A vintage of the pre-Christmas movie Lindsay Lohan rebrand, this schlock vehicle didn’t so much shock viewers upon release as made them weary. Like many of its ilk, director Chris Sivertson’s film borrows heavily from Italian slasher subgenre giallo in ways both bad and slightly more bad. However, as has happened for almost every Aughts-era flop, a reappraisal has been launched for Lohan’s dual-identity thriller that continues with Hyperreal’s screening. While Chronicle critic Steve Davis labeled it “a bloody mess, in more than one sense,” HFC programmer Cynthia Muñoz maintains the film offers much to fans of “camp, giallo, or re-examining the toxic way 2000s media treated young women.” – James Scott
Wed., Jan. 8