Since the early days of her art practice,
Rebecca Rothfus Harrell has been influenced by the
American Precisionists of the 1920s and '30s – particularly their approach to spatial organization, dimensional & time flattening, and selective realism. And now? "I've been documenting what I identify as the primary signifier of the state of flux across the country," says Harrell. "An empty sign hanging askew above a bolted front door, a familiar shaped frame with exposed bulbs towering over the defunct gas station or the torn fabric of a shop sign exposing the supports intended to hold it taut. I find these structures visually and conceptually captivating." We reckon, the way the artist has rendered these images, you will, too.
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