Parish
FEEDBACK
Letters are posted as we receive them during the week, and before they are printed in the paper, so check back frequently to see new letters. If you'd like to send a letter to the editor, use this postmarks submission form, or email your letter directly to mail@austinchronicle.com. Thanks for your patience.
We'll Miss Molly's Insight, Daring, and Humor
RECEIVED Thu., Feb. 1, 2007
Dear Editor,
Texas legend Molly Ivins, like most Texans, was both beloved and scorned, but she always told the truth at least as she saw it. Molly's insight was at times both a blessing and also made us uncomfortable. During a time of going along to get along, she kept her opinions straight and direct, especially living here in Texas, the land of W. Molly dared to tell us things that we did not want to hear, and I am afraid that she might have been right in her latest assessments. If you read her books, you know what I am talking about. If you did not, then you're blissfully ignorant. People who dare to stand up in their unpopular opinions are almost impossible to find nowadays. As we dig and claw out of this morass and out of increased unpopularity in world-view we need to remember the lessons of humility and humor Molly tried to teach us, and we sometimes figured out too late.
Texas legend Molly Ivins, like most Texans, was both beloved and scorned, but she always told the truth at least as she saw it. Molly's insight was at times both a blessing and also made us uncomfortable. During a time of going along to get along, she kept her opinions straight and direct, especially living here in Texas, the land of W. Molly dared to tell us things that we did not want to hear, and I am afraid that she might have been right in her latest assessments. If you read her books, you know what I am talking about. If you did not, then you're blissfully ignorant. People who dare to stand up in their unpopular opinions are almost impossible to find nowadays. As we dig and claw out of this morass and out of increased unpopularity in world-view we need to remember the lessons of humility and humor Molly tried to teach us, and we sometimes figured out too late.
Ron Ruiz
Reply to this | 1 Comment »
What About a Molly Ivins Statue?
RECEIVED Wed., Jan. 31, 2007
Dear Editor,
I sure would like to see a giant statue of Molly Ivins erected on the south side of the Ann Richards bridge, waving the mightier-than-a-sword pen halfway between the Statesman and the Capitol.
I sure would like to see a giant statue of Molly Ivins erected on the south side of the Ann Richards bridge, waving the mightier-than-a-sword pen halfway between the Statesman and the Capitol.
Requiescat in pace,
David Chamberlain
David Chamberlain
Sick at Heart
RECEIVED Wed., Jan. 31, 2007
Dear Editor,
I'm sick at heart. I don't know what sickens me more, that the Texas Pregnancy Care Network has accepted nearly $2 million and served 11 people [“No Real Alternative,” News, Jan. 26]? That this isn't front-page news in every major metro newspaper? That Republican Sen. Tommy Williams isn't ashamed, deeply ashamed, of this waste of money? That I couldn't even find a Web site for this scam when I looked today? Maybe I'm just sad that so many Texans that are sick, and not just at heart, are being robbed of health care because of Williams. Someone quoted in the article wondered how he can look low-income women in the face – I'm sincerely amazed that he can look any taxpayer in Texas in the face.
I'm sick at heart. I don't know what sickens me more, that the Texas Pregnancy Care Network has accepted nearly $2 million and served 11 people [“No Real Alternative,” News, Jan. 26]? That this isn't front-page news in every major metro newspaper? That Republican Sen. Tommy Williams isn't ashamed, deeply ashamed, of this waste of money? That I couldn't even find a Web site for this scam when I looked today? Maybe I'm just sad that so many Texans that are sick, and not just at heart, are being robbed of health care because of Williams. Someone quoted in the article wondered how he can look low-income women in the face – I'm sincerely amazed that he can look any taxpayer in Texas in the face.
Amy Price
TxDOT's Budget Breakdown
RECEIVED Wed., Jan. 31, 2007
Dear Editor,
How many TxDOT engineers does it take to put up a stop sign? A bunch, according to Bob Daigh, TxDOT’s Austin district engineer. At a Hays County Commissioners Court workshop on Tuesday, Daigh presented data showing for every tax dollar spent on Texas roads, TxDOT keeps an incredible 24 cents just to sustain its organization. Forty-one cents is used to maintain existing roads and thirty-five cents for constructing new roads. TxDOT spends only 9 cents more for new road construction in Texas than it spends on TxDOT. Major road maintenance and new road construction are not performed by TxDOT; they are outsourced.
This 24% organizational expenditure is referred to as overhead. With 15,000 employees it's no wonder TxDOT’s overhead is so high. In her Jan. 12, 2001, Review of the Texas Department of Transportation, Carole Keeton Rylander, then Texas comptroller of public accounts, wrote, “TxDOT too often defends its antiquated practices and thinking instead of building the roads its customers are demanding.”
TxDOT can’t legally lobby the Legislature, but its road-building friends can lobby on TxDOT’s behalf. With a 24% overhead, it’s clear why TxDOT supports toll roads.
How many TxDOT engineers does it take to put up a stop sign? A bunch, according to Bob Daigh, TxDOT’s Austin district engineer. At a Hays County Commissioners Court workshop on Tuesday, Daigh presented data showing for every tax dollar spent on Texas roads, TxDOT keeps an incredible 24 cents just to sustain its organization. Forty-one cents is used to maintain existing roads and thirty-five cents for constructing new roads. TxDOT spends only 9 cents more for new road construction in Texas than it spends on TxDOT. Major road maintenance and new road construction are not performed by TxDOT; they are outsourced.
This 24% organizational expenditure is referred to as overhead. With 15,000 employees it's no wonder TxDOT’s overhead is so high. In her Jan. 12, 2001, Review of the Texas Department of Transportation, Carole Keeton Rylander, then Texas comptroller of public accounts, wrote, “TxDOT too often defends its antiquated practices and thinking instead of building the roads its customers are demanding.”
TxDOT can’t legally lobby the Legislature, but its road-building friends can lobby on TxDOT’s behalf. With a 24% overhead, it’s clear why TxDOT supports toll roads.
Charles O’Dell, Ph.D.
HaysCAN
Dripping Springs ETJ
HaysCAN
Dripping Springs ETJ
Meeting Grace Slick
RECEIVED Tue., Jan. 30, 2007
Dear Editor,
On Friday, Jan. 26, my friend and I attended a reception for Grace Slick at Art on 5th, where her paintings are exhibited (through Feb. 3). Grace was quite gregarious, and I had the opportunity to chat with her informally, as well as ask questions during a Q&A session.
