “better carnivore” is an oxymoron, much like “humane meat” [“The Meat of the Matter,” Food, Feb. 6]. Even if animals raised for food have had one or two improvements made to their otherwise miserable existences, that doesn’t mean we should feel good about eating them.
   Your article referred to local and organic turkeys as the “holy grail.” But PETA has found that many “humane” labels allow turkeys to be kept indoors at all times in cramped conditions, breathing in high levels of ammonia, and to have their toes amputated and the ends of their beaks cut off without pain relief. The label may be allowed even in cases of deliberate abuse of turkeys, such as kicking or throwing them.
    PETA has yet to find a "humane" factory farm where animals aren't crowded together, where their precious babies aren’t taken away from them, and where they aren't packed into crates, tossed onto trucks, and shipped through all weather extremes to horrifying slaughterhouses, often the same ones used by conventional factory farms.
    Yes, meat companies should strive to reduce the amount of suffering that animals endure, and PETA will continue to push for such changes. But less suffering does not equal humane. If people are truly concerned about eating humanely produced food, they need to walk away from the meat case.
Michelle Kretzer
Norfolk, Va.

Full Disclosure?

RECEIVED Sat., Feb. 7, 2015

Dear Editor
    Regarding “A Kinder, Gentler SXSW?” [News, Feb. 6]: The article needs to include a disclosure that Louis Black or The Austin Chronicle owns or controls some or all of South by Southwest, if that is the case. Readers should be aware of the journalist's or the editor's possible connection.
Marion Graham
   [Editor's note: While we almost inevitably note the Chronicle's connection to the Festival in most stories, we reiterate: Editor Louis Black and Publisher Nick Barbaro were co-founders of SXSW and remain among its corporate directors.]
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