Grace's current favorite band hails from Texas: Del Castillo. She has fond memories of Janis Joplin, denied that the Texan was unhappy, hailed her strength, and recounted sharing a bottle with her, dispensing with glasses as middlemen.
Grace loved Ann Richards. She likes Spanish and Chinese culture (hence her daughter's name, whose birthday was today, and who's studying theology).
The major themes of Grace's paintings are Alice in Wonderland, rock star portraits, and, to a lesser extent, nudes. A vividly colored portrait of Jimi Hendrix was among my favorites. She had profuse praise for Stevie Ray Vaughan, also portrayed. (Other notables, Jerry Garcia, Jim Morrison, Timothy Leary as the Mad Hatter, Ram Das as the Caterpillar, John & Paul as Tweedle-Dee & Dum.)
I mentioned to Grace having seen her picture in LIFE magazine holding her laughing newborn upside down by her feet; she recounted the photo session and storm of angry letters she received.
We discussed our president, who can hardly speak and his nightmarish quagmire. She named her favorite extinct pharmaceutical. About hard drugs she said, "Take the ride if you want, but it can kill you."
I asked her about one of my favorite records, Blows Against the Empire, and her song "Sunrise" (surprise civilized man - 3,000 years of your goddamned glory).
She told this story: While traveling through Kansas, she complained of the monotonous scenery. Paul Kantner chastised her: "People are different; some, unlike you, enjoy the simple life. You wouldn't eat if it weren't for these farmers, so shut up!"
On Friday, Jan. 26, my friend and I attended a reception for Grace Slick at Art on 5th, where her paintings are exhibited (through Feb. 3). Grace was quite gregarious, and I had the opportunity to chat with her informally, as well as ask questions during a Q&A session.
Grace's current favorite band hails from Texas: Del Castillo. She has fond memories of Janis Joplin, denied that the Texan was unhappy, hailed her strength, and recounted sharing a bottle with her, dispensing with glasses as middlemen.
Grace loved Ann Richards. She likes Spanish and Chinese culture (hence her daughter's name, whose birthday was today, and who's studying theology).
The major themes of Grace's paintings are Alice in Wonderland, rock star portraits, and, to a lesser extent, nudes. A vividly colored portrait of Jimi Hendrix was among my favorites. She had profuse praise for Stevie Ray Vaughan, also portrayed. (Other notables, Jerry Garcia, Jim Morrison, Timothy Leary as the Mad Hatter, Ram Das as the Caterpillar, John & Paul as Tweedle-Dee & Dum.)
I mentioned to Grace having seen her picture in LIFE magazine holding her laughing newborn upside down by her feet; she recounted the photo session and storm of angry letters she received.
We discussed our president, who can hardly speak and his nightmarish quagmire. She named her favorite extinct pharmaceutical. About hard drugs she said, "Take the ride if you want, but it can kill you."
I asked her about one of my favorite records, Blows Against the Empire, and her song "Sunrise" (surprise civilized man - 3,000 years of your goddamned glory).
She told this story: While traveling through Kansas, she complained of the monotonous scenery. Paul Kantner chastised her: "People are different; some, unlike you, enjoy the simple life. You wouldn't eat if it weren't for these farmers, so shut up!"
Cordially,
Kenney C. Kennedy
Kenney C. Kennedy
People Being Dependent on Cars Creates All Sorts of Problems
RECEIVED Mon., Jan. 29, 2007
Dear Editor,
In Austin, we're going through a boom. I'm not ashamed to say that it's a good thing for the city, because it is creating density, which allows people to live closer to work and entertain themselves without necessarily having to get in a car. However, the more "foreign" people moving into Austin, the more embarrassing it is when something goes wrong, and there's nothing to be done.
Point of fact: The city's being shut down by ice storms was embarrassing. It's embarrassing to develop cities surrounding Austin – or Austin itself – and not provide a way for those people who live there to get to work safely in the case of bad weather. Well, we have our half-million-dollar condos and our ranches in the countryside. Now it's time to make sure that everyone can at least get to a safe commuting area without a car.
Here's a little urban-planning secret: Density will not last if people are dependent on cars. Houston has it, and its air quality was worse than Los Angeles' a few years back. If we want ranches in the countryside or even housing developments in Taylor and Lockhart, we need to start working on getting a commuter line from those cities to Austin.
We've got a start: a commuter line from San Antonio to Austin. Well, that's not the only place people commute from. If employers from Temple are starting to advertise for Austinite employees, it's time to respect that distance. Gas is expensive, and congestion makes it cost more. With significant climate changes there may be more winters that feature ice storms, not fewer.
In Austin, we're going through a boom. I'm not ashamed to say that it's a good thing for the city, because it is creating density, which allows people to live closer to work and entertain themselves without necessarily having to get in a car. However, the more "foreign" people moving into Austin, the more embarrassing it is when something goes wrong, and there's nothing to be done.
Point of fact: The city's being shut down by ice storms was embarrassing. It's embarrassing to develop cities surrounding Austin – or Austin itself – and not provide a way for those people who live there to get to work safely in the case of bad weather. Well, we have our half-million-dollar condos and our ranches in the countryside. Now it's time to make sure that everyone can at least get to a safe commuting area without a car.
Here's a little urban-planning secret: Density will not last if people are dependent on cars. Houston has it, and its air quality was worse than Los Angeles' a few years back. If we want ranches in the countryside or even housing developments in Taylor and Lockhart, we need to start working on getting a commuter line from those cities to Austin.
We've got a start: a commuter line from San Antonio to Austin. Well, that's not the only place people commute from. If employers from Temple are starting to advertise for Austinite employees, it's time to respect that distance. Gas is expensive, and congestion makes it cost more. With significant climate changes there may be more winters that feature ice storms, not fewer.
Stephanie Webb
Accusing Others of Behavior You Can't Control in Yourself
RECEIVED Mon., Jan. 29, 2007
Dear Editor,
Regarding Louis Black’s more disingenuous and juvenile than customary “Page Two” of Jan. 26, there are thousands – actually hundreds of thousands – of Kurds, Iranians, and Kuwaitis who are sure that Saddam Hussein’s previous use of chemical/biological weapons was certain indication that he would use them again. With regard to sanctions, in the period between the November 2000 election and the January 2001 inauguration, the two countries Iraq had bribed most with oil-for-food money (France and Russia) started agitating in the United Nations to end the sanctions. From that time until the U.S. administration changed the subject from when to end sanctions to when to end Saddam’s regime, the sanctions mechanism had been in gradual decline. While 9/11 did not change Iraq, it did change the threat level, which we as a nation were willing to tolerate. Invasion resulted. In that regard, despite your protests that it is not possible, we did get to pick the battleground. Furthermore, to the extent that there is no relationship between Iraq and 9/11, there is even less of one between the Iraq war and Mexican immigration (as you indicated) – unless of course Mexico was to declare war on the United States.
Whether the battleground in Iraq was the best choice for America is certainly debatable. However, when you ignore facts, history, truth, and logic in authoring “Page Two,” you engage in the same behavior you accuse the administration of exhibiting – lying, manipulation, and “gutbucket politics.” Not surprising really, it’s not unusual to accuse others of behavior/conduct that one can’t control in oneself.
Regarding Louis Black’s more disingenuous and juvenile than customary “Page Two” of Jan. 26, there are thousands – actually hundreds of thousands – of Kurds, Iranians, and Kuwaitis who are sure that Saddam Hussein’s previous use of chemical/biological weapons was certain indication that he would use them again. With regard to sanctions, in the period between the November 2000 election and the January 2001 inauguration, the two countries Iraq had bribed most with oil-for-food money (France and Russia) started agitating in the United Nations to end the sanctions. From that time until the U.S. administration changed the subject from when to end sanctions to when to end Saddam’s regime, the sanctions mechanism had been in gradual decline. While 9/11 did not change Iraq, it did change the threat level, which we as a nation were willing to tolerate. Invasion resulted. In that regard, despite your protests that it is not possible, we did get to pick the battleground. Furthermore, to the extent that there is no relationship between Iraq and 9/11, there is even less of one between the Iraq war and Mexican immigration (as you indicated) – unless of course Mexico was to declare war on the United States.
Whether the battleground in Iraq was the best choice for America is certainly debatable. However, when you ignore facts, history, truth, and logic in authoring “Page Two,” you engage in the same behavior you accuse the administration of exhibiting – lying, manipulation, and “gutbucket politics.” Not surprising really, it’s not unusual to accuse others of behavior/conduct that one can’t control in oneself.
Michael Abraham
[Louis Black responds: To go through your points one by one would take too much space. To address two of them: Certainly we chose a battleground; it remains to be seen if we in fact chose one that will decide things the way we want them to go. The connection between Iraq and illegal immigrants I wish was only my fancy. What I am commenting on is how many Iraq hawks, as soon as that situation got dicey, turned their ranting toward ending illegal immigration.]
'Ugly Betty' Is Just Plain Fun
RECEIVED Mon., Jan. 29, 2007
Dear Ms. Acosta,
I have a comment or two about your article regarding Ugly Betty ["TV Eye," Screens, Jan. 26].
Ugly Betty is a show. Sorry it pushes so many of your buttons. I am a Mexican-American male (with Italian and Jewish thrown in for good measure). You make it sound like all Hispanic women should work two-plus jobs, just because "bus stop Betty" does. Being "real" to my family was being honest, considerate, and having to clean our rooms because the maid was coming (maybe you knew her).
As a former model, I used to know women who were just like these: shallow and superficial, but that's the world they chose. I think it pushes your buttons because you wish women would not put beauty before brains, but that's what it's all about. I don't see the cosmetic counter at Saks asking women to sign up for education classes; no, it's all about make-up, hair products, shoes, dresses, and perfume. It's a billion-dollar business!
Lighten up! Ugly Betty is just plain fun, and it's meant to be entertaining.
I have a comment or two about your article regarding Ugly Betty ["TV Eye," Screens, Jan. 26].
Ugly Betty is a show. Sorry it pushes so many of your buttons. I am a Mexican-American male (with Italian and Jewish thrown in for good measure). You make it sound like all Hispanic women should work two-plus jobs, just because "bus stop Betty" does. Being "real" to my family was being honest, considerate, and having to clean our rooms because the maid was coming (maybe you knew her).
As a former model, I used to know women who were just like these: shallow and superficial, but that's the world they chose. I think it pushes your buttons because you wish women would not put beauty before brains, but that's what it's all about. I don't see the cosmetic counter at Saks asking women to sign up for education classes; no, it's all about make-up, hair products, shoes, dresses, and perfume. It's a billion-dollar business!
Lighten up! Ugly Betty is just plain fun, and it's meant to be entertaining.
Steven Leigh
TPCN Is No Alternative at All
RECEIVED Mon., Jan. 29, 2007
Dear Editor,
The article about the Texas Pregnancy Care Network entitled "No Real Alternative" [News, Jan. 26] grabbed my attention. It essentially addresses the contract that the Texas Health and Human Services Committee signed in March '06 with the TPCN. The waste of taxpayer money as well as the elimination of health-care services for women astounded me. Two facts seem especially upsetting: 1) The money for TPCN diverted funds from traditional agencies such as Planned Parenthood which have been the sole health resource for many women for prevention of unintended pregnancy as well as early breast-cancer detection, etc.; and 2) since its funding to the tune of $1.7 million, the TCPN has served 11 women whereas the money could have been used for 8,000 women if granted to the traditional agencies. Also the allocation of state funds for a "private business" as described by its executive director amazed me.
I realize that abortion is a sticky issue for legislators, and it often confuses the discussion of health care for women. However this kind of punitive and wasteful funding is neither fair nor appropriate.
The article about the Texas Pregnancy Care Network entitled "No Real Alternative" [News, Jan. 26] grabbed my attention. It essentially addresses the contract that the Texas Health and Human Services Committee signed in March '06 with the TPCN. The waste of taxpayer money as well as the elimination of health-care services for women astounded me. Two facts seem especially upsetting: 1) The money for TPCN diverted funds from traditional agencies such as Planned Parenthood which have been the sole health resource for many women for prevention of unintended pregnancy as well as early breast-cancer detection, etc.; and 2) since its funding to the tune of $1.7 million, the TCPN has served 11 women whereas the money could have been used for 8,000 women if granted to the traditional agencies. Also the allocation of state funds for a "private business" as described by its executive director amazed me.
I realize that abortion is a sticky issue for legislators, and it often confuses the discussion of health care for women. However this kind of punitive and wasteful funding is neither fair nor appropriate.
Jean Avera
Jim Caligiuri 'Imagines' Himself to Be a Critic?
RECEIVED Mon., Jan. 29, 2007
Dear Editor,
In the Jan. 26 issue, “Texas Platters” [Music] has a review of Mandy Mercier's fabulous new CD, Run Out of Darkness, by Jim Caligiuri. He begins said review with "Mandy Mercier imagines herself." Isn't that Jim speculating on how Mandy imagines herself? How in the world would he know how she imagines herself?!
It would be like me writing that I imagine Jim Caligiuri has tremendous lack of self-esteem issues; got bullied around as a kid and tries to make up for it by tearing down people's life work; has a tiny, little ... bank account; can't get the time of day from a woman; hasn't had a date since the Bee Gees topped the charts; has a dusty guitar he can barely play in the corner of a room in his house; can't seem to let himself get rid of that huge stack of papers with his terrible songs written on them; and wonders why he hasn't the respect of musicians or other writers in town.
Like his comment regarding Mandy, it would be based solely on speculation. It would not be insightful and informative but would be unnecessarily mean and hurtful. Well, I imagine it would.
In the Jan. 26 issue, “Texas Platters” [Music] has a review of Mandy Mercier's fabulous new CD, Run Out of Darkness, by Jim Caligiuri. He begins said review with "Mandy Mercier imagines herself." Isn't that Jim speculating on how Mandy imagines herself? How in the world would he know how she imagines herself?!
It would be like me writing that I imagine Jim Caligiuri has tremendous lack of self-esteem issues; got bullied around as a kid and tries to make up for it by tearing down people's life work; has a tiny, little ... bank account; can't get the time of day from a woman; hasn't had a date since the Bee Gees topped the charts; has a dusty guitar he can barely play in the corner of a room in his house; can't seem to let himself get rid of that huge stack of papers with his terrible songs written on them; and wonders why he hasn't the respect of musicians or other writers in town.
Like his comment regarding Mandy, it would be based solely on speculation. It would not be insightful and informative but would be unnecessarily mean and hurtful. Well, I imagine it would.
Freddie Steady Krc
[Editor's note: For Jim Caligiuri's review of Krc's latest project, see www.austinchronicle.com/gyrobase/Issue/review?oid=oid%3A290802.]
Does Caligiuri Appreciate Only Cookie-Cutter Hacks?
RECEIVED Mon., Jan. 29, 2007
Dear Editor,
Re: Jim Caligiuri’s review of Mandy Mercier’s Run Out of Darkness from the Jan. 26 Chronicle [“Texas Platters,” Music]: I had to go look at my Mandy Mercier CD to ensure Jim Caligiuri was reviewing the same copy of Run Out of Darkness that I have ... yep he was. Maybe he’s been watching too much American Idol to appreciate heart-and-soul talent over cookie-cutter hacks.
Re: Jim Caligiuri’s review of Mandy Mercier’s Run Out of Darkness from the Jan. 26 Chronicle [“Texas Platters,” Music]: I had to go look at my Mandy Mercier CD to ensure Jim Caligiuri was reviewing the same copy of Run Out of Darkness that I have ... yep he was. Maybe he’s been watching too much American Idol to appreciate heart-and-soul talent over cookie-cutter hacks.
Big Al Johnson
McDonald Is Back: Intellectual Dishonesty, Shame, and Stupidity
RECEIVED Sun., Jan. 28, 2007
Dear Editor,
The depths of intellectual dishonesty and moral opaqueness exhibited by those on the neo-left are beyond measure. Louis Black proves it once again in his Jan. 26 “Page Two” screed. However, even he reaches a new low by lending credibility to the insane notion that the defeat of Saddam Hussein and his Iraqi tyranny was disconnected from the war crimes perpetrated by his al Qaeda allies on 9/11. While Hussein did not participate directly in the mass murder, it is well documented that he was actively involved in training, sheltering, and collaborating with the Islamist fascists responsible for the death and destruction of that terrible day.
But there is more. Mr. Black descends further by suggesting that because of the U.S. military action in Iraq, the Islamo-fascist enemy has been emboldened and achieved new highs with their so-called “Islamic freedom fighters” propaganda. Such a proposition puts Mr. Black in a league of pure shame and outright stupidity.
One might as well have said in 1942 that we can’t fight those Nazis because they will just fight us harder and therefore might win. Of course that would have been insane. But that, in effect, is exactly what Mr. Black’s neo-leftist capitulation signals. As for the rest of us, we must maintain our war footing in Iraq, Afghanistan, and the entire Middle East to eventually defeat all who advocate Islamist fascism and strive to enslave the world in Sharia tyranny.
The depths of intellectual dishonesty and moral opaqueness exhibited by those on the neo-left are beyond measure. Louis Black proves it once again in his Jan. 26 “Page Two” screed. However, even he reaches a new low by lending credibility to the insane notion that the defeat of Saddam Hussein and his Iraqi tyranny was disconnected from the war crimes perpetrated by his al Qaeda allies on 9/11. While Hussein did not participate directly in the mass murder, it is well documented that he was actively involved in training, sheltering, and collaborating with the Islamist fascists responsible for the death and destruction of that terrible day.
But there is more. Mr. Black descends further by suggesting that because of the U.S. military action in Iraq, the Islamo-fascist enemy has been emboldened and achieved new highs with their so-called “Islamic freedom fighters” propaganda. Such a proposition puts Mr. Black in a league of pure shame and outright stupidity.
One might as well have said in 1942 that we can’t fight those Nazis because they will just fight us harder and therefore might win. Of course that would have been insane. But that, in effect, is exactly what Mr. Black’s neo-leftist capitulation signals. As for the rest of us, we must maintain our war footing in Iraq, Afghanistan, and the entire Middle East to eventually defeat all who advocate Islamist fascism and strive to enslave the world in Sharia tyranny.
Vance McDonald
[Louis Black responds: Out of respect for history and any appreciation of complexity, wouldn't it be great if we could completely forego the phoney and hysterically dishonest Iraq to Nazi Germany comparisons?]
Shabby, Cheap-Shot Criticism
RECEIVED Sat., Jan. 27, 2007
Dear Editor,
Re: Jim Caligiuri's review of Mandy Mercier's new album, Run Out of Darkness [“Texas Platters,” Music, Jan. 26]: This is a shabby, cheap-shot piece of newspaper work and should make the Chronicle cringe.
Mandy Mercier has been a high note on the local music scene for three decades and many of us have looked forward through much of that time to opportunities to hear and see her perform.
This new album, trashed by your reviewer, has been a joy to listen to, a treasure to own, and a delight to recommend and give to loved ones as gifts. She has come as close as is possible to recording the inimitable limitless energy and soaring vocals that we have so often experienced and cherished in her live performances.
The Chronicle may want to rethink the leeway it gives to patently unqualified reviewers in shaping public opinion and thereby affecting not only record sales but the continuing career potential for so many of our extraordinarily talented local performers.
The Austin music scene has been enriched for many years by the stirring talent of Mandy Mercier and will be further by this glorious recording of some of her finest work.
Re: Jim Caligiuri's review of Mandy Mercier's new album, Run Out of Darkness [“Texas Platters,” Music, Jan. 26]: This is a shabby, cheap-shot piece of newspaper work and should make the Chronicle cringe.
Mandy Mercier has been a high note on the local music scene for three decades and many of us have looked forward through much of that time to opportunities to hear and see her perform.
This new album, trashed by your reviewer, has been a joy to listen to, a treasure to own, and a delight to recommend and give to loved ones as gifts. She has come as close as is possible to recording the inimitable limitless energy and soaring vocals that we have so often experienced and cherished in her live performances.
The Chronicle may want to rethink the leeway it gives to patently unqualified reviewers in shaping public opinion and thereby affecting not only record sales but the continuing career potential for so many of our extraordinarily talented local performers.
The Austin music scene has been enriched for many years by the stirring talent of Mandy Mercier and will be further by this glorious recording of some of her finest work.
Dan Lourie
Port Aransas
Port Aransas
Lynch Follows the Grace of Inspiration
RECEIVED Sat., Jan. 27, 2007
Editor,
I went to the Paramount on Wednesday to see Inland Empire and to hear from David Lynch [“The Serene Life,” Screens, Jan. 19]. After the film, Mr. Lynch was available for a brief Q&A session. The questions and questioners represented the great facets of Austin's creative community: thoughtful, intelligent, unreserved, and rigorously observant, each one revealed further what a potent mix of aesthetics and exuberance we have brewing in the city.
Mr. Lynch showed himself equal to the task and the town. Without fail, to every question, he expressed his awe and exhilaration at the creative process. That someone as prolific and revered as Mr. Lynch still regards each and every creative idea, regardless of its size or merit, as a blessing and a mystery gives one a great deal of hope and perspective on the process.
Mr. Lynch said that desire is the bait by which we may catch the creative idea – cinematic, musical, literary, or otherwise. These are the great things, he told us, these ideas. They are the only things. It's easy to get wrapped up in the execution of the idea, the techniques of it. Mr. Lynch helps one remember that the grace of inspiration is the heart and essence of the process.
I went to the Paramount on Wednesday to see Inland Empire and to hear from David Lynch [“The Serene Life,” Screens, Jan. 19]. After the film, Mr. Lynch was available for a brief Q&A session. The questions and questioners represented the great facets of Austin's creative community: thoughtful, intelligent, unreserved, and rigorously observant, each one revealed further what a potent mix of aesthetics and exuberance we have brewing in the city.
Mr. Lynch showed himself equal to the task and the town. Without fail, to every question, he expressed his awe and exhilaration at the creative process. That someone as prolific and revered as Mr. Lynch still regards each and every creative idea, regardless of its size or merit, as a blessing and a mystery gives one a great deal of hope and perspective on the process.
Mr. Lynch said that desire is the bait by which we may catch the creative idea – cinematic, musical, literary, or otherwise. These are the great things, he told us, these ideas. They are the only things. It's easy to get wrapped up in the execution of the idea, the techniques of it. Mr. Lynch helps one remember that the grace of inspiration is the heart and essence of the process.
Thank you,
Matt Holloway
Matt Holloway
First off, I Am Not a Kook
RECEIVED Fri., Jan. 26, 2007
Dear Austin Chronicle,
First off, I am not a kook.
Secondly, regarding the letter on the topic of Battlestar Galactica written by one “Sean Wardwell” as published in your weekly on Jan. 25:
1) The actor who played Starbuck in the Glen A. Larson production of BSG was Dirk Benedict, not Dick Benedict. Your lack of attention to details undermines your credibility in this science-fiction fan’s mind.
2) Further, “one of the best and smartest things I've seen on TV in a while”? Hello? Clearly you haven’t been keeping up with the SciFi channel’s airings of Doctor Who. The crew of the Galactica – despite the fact that they possess a battlestar capable of FTL (faster than light) travel, a small fleet of refitted civilian ships, and a nuclear arsenal – seems to accomplish little in 60 minutes aside from implausible heavy-handed melodrama of the likes typically reserved for a Dawson’s Creek, whereas – using only a Sonic Screwdriver and his wits – the Doctor can save Earth from both Cybermen and Daleks. The crew of the modern BSG can’t even find Earth, much less save it.
Obviously, I can’t expect to change everyone’s opinion of Battlestar Galactica. However, I, and the rest of my World of Warcraft Guild (Horde PvP on Maelstrom, ftw), at least ask that if this sort of discourse is to continue that the individuals partaking at least attempt to keep themselves informed as to the whole of the science-fiction landscape rather than what they read about on the cover of their TV Guides.
First off, I am not a kook.
Secondly, regarding the letter on the topic of Battlestar Galactica written by one “Sean Wardwell” as published in your weekly on Jan. 25:
1) The actor who played Starbuck in the Glen A. Larson production of BSG was Dirk Benedict, not Dick Benedict. Your lack of attention to details undermines your credibility in this science-fiction fan’s mind.
2) Further, “one of the best and smartest things I've seen on TV in a while”? Hello? Clearly you haven’t been keeping up with the SciFi channel’s airings of Doctor Who. The crew of the Galactica – despite the fact that they possess a battlestar capable of FTL (faster than light) travel, a small fleet of refitted civilian ships, and a nuclear arsenal – seems to accomplish little in 60 minutes aside from implausible heavy-handed melodrama of the likes typically reserved for a Dawson’s Creek, whereas – using only a Sonic Screwdriver and his wits – the Doctor can save Earth from both Cybermen and Daleks. The crew of the modern BSG can’t even find Earth, much less save it.
Obviously, I can’t expect to change everyone’s opinion of Battlestar Galactica. However, I, and the rest of my World of Warcraft Guild (Horde PvP on Maelstrom, ftw), at least ask that if this sort of discourse is to continue that the individuals partaking at least attempt to keep themselves informed as to the whole of the science-fiction landscape rather than what they read about on the cover of their TV Guides.
Signed,
Herkimer Panzerdoun
Herkimer Panzerdoun
Together We Can Maintain the Integrity of Town Lake
RECEIVED Fri., Jan. 26, 2007
Dear Editor,
The Save Town Lake organization would like to extend our most sincere thanks to the Austin community for its support in our efforts to preserve the parks and open spaces along Town Lake.
Special thanks to staff writer Katherine Gregor and The Austin Chronicle editors for their Jan. 19 cover story [“On the Waterfront,” News, Jan. 19], which played a critical role in bringing attention to this important issue that affects the very heart of the city. We hope that the Chronicle continues to keep this issue in the public eye.
Due to overwhelming support from the area’s music community, the recent STL benefit at Antone’s was a tremendous success. We would like to express our heartfelt gratitude to all of the musicians and volunteers for their time, energy, and money invested in this cause.
Finally, we also thank the Austin Neighborhood Council, South River City Citizens, Zilker Neighborhood Association, and Bouldin Creek Neighborhood Association for their continued support. Together, we can have a dramatic impact in maintaining the integrity of the Town Lake Corridor for all of Austin.
Save Town Lake is a nonprofit corporation with the mission of protecting Austin’s most precious resource. We support responsible development while promoting public awareness of the city’s highest regulatory standards.
The Save Town Lake organization would like to extend our most sincere thanks to the Austin community for its support in our efforts to preserve the parks and open spaces along Town Lake.
Special thanks to staff writer Katherine Gregor and The Austin Chronicle editors for their Jan. 19 cover story [“On the Waterfront,” News, Jan. 19], which played a critical role in bringing attention to this important issue that affects the very heart of the city. We hope that the Chronicle continues to keep this issue in the public eye.
Due to overwhelming support from the area’s music community, the recent STL benefit at Antone’s was a tremendous success. We would like to express our heartfelt gratitude to all of the musicians and volunteers for their time, energy, and money invested in this cause.
Finally, we also thank the Austin Neighborhood Council, South River City Citizens, Zilker Neighborhood Association, and Bouldin Creek Neighborhood Association for their continued support. Together, we can have a dramatic impact in maintaining the integrity of the Town Lake Corridor for all of Austin.
Save Town Lake is a nonprofit corporation with the mission of protecting Austin’s most precious resource. We support responsible development while promoting public awareness of the city’s highest regulatory standards.
Sincerely,
Thomas F. Cooke
Save Town Lake
www.savetownlake.org
Thomas F. Cooke
Save Town Lake
www.savetownlake.org
What Exactly Happened at Intersection?
RECEIVED Fri., Jan. 26, 2007
Dear Editor,
Would I want the traffic at 31st and West diverted to my street? Not particularly. Although I live on 30th, where we have plenty of traffic already. Where I'd like it diverted to is 29th, Guadalupe, 34th, and Lamar; streets that are designed to take more traffic. Surely that's not so difficult to understand. There's simply no reason to cut through this neighborhood except to dodge lights. These are the impatient people who need to be slowed down.
One thing that the City Council said in their rejection was that a traffic circle would slow down emergency response time for the Austin Fire Department. If you take a look at the corner of 31st and West, you will see a large concrete slab where the Buckingham Square apartments used to be. On March 31, 2004, those of us living there were burned out in a five-alarm fire. Response time wasn't the issue; AFD was prompt and professional. Lack of water pressure was the problem. It took two fires in that neighborhood for the city to do anything about those pipes. What exactly has to happen at that intersection for the city to agree to slow people down?
Would I want the traffic at 31st and West diverted to my street? Not particularly. Although I live on 30th, where we have plenty of traffic already. Where I'd like it diverted to is 29th, Guadalupe, 34th, and Lamar; streets that are designed to take more traffic. Surely that's not so difficult to understand. There's simply no reason to cut through this neighborhood except to dodge lights. These are the impatient people who need to be slowed down.
One thing that the City Council said in their rejection was that a traffic circle would slow down emergency response time for the Austin Fire Department. If you take a look at the corner of 31st and West, you will see a large concrete slab where the Buckingham Square apartments used to be. On March 31, 2004, those of us living there were burned out in a five-alarm fire. Response time wasn't the issue; AFD was prompt and professional. Lack of water pressure was the problem. It took two fires in that neighborhood for the city to do anything about those pipes. What exactly has to happen at that intersection for the city to agree to slow people down?
Gayle Smith
AISD Is So Full of Crap
RECEIVED Fri., Jan. 26, 2007
Dear Editor,
AISD is so full of crap. With all of this going on at Kealing Middle School [“Point Austin,” News, Jan. 26], my fifth grader is coming home every week since Christmas with fliers from "Kealing Magnet School" and their "award-winning" whatever they are trying to sell this time. The programs they list sound great, but it seems that the whole place is built on sand. (Sand on crap!)
AISD whines about low enrollment and closing ghost schools. But they tolerate situations that shatter morale. And on the flip side, AISD keeps trying to screw up schools that are working.
For example, my fifth grader is about to graduate from Brentwood Elementary in north central Austin, a school in a "gentrified" neighborhood. Brentwood is fighting for the kids! They engage the neighborhood! Parents pitch in to beautify the grounds and paint murals inside. (Parents volunteer a lot!) BES hosts open houses and tagalongs and tours (etc.) for families with potential BES students. In the last year alone, the enrollment jumped enough to add about six classrooms! These are mostly in the youngest levels; meaning that the kids may stay here for years after discovering what a nice school it is.
I said flip side. The e-mails were flying overnight. AISD wants to bus in perhaps 200 kids from one of the "underperforming" schools. And as "transfer" students, they probably won't count for funding purposes. That is, BES enrollment could go up by about 48% with no additional funding. And this with stressed kids who will need more help.
I know that AISD is dealing with forces beyond their control from the U.S. and Texas lawmakers. But AISD has to learn to listen to their parents and children. Listen to what they need and want. Otherwise more of the families that can leave, will. And those that can't leave will grow more despairing.
And that won't be good for the damn test scores, either.
I'll keep prayin'.
AISD is so full of crap. With all of this going on at Kealing Middle School [“Point Austin,” News, Jan. 26], my fifth grader is coming home every week since Christmas with fliers from "Kealing Magnet School" and their "award-winning" whatever they are trying to sell this time. The programs they list sound great, but it seems that the whole place is built on sand. (Sand on crap!)
AISD whines about low enrollment and closing ghost schools. But they tolerate situations that shatter morale. And on the flip side, AISD keeps trying to screw up schools that are working.
For example, my fifth grader is about to graduate from Brentwood Elementary in north central Austin, a school in a "gentrified" neighborhood. Brentwood is fighting for the kids! They engage the neighborhood! Parents pitch in to beautify the grounds and paint murals inside. (Parents volunteer a lot!) BES hosts open houses and tagalongs and tours (etc.) for families with potential BES students. In the last year alone, the enrollment jumped enough to add about six classrooms! These are mostly in the youngest levels; meaning that the kids may stay here for years after discovering what a nice school it is.
I said flip side. The e-mails were flying overnight. AISD wants to bus in perhaps 200 kids from one of the "underperforming" schools. And as "transfer" students, they probably won't count for funding purposes. That is, BES enrollment could go up by about 48% with no additional funding. And this with stressed kids who will need more help.
I know that AISD is dealing with forces beyond their control from the U.S. and Texas lawmakers. But AISD has to learn to listen to their parents and children. Listen to what they need and want. Otherwise more of the families that can leave, will. And those that can't leave will grow more despairing.
And that won't be good for the damn test scores, either.
I'll keep prayin'.
Toni Rayner
Mercier Review Mean-Spirited and Malicious
RECEIVED Thu., Jan. 25, 2007
Dear Editor,
I was shocked and very disappointed at Jim Caligiuri's review of Mandy Mercier's new CD, Run Out of Darkness [“Texas Platters,” Music, Jan. 26]. She has been an intergral part of Austin's music scene for many, many years.
Playing with the Troubadours, Champ Hood, Ray Wylie, Shake Russell, Dana Cooper, and Bugs Henderson just to name a few.
Even if her singing isn't your cup of tea – this reveiw was mean-spirited – almost like a personal attack. There's just no reason to be so malicious. Mandy has a following that loves her singing, writing, and her recordings.
I have an idea.
Since these reviews will be able to be read via the Internet – they should be reviewed by people who know about the different genres of music. Blues should be reviewed by a blues fan and writers who are knowledgeable of folk or Americana should review those genres.
There are musicians in my hometown that are judged solely by the Chronicle's recommendations.
If ya don't like the CD – don't review the record – on second thought give it to someone who loves blues music and is knowledgeable in that genre.
Check this out!
As a fiddle player and harmony vocalist, Mandy Mercier has worked professionally with Lucinda Williams, Billy Joe Shaver, Steve Forbert, Jimmie Dale Gilmore, Butch Hancock, Joe Ely, Townes Van Zandt, Blaze Foley, Ray Wylie Hubbard, Charlie Robison, Tom Pacheco, Willy DeVille, Mick Ronson, David Rodriguez, Angela Strehli, Rusty Wier, Chris Gaffney, Ted Roddy, Champ Hood, Walter Hyatt and David Ball, Shake Russell, Dana Cooper, Sisters Morales, Vince Bell and Rick Nafey, and has also appeared onstage with Willie Nelson, Stevie Ray Vaughan, B.W. Stevenson, John Stewart, Doug Sahm, Gene Clark, Bob Neuwirth, Geoff Muldaur, Jimmy LaFave, and Lyle Lovett.
Awards and honors: Great American Song Contest 2004, Contemporary Acoustic/Folk honor award for "Wild Dreams of the Shy Boys."
Austin Chronicle Music Poll, 1997: Strings (14th) (winner: Champ Hood)
Music City Texas awards, 1994: Female Vocalist, Acoustic (honorable mention); Female Vocalist, Rock (third); Female Vocalist, Blues (HM); Good Attitude (HM); Fiddle/Violin (HM); Woman of the Year (HM); Female Instrumentalist (HM); Female Vocalist, Overall (HM); Female Songwriter (HM); Acoustic Act (HM).
MTV Beach House Band (HM), 1994
Academy of Country Music, inducted 1992-93
Female Vocalist of the Year, Los Angeles Chapter, California Country Music Association, 1992
I was shocked and very disappointed at Jim Caligiuri's review of Mandy Mercier's new CD, Run Out of Darkness [“Texas Platters,” Music, Jan. 26]. She has been an intergral part of Austin's music scene for many, many years.
Playing with the Troubadours, Champ Hood, Ray Wylie, Shake Russell, Dana Cooper, and Bugs Henderson just to name a few.
Even if her singing isn't your cup of tea – this reveiw was mean-spirited – almost like a personal attack. There's just no reason to be so malicious. Mandy has a following that loves her singing, writing, and her recordings.
I have an idea.
Since these reviews will be able to be read via the Internet – they should be reviewed by people who know about the different genres of music. Blues should be reviewed by a blues fan and writers who are knowledgeable of folk or Americana should review those genres.
There are musicians in my hometown that are judged solely by the Chronicle's recommendations.
If ya don't like the CD – don't review the record – on second thought give it to someone who loves blues music and is knowledgeable in that genre.
Check this out!
As a fiddle player and harmony vocalist, Mandy Mercier has worked professionally with Lucinda Williams, Billy Joe Shaver, Steve Forbert, Jimmie Dale Gilmore, Butch Hancock, Joe Ely, Townes Van Zandt, Blaze Foley, Ray Wylie Hubbard, Charlie Robison, Tom Pacheco, Willy DeVille, Mick Ronson, David Rodriguez, Angela Strehli, Rusty Wier, Chris Gaffney, Ted Roddy, Champ Hood, Walter Hyatt and David Ball, Shake Russell, Dana Cooper, Sisters Morales, Vince Bell and Rick Nafey, and has also appeared onstage with Willie Nelson, Stevie Ray Vaughan, B.W. Stevenson, John Stewart, Doug Sahm, Gene Clark, Bob Neuwirth, Geoff Muldaur, Jimmy LaFave, and Lyle Lovett.
Awards and honors: Great American Song Contest 2004, Contemporary Acoustic/Folk honor award for "Wild Dreams of the Shy Boys."
Austin Chronicle Music Poll, 1997: Strings (14th) (winner: Champ Hood)
Music City Texas awards, 1994: Female Vocalist, Acoustic (honorable mention); Female Vocalist, Rock (third); Female Vocalist, Blues (HM); Good Attitude (HM); Fiddle/Violin (HM); Woman of the Year (HM); Female Instrumentalist (HM); Female Vocalist, Overall (HM); Female Songwriter (HM); Acoustic Act (HM).
MTV Beach House Band (HM), 1994
Academy of Country Music, inducted 1992-93
Female Vocalist of the Year, Los Angeles Chapter, California Country Music Association, 1992
Sarah Elizabeth Campbell
Location Is Exactly the Right One
RECEIVED Thu., Jan. 25, 2007
Dear Editor,
I live and work and lead a citizen-based proactive group in the Bull Creek Watershed. From 15 years of active engagement, we have a solid understanding of what impacts our watershed. We do volunteer work that actually results in environmental improvements. We support any kind of development that is eco-sensitive. Based on a thorough review of the Bull Creek Water Treatment Plant 4 plans, it is clear that it will not harm the Bull Creek ecosystem or any species in it. There are no Golden-cheeked Warblers or Black-capped Vireos or Jollyville Salamanders or endangered cave insects on the proposed plant site. The design of the plant, its distribution system, and its environmental controls are sufficient to protect all species anywhere in the watershed. This will be the most environmentally sound water plant on the planet. It will be a model of the best practices that others will follow. Every stakeholder in the process who has carefully examined the plans and understands them would come to this same conclusion.
I live and work and lead a citizen-based proactive group in the Bull Creek Watershed. From 15 years of active engagement, we have a solid understanding of what impacts our watershed. We do volunteer work that actually results in environmental improvements. We support any kind of development that is eco-sensitive. Based on a thorough review of the Bull Creek Water Treatment Plant 4 plans, it is clear that it will not harm the Bull Creek ecosystem or any species in it. There are no Golden-cheeked Warblers or Black-capped Vireos or Jollyville Salamanders or endangered cave insects on the proposed plant site. The design of the plant, its distribution system, and its environmental controls are sufficient to protect all species anywhere in the watershed. This will be the most environmentally sound water plant on the planet. It will be a model of the best practices that others will follow. Every stakeholder in the process who has carefully examined the plans and understands them would come to this same conclusion.
Skip Cameron
Bull Creek Foundation
Bull Creek Foundation
Offhanded, Put-Together Slam Is Disappointing
RECEIVED Thu., Jan. 25, 2007
Dear Editor,
Corrections for review Run Out of Darkness, Mandy Mercier (Wild Cantinas) ["Texas Platters," Music, Jan. 26]. Sorry to read that Mr. Caligiuri didn't like my album but I wanted to acknowledge the great guitar work of Ben Cocke, who also wrote "Call It Love," the single, and appears on most of the tracks. Many others also contributed, not noted in your review, including Shake Russell, Dana Cooper, Champ Hood (RIP), and Ray Wylie Hubbard (who authored and sings a duet with me on the title track).
This gratuitously harsh and offhandedly put-together slam is quite a disappointment, to say the least, after nearly 30 years in the community. Thanks to those who have been supportive of me and of this record.
Corrections for review Run Out of Darkness, Mandy Mercier (Wild Cantinas) ["Texas Platters," Music, Jan. 26]. Sorry to read that Mr. Caligiuri didn't like my album but I wanted to acknowledge the great guitar work of Ben Cocke, who also wrote "Call It Love," the single, and appears on most of the tracks. Many others also contributed, not noted in your review, including Shake Russell, Dana Cooper, Champ Hood (RIP), and Ray Wylie Hubbard (who authored and sings a duet with me on the title track).
This gratuitously harsh and offhandedly put-together slam is quite a disappointment, to say the least, after nearly 30 years in the community. Thanks to those who have been supportive of me and of this record.
Mandy Mercier
A Pox on All Sides
RECEIVED Thu., Jan. 25, 2007
Dear Editor,
Mr. Black declares that President Bush is shallow [“Page Two,” Jan. 26]. Now there is a bulletin. But why stop there. This entire dumbass, video-game playing, fashion-obsessed, have-to-have the latest CD, Paris Hilton-loving country of ours is that way, on both the left and the right. Neither side has a monopoly. Mr. Black, allow me to introduce you to the great majority of Americans. We neither supported vigorously nor opposed the Iraq war. Don't confuse our support for the troops. They are just kids with jobs that may get them killed. As with countless generations of us before every war we have ever fought we approached this with a mixture of dread and hope, probably not unlike people in other countries. We tried to maintain some faith in career government officials tasked with these things because, unlike some self-appointed oracle sitting in his cubicle in Austin, they have the job. OK, they blew it. We have no problem saying that out loud. But to those who botched the job and even now support the current course in Iraq and to those standing around with the their thumbs hooked in their suspenders gloating, "I was agin' it from the start," we vote a resounding, "a pox on both of you." We've had about enough of both extremes whacking us around because we didn't and don't genuflect at the revelation of some bit of wisdom that, at least in the view of each side, should have been self-apparent. And as for shallow, how about reading the pages of your own publication. It's page after page of this or that deep, meaningful, insightful, thought-provoking, humankind altering, earth shattering (take your pick) – huh – guitar-playing singer. Perish the thought that any of them should be merely entertaining. That will never do. This isn't written in anger. Mr. Black, I think you are a very, very smart man. But when you are thundering away at those idiots on the far right, at least be courteous enough to acknowledge the existence of those of us over whose heads you are shooting. I would say no less to them.
Mr. Black declares that President Bush is shallow [“Page Two,” Jan. 26]. Now there is a bulletin. But why stop there. This entire dumbass, video-game playing, fashion-obsessed, have-to-have the latest CD, Paris Hilton-loving country of ours is that way, on both the left and the right. Neither side has a monopoly. Mr. Black, allow me to introduce you to the great majority of Americans. We neither supported vigorously nor opposed the Iraq war. Don't confuse our support for the troops. They are just kids with jobs that may get them killed. As with countless generations of us before every war we have ever fought we approached this with a mixture of dread and hope, probably not unlike people in other countries. We tried to maintain some faith in career government officials tasked with these things because, unlike some self-appointed oracle sitting in his cubicle in Austin, they have the job. OK, they blew it. We have no problem saying that out loud. But to those who botched the job and even now support the current course in Iraq and to those standing around with the their thumbs hooked in their suspenders gloating, "I was agin' it from the start," we vote a resounding, "a pox on both of you." We've had about enough of both extremes whacking us around because we didn't and don't genuflect at the revelation of some bit of wisdom that, at least in the view of each side, should have been self-apparent. And as for shallow, how about reading the pages of your own publication. It's page after page of this or that deep, meaningful, insightful, thought-provoking, humankind altering, earth shattering (take your pick) – huh – guitar-playing singer. Perish the thought that any of them should be merely entertaining. That will never do. This isn't written in anger. Mr. Black, I think you are a very, very smart man. But when you are thundering away at those idiots on the far right, at least be courteous enough to acknowledge the existence of those of us over whose heads you are shooting. I would say no less to them.
Scott Sexton